Minneapolis Institute of Art

Inspiring wonder through the power of art. http://new.artsmia.org.

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We’re preparing for the arrival of something colossal! Three Egyptian colossi to be exact. #sunkencities Tickets now on sale for “Egypt’s Sunken Cities,” opening Nov.4, at artsmia.org. Don’t miss this epic story of discovery. More than 1200 years ago, two ancient cities were lost to natural disasters and the rising tides of the Mediterranean Sea. Two decades ago, underwater archaeologist Franck Goddio and his team discovered those cities, revealing monumental statues, religious images carved in stone, exquisite jewelry, and delicate ceramics—and a greater understanding of life during the age of the pharaohs. Don’t miss this epic story of their discovery. #sunkencities #museum #artmuseum #minneapolis #minneapolisinstituteofart #artsmia #egyptianart #egypt #history #underwaterarcheology #art #exhibition #behindthescenes (at Minneapolis Institute of Art) https://www.instagram.com/p/BoJoAhCn4XW/?utm_source=ig_tumblr_share&igshid=1tz8tukbqc80k

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"Riddle Mia This" is Mia's new FREE app that transforms the museum into a puzzle room experience! Download it to your phone or borrow a device from the front desk to play the game and solve the mystery next time you visit. This project the result of Mia's @3m Art Tech Prize, supported by @accenture. #RiddleMiaThis #Museum #MuseumEd #MuseumTech #ArtMuseum #PuzzleRoom #RiddleRoom #EscapeRoom #AR #ARexperience #ArtTech #3M #Accenture #Minneapolis #MinneapolisInstituteofArt #artsmia #TwinCities (at Minneapolis Institute of Art) https://www.instagram.com/p/Bn1nfOtHpFB/?utm_source=ig_tumblr_share&igshid=1a9ghx0uy5rnl

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Something big is headed our way, some might even call it colossal! So, in the meantime we’re moving a few things around to make room. “Egypt’s Sunken Cities” opens later this fall at Mia, and you won’t want to miss this one! #sunkencities (at Minneapolis Institute of Art) https://www.instagram.com/p/Bnj005dny2R/?utm_source=ig_tumblr_share&igshid=1kd7kbwbyerh4

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'"This collection from Chicago represents a very strong, influential tradition of art that came out of a center that is not on the coasts and that is still oftentimes overlooked simply because it is not New York," said Robert Cozzolino, the Art Institute's curator of paintings. "It's as blunt as that." Bluntness is not part of Minnesota's culture, but Chicago and Minneapolis do have this in common: They often get left out of art world dialogues. The umbrella term of Chicago Imagists really embraces two distinct generations of artists: "The Monster Roster," which included artists Dominick Di Meo, Leon Golub, Nancy Spero and June Leaf, many of whom served in World War II and went to art school on the G.I. Bill, and a younger group known as "The Hairy Who." Artists such as Gladys Nilsson, Jim Nutt, Karl Wirsum and Jim Falconer, who exhibited in the late '60s, were more concerned with the body, the language of advertising, challenging gender roles and general pop culture.' - @aliciaeler for @startribune on "Art from Chicago," our new FREE exhibition on view through January 6, 2019, at Mia. (at Minneapolis Institute of Art)

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Happy first day of the @mnstatefair! We’re celebrating the great Minnesota get-together with this photo from Mia’s collection of the fair in 1976 by Tom Arndt. (Check out a few more fair photos in the collection in our story!) . . Thomas F. Arndt, United States, 1944. "Minnesota State Fair, St. Paul, Minnesota," 1976, Gelatin silver print. Gift of First Banks, 87.35.4, © Tom Arndt . . #mnstatefair #onlyinmn #photography #tomarndt #minnesotastatefair #gelatinsilverprint #1976 (at Minneapolis Institute of Art)

