Processing Plant (ca. 1954) of the Germania Mine in Dortmund, Germany, by Fritz Schupp

No title available
"I'm Dorothy Gale from Kansas"
sheepfilms
he wasn't even looking at me and he found me
taylor price

titsay

shark vs the universe
cherry valley forever
art blog(derogatory)
trying on a metaphor
wallacepolsom

No title available

Discoholic 🪩
I'd rather be in outer space 🛸
Lint Roller? I Barely Know Her
Jules of Nature

oozey mess

❣ Chile in a Photography ❣
RMH

Kaledo Art

seen from Malaysia

seen from United States
seen from United States
seen from Argentina

seen from China

seen from France
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from Brazil
seen from Greece

seen from Germany

seen from United States

seen from Malaysia
@arh3
Processing Plant (ca. 1954) of the Germania Mine in Dortmund, Germany, by Fritz Schupp
118 Apartments by Amann Canovas Maruri
The vivid third floor is a platform of public space, with commercial uses below and residential above.
© medusa group - university of agriculture - poznań, poland - 2001
Architecture Must Burn. Aaron Betsky & Erik Adigard. 2000
The Floating Time Archives of Greenwich | Drew Chapman Location: Greenwich Peninsula, South East London, England
The scheme is part museum, part workshop, part shipyard and part archive - bringing together the different histories and functions of Greenwich Peninsula’s past into one facility. The project is a reaction to the changing weather conditions that affect the peninsula, river thames and London’s banks. Rising water levels and flash flood conditions are embraced with the creation of floating architectures, which are built on-site, then distributed around the building. Each of these floating architectures are vessels which operate as individual galleries, housing artefacts taken from the four museums of Greenwich, which would otherwise be threatened by the worsening floods. The tide is let in and used to change the building spatially, as well as being used to transport and rearrange the vessel galleries. Furthermore, the connection with the tide means the building is intrinsically linked with time through the effects of the lunar cycle, at home of modern time itself, Greenwich.
Fortune Penniman
(AA School 2015 Dip5)
Kanagawa Institute of Technology KAIT Workshop | Junya Ishigami + Associates | Via
The Baltic Rocktower, 2015, Alexandre Piacsek
www.alexandre-piacsek.com
Andy Warhol
Featured Curator: Liam Graham [cannery-row]
Paris-based illustrator and director Tom Haugomat’s works are minimal in colour and style, using a combination of negative space and powerful composition to create images that vary from the benign to the brooding. His work has appeared in publications like XXI and Le Monde and he is apart of the Parisian workshop Messieurs Dame.
Vimeo Behance
Dekonstruktion | Ralf Brueck | Via
Ralf Brueck uses digital effects to manipulate domestic settings and architectural landscapes into science-fiction like scenarios that warp and confuse the senses. Producing a surreal and paranormal effect, the series’ ‘Dekonstruktion’ and ‘distortion’ are described by stretched buildings, interiors and elements found in nature, transforming commonplace imagery into imagined panoramas.
El Gato Chimney: De Rerum Natura
Utopian Dystopias Samer Fouad
“Everything seems perfect from a far, but it is all far from perfect .“
Check out this tumblr!
Gangs of New York: the Battle for 5 Pointz
Intelligent Pencil
A small sampling of the works of Ibrahim Rajah: “A collection of freelance, post graduate and and undergrad architectural designs and concepts that I have produced over the years.”.
Check out this tumblr!
Boevé House Mathenesserlaan, Rotterdam, Netherlands; 1931-33
Van der Vlugt
Taken from “Van der Vlugt: architect 1894-1936” by Jeroen Geurst, Delft: Delftse Universitaire Pers” (1983)