I really love her and the whole dwarfs storyline in the Discworld
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I really love her and the whole dwarfs storyline in the Discworld
Discworld Heritage Post
this should be the most reblogged post on tumblr before it dies
We need to reblog this so much that the post breaks
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Keep. Reblogging.
If we reblog enough we could save it
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how did this lose over 5k notes
I’m glad we cost Yahoo 2 billion dollars.
it’s like a perfectly preserved body at Pompei
Finding this on my normal dash is like taking a stroll through the Park and suddently stumbeling upon the Codex Hammurabi just lying there.
we are still reblogging
choose a major you like and you'll never work a day in your life because you'll have killed yourself by the end of your undergrad
Imagine being Jack Abbot and you come home from a nine month deployment and your twink bf has turned into this. I bet he blacked out for a second.
This was an earlier draft of my essay about Buffy’s relationships, specifically regarding Buffy blaming herself for Angel losing his soul, written in response to this GIF post.
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Buffy and Angel’s relationship is about using love as a shortcut to redemption.
Angel’s love for Buffy is rooted in his love of her innocence—a thing he lost long ago and hopes to regain by helping her. When Buffy “loses her innocence” by having sex with him (her idea), Angel loses his chance to be redeemed. His mission was to help Buffy and support her. By taking comfort in her flesh, in his mind, he betrays his redemption (much like when he feeds on her in Graduation Day). He loses control—and thus reverts to Angelus—the version of himself that was brought about by his previous ‘sinful’ vices as Liam—drinking, womanizing, etc.
Buffy’s ‘sinful’ human desire—to have sex—meant she was not a pure and innocent mirror for him to project his redemption onto. So she blames herself. When Angel comes back in season 3, their entire relationship is based around proving their love for each other by maintaining endless virtue. By denying and repressing ‘sinful’ human need and not losing control. Faith tells Buffy she doesn’t like watching Faith live so freely because it shows her who she could be if she lost control. Faith is kind of a proto-Spike.
Angel and Buffy’s relationship feels “pure and innocent” because it literally cannot be anything else. It is idealization of purity—because purity is uncomplicated. It requires no work, no self-reflection. Angel’s internal psychology is what determines that sex with Buffy will cause him to lose his soul—not the curse. Angel’s moment of true happiness could be eating ice cream or holding his infant son. Angel is the one who has decided sex with Buffy is the source of his redemption and damnation. And Buffy, in her tendency to take responsibility for others, sees that as her problem to fix, her burden to bear. So she resigns herself to a life of ‘purity’ and tells herself it’s love. If she can give up all of her selfish, ‘sinful’ desires of the flesh, then she must really love this person. But that’s just self-abandonment.
Buffy and Spike’s relationship—conversely—is about finding redemption through love. And through the flesh.
Buffy initially “uses” Spike for sex. Wild, crazy sex. Losing control just to be able to feel. Her heavenly ‘purity’ was stripped away when she was taken out of Heaven and brought back into the human world of need, desire, and ‘sin.’ She says: “this is Hell.”
Through sex, she seeks damnation. She wants to experience what Angel experienced—becoming something as damned and impure as she now feels. She wants to be liberated from purity—and the expectations to be endlessly self-sacrificing and responsible for everyone all the time. She gave her life for the world and her friends—and they still wouldn’t let her rest.
But to be liberated from purity is to be sinful, damned. Bad.
But Spike doesn’t discard her or reject her. He still loves her in her badness, her impurity. And she assumes that’s just because he’s evil and selfish—not because he’s capable of actual love. That’s why she always tells him he doesn’t really love her. Because she can’t conceive of someone loving her when she is not innocent or pure. She can’t handle someone loving her for simply being Buffy—broke, depressed, hateful, smelling of fast food—not the righteous and ever-pure Slayer.
Spike doesn’t care about redemption. He likes himself as he is. But he does care about being worthy of love. Of Buffy’s love in particular—not just anyone’s.
Spike earns his soul not just to prove he can be worthy—he also does it so he never again hurts the person he loves. And never again forces her to bear the burden of his actions and desires. Because, of the two of them, she should have “known better” than to enter into a relationship with him (“you know what I am and you come to me just the same”). By earning his soul, he becomes a person who should “know better” and effectively relieves her of the burden of being responsible for his ‘sinfulness’—something Angel only does by leaving her “for her own good”—an act of performative nobility long after the damage is already done.
