the weed man but for bisexual characters

♡ Mary/Vi ♡ 20s ♡ it/its ♡ irl mad scientist ♡ dating and matching with @linanord ♡ thirdwheeling my gf and @ratanemia's divorce ♡

[aroacexuemeng]

anime and manga and webtoons

webnovels and classic literature

hashihime of the old book town

i like bunnies and space and cute things

[house-of-mirrors]

Post about increasingly niche stuff that nobody follows you for and barely has a tumblr presence NOW

[house-of-mirrors]

That indie game no one else has played. That show from the 1980s that isn't big in the pop culture osmosis. Your deep dive into Tudor history. A liveblog of your experience learning C++. Your welding skills. Post all of it. This is your house

[aroacexuemeng]

sorry boss i can't come to work tomorrow because i can't sleep because my whole street is making football noises

[aroacexuemeng]

did football happen

[worldsworstfemale]

i don’t care about the world cup what about me

[anxietyproblem]

[aroacexuemeng]

hai!

i noticed you're reading jwqs and have thusly been infected with the loving qiyan agula disease. how is the novel so far?

Hiii i love it so far!! But there's so much happening and i don't remember what happiness feels like anymore..... Qiyan Agula is such a great character though. Support women's rights and also women's wrongs. Every time she commits arson or beats up her brothers-in-law i cheer in my heart. ALSO i love Nangong Jingnu i think even more than Qi Yan because her character development is so palpable but also so heartbreaking like she had to grow up so fast first through her marriage and then through the role she's been pushed into.... i just miss her carefree days so much 😭😭😭😭😭 🥀🥀🥀🥀🥀

[aroacexuemeng]

the idea of oat milk being a woke drink is so funny to me. my very unwoke vegetarian father drinks like 5 giant glasses of oat milk per day because it's so yummy

[draculagerard]

woke deadbeat father: i'm just going to get some oat milk

[shinumeru]

Karma portraits

[mchi22]

i fuckin hate games where u furnish/decorate a house because it reminds me i truly have no fucking idea what youre supposed to have in a room

[mchi22]

[junjaaa]

[tlirsgender]

We need more women characters who are Male Protagonists. You know. Slightly haggard. She's splashing cold water on her face and gripping the edge of the sink staring in the mirror for a minute. She's coping badly with her deadwife

[tlirsgender]

Ok listen I get that people tagging posts with men is a rule of physics on this hellsite but it's kind of bizarre how badly some of you have failed the assignment on this one. A generic male protagonist archetype who is a man is nothing. That's just the normal cliche I'm talking about subverting. What?

[tlirsgender]

Like if you are For Serious headcanoning your blorbo as a trans woman I am kissing you on the head. But I KNOW most of you are not doing that. Come on. For one dollar name a fictional woman. No being a loser does not make him a woman try again

[cryptotheism]

Ponder like an uncle but post with a nephews spirit

[mothcub]

Star fantasy.

[classicslesbianopinions]

it is like. i am deliberately not posting that much about the nolan odyssey because i don't have much genuine interest and i find the whole like outrage theater people do at adaptations to be exhausting and unproductive and often misguided + i don't really care what celebrities are doing. but zendaya's 3000-year-old iranian earrings are like. such an on-the-nose fuck you. like 1. you can practically feel the stylist going "oh, it's old, it must be on-theme!" without really considering that ancient cultures are not interchangeable. but also 2. there's a very clear and important difference between ancient greece and ancient iran, in that there's a reason zendaya isn't wearing ancient greek artifacts on her ears--ancient greece has a cultural cachet that ancient iran does not, by virtue of its position as the perceived origin point of "western" (white) civilization. they are just interchangeable enough that zendaya can wear the artifacts of one civilization to a premiere of a work based on the mythos of another, but just different enough that she can get away with one but not the other.

and of course there's 3. which is that modifying and wearing a cultural artifact of dubious provenance taken from a country the us is actively bombing (and in doing so presumably destroying plenty of historic buildings/artifacts) asserts a certain lack of respect for and/or sense of ownership over that country's people and culture. and obviously this is what makes it seem like such a specifically heinous move.

[perrenlore]

Really important to note when it comes to (3) that the elite (and frankly Orientalising) appropriation of ancient Near Eastern artefacts as jewellery has a long colonial history. Cylinder seals are these little cork-shaped cylinders with pictoral or written designs engraved on them, and work the same way as a signet ring in that you could roll them over wet clay to leave an impression of the engraved relief on the clay to dry. They look like this:

(Cylinder seal of First Dynasty of Ur Queen Puabi, found in her tomb, dated circa 2600 BC, with modern impression. Inscription: 𒅤𒀜 𒎏 - Pu3-abi(AD) Nin - Queen Pu-abi. Nicked straight off Wikipedia as it's a fab comparison of seal / relief.)

In the British Museum you can find "Lady Layard's jewellery". Austin Henry Layard is a guy whose academic efforts I'm admittedly very indebted to. He was passionate about Venetian and Roman glass and did a great job re-popularising both styles in the UK, but more importantly he was the assyriologist who excavated Nineveh and the Library of Ashurbanipal—where we've found the majority of the Gilgamesh tablets. Pioneer figure in terms of Near Eastern archaeology... but check this out:

This is a necklace Layard had made for his wife. It uses real cylinder seals.

To quote the British Museum's entry on the item: One cylinder seal is Akkadian (about 2200 BC) and four belong to the second millennium BC, but eight are late Assyrian (about 1000-612 BC). Late Babylonian and Achaemenid stamp seals (about 600-350 BC) are used for the pendants and clasp.

Enid later wrote in her diary that, when they dined with Queen Victoria in 1873, it was 'much admired'.

Ancient Near Eastern artefacts, repurposed as jewellery in a set that doesn't give a single fuck about accurately dating them, let alone treating them with the sort of respect you might perhaps expect of items over four thousand years old. Instead they've become a mark of elite colonial status, an Oriental curiosity utterly separated from their historical context. They're 'old'. They're non-descriptly 'other'. Time and place dissolve into an attractive and vague exoticism.

All while the place these seals have been appropriated from is busy being exploited by the very empire this "jewellery" is being shown off to!

So to bring it back to your third point: you're absolutely right!!! And this has precedence dating right back to the start of Western study (and plundering) of the Ancient Near East. It's a carelessness, it's an ignorance of historical context, and it's explicitly colonial.

[classicslesbianopinions]

thank you for the added context!

[sawed-on-shotgun]

need a hat that says I WONT SPEAK UNLESS SPOKEN TO AND ITS NOT BECAUSE IM DISINTERESTED AND DONT LIKE YOU I JUST DONT UNDERSTAND SOCIAL INTERACTION AS WELL AS MOST PEOPLE AND ASSUME BY DEFAULT MY PRESENCE IS UNWELCOME AS A PRECAUTIONARY MEASURE SO I KEEP TO MYSELF BUT I DONT MIND IF YOU INITIATE so i can wear it to work