Buffy’s relationship with Angel makes her older—not wiser. It sets the stage for her being emotionally unavailable with Riley—lest she once again take on the burden of another man’s insecurities.
Her relationship with Spike is brutal because of all the walls she’s built around herself from her belief that she’s not enough unless she allows herself to be completely erased and consumed into her partner’s story.
Spike rips down all of these walls with his refusal to be the main character. He allows Buffy’s pain to be the main character—something she’s never had before. And it destroys her. She hates him for it. She hates him for loving all the parts of herself she cannot love—all the parts of herself she has disowned. The worse she treats him, the more he loves her.
The moment Spike puts his own needs first, allows his pain to be the main character, he harms her. And in that moment he knows he cannot ask Buffy to be one to resolve his pain, to love the parts of himself he has disowned—he must do it himself.
And, in doing so, shows her she must also do the same.
That’s healing. That’s growing. That’s real love.
I’m not offering a value judgment—just an analysis of evolution. Angel has to go on his own journey on his show to break away from this well-meaning but dysfunctional paradigm he created. Because we all know the path to hell is paved with good intentions.
I think what we are meant to take away from Buffy’s relationships are lessons about the difference between fantasy versus reality, of innocence versus maturity, of intention versus action, of self-abandonment versus self-acceptance.
And that in order to be Chosen, you must choose yourself.
The ultimate love of Buffy’s life is Buffy. Any other answer misses the point.
God this is so good. And it's why Spuffy aged as well as it did, despite everything they tried to do to sabotage it.
Cadelazzino - Framura - Deiva Marina 2026
aro/ace mel is superior bc it makes the “she has everything and now she’s gonna fall in love and get married and i’m gonna be completely alone” line hit so much harder. mel is devastated that becca has a romantic partner bc she doesn’t want one! mel isn’t interested in a long term relationship or marriage. and of course there’s nothing wrong with becca wanting that! but it’s like a core part of the aspec experience that the people you love and cherish will get married and get busy with their new family lives and a lot of the time you will be left behind because of that. of course she’s terrified of being alone. she doesn’t want what everybody else wants. there’s no future for her where she has a partner and kids and in-laws. she needs friends but she doesn’t have any and when she gets some who knows if they’ll leave her too once they get into relationships? oh melissa we WILL get you a community.
Uhhh, yeah, could you grab me a sense of purpose and will to live?
first tumblr post being the pitt in 2026 is crazzyyy
WIP of PTMC f(l)ag football or whateva
Updated WIP. Nightcrawlers Vs. Daywalkers annual flag football match
heheh hai yurified Dr. Henderson hello hello hello diva.
Gonna draw some more w/ other players and Shen + Al-Hashimi as coaches.
Tough day
the club moss I got for my terrarium is dying, despite being lovingly packed into organic soil with oven-fried leaf litter and bioactive springtails and isopods, and meanwhile in my fridge my fuck ass onions are sending out bright green shoots as happy as could be in their cold dark box of fucking nothing
there's something just amazing about john gaius being all "i saved the world, but not for me", blatantly riffing off of lord of the rings, which no one will ever call him on, bc he's the only person who remembers lord of the rings. to make matters worse better more, he's not even quoting the book. he's quoting the movie. so lame, you think, and then you remember where the movies were filmed and about the hobbit tax and the maōri stuntpeople who only ever got to play "evil ugly" orcs and easterlings and all of that and oh boy it's all connected here isn't it
but it also is unambiguously hilarious of him to compare himself to frodo. it's like if frodo set out to destroy sauron but orcs kept trying to arrest the fellowship and call him a charlatan on the middle earth news or whatever and also halfway through he gets hit up by gondor and they tell him that denethor just died and they need him to use the ring to reanimate his corpse and he just does it. and in the end frodo loses it and destroys all of middle earth except sauron who runs away on a spaceship
wait hold up i'm back. i was going to be all "how dare you stand where he stood" but then i remembered what actually happened, famously, to frodo: he failed at the last step. he claimed the ring. (he just was lucky gollum happened to be there and disaster was averted.) he tried very hard, but in the end, he just couldn't do what he'd set out to do. sure yeah i can maybe see how jod would relate to that
Perhaps also relevant:
Gollum's last moments before descending under the Misty Mountains:
After Frodo begins experiencing possessiveness for the Ring:
And John, and C— and N—'s wedding:
feel free to cite the deep magic to me witch i was there when it was written but my memory is like REEEEALLY shitty
Reblogging this manually. Op doesn't want credit for fear of being terminated.
and it'll survive without you