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Now on view, FREE, through October 28, 2018, "Prediction Error" by Beth Dow is the latest show from the Minnesota Artist Exhibition Program at Mia. Throughout her career, Beth Dow has explored the dual nature of the photograph as both an image you see and an object you handle. For her exhibition, Prediction Error, Beth plays with our perception and expectations. Without signals (like flower stems, blue skies, or natural colors) which ground our understanding of the images, we might become uncomfortable. The absence of what we expect to see in a photograph creates a disconnection within our perception that can result in abrupt adjustments within ourselves—physically and mentally. We begin to question our vantage point within the image and, ultimately, the nature of the photograph all together. Dow’s photographs have been exhibited throughout the Midwest, as well in New York, the United Kingdom, Japan and China. She has been the recipient of a Minnesota State Arts Board Fellowship (2008), a McKnight Foundation Fellowship (2004), and a Greater London Arts grant (1989). This exhibition is part of the Minnesota Artists Exhibition Program, now located in U.S. Bank Gallery. Generous support for MAEP provided by: McKnight Foundation Additional support provided by RBC Wealth Management and Helen and Dan Lindsay. #MinneapolisInstituteofArt #artsmia #MNArtist #MinnesotaArtistExhibitionProgram #BethDow #PredictionError #Photography #LocalArt #LocalArtist #photographer #5womenartists #exhibition #Minneapolis #TwinCities #OnlyinMN #CaptureMN (at Minneapolis Institute of Art)

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Yasufumi Nakamori, Mia's curator of photography and new media, and our very talented art crew are putting the finishing touches on a new FREE exhibition. "A History of Photography Remix: Selections from the Mia Collection," features big name photographers along side never before seen new accessions, and it opens this weekend in Mia's third floor photography galleries. From its inception in the 1820s, photography has become the most popular medium for artistic expression. Today, photographs are everywhere, whether made with a smartphone or encountered online, at home, in magazines—or here, in an art museum. Photography’s power is undeniable: photographs communicate what words cannot. This thematically organized exhibition draws from Mia’s vast and varied collection of approximately 12,500 photographs. Together, they form a constellation of photographic visions and practices that extend across numerous places and points in time, revealing a multiplicity of histories, techniques, and perspectives. One of the first art museums in the United States to collect photography—since 1965—Mia continues to expand its collection. This exhibition also showcases many recent acquisitions and promised gifts that provide new connections and insights. (http://bit.ly/2Oslvax) #MinneapolisInstituteofArt #artsmia #Museum #Art #ArtMuseum #Exhibition #Photography #HistoryofPhotography #FromtheCollection #FreeExhibition #Minneapolis #TwinCities #OnlyinMN #ExploreMN #CaptureMN #Inspiration #installation #BehindtheScenes #Curator #ArtCrew #Gallery #Photograph #PhotoShow (at Minneapolis Institute of Art)

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In celebration of #InternationalCatDay, be sure to swing by Gallery 315 and say hello to the many felines featured in "The Rabblerouser and the Homebody: Minnesota’s Elizabeth Olds and Wanda Gág," including those pictured in this 1937 lithograph. Wanda Gág said she was charmed by the way cats “fit themselves into and over all sorts of places and spaces.” Here their blissful pliability contrasts with the hard geometries of stove, logs, and kindling box. Our eye travels from curve to curve around a warm pool of light. Surprisingly, Gág had only two cats while making "Siesta," Snoopy and Snooky. She sat and sketched their antics on the kitchen floor, then used their various poses for this print. The same cats were her models for her book "Millions of Cats" ten years earlier. Wanda Gág (United States, 1893–1946) "Siesta," 1937, Lithograph on zinc. The William Hood Dunwoody Fund, 1946, P.12,182. #InternationalCatDay #Cats #cat #meow #WandaGág #lithograph #siesta #art #artmuseum #artist #museum #MinneapolisInstituteofArt #artsmia #exhibition #permanentcollection #fromthecollection #CatDay #🐱 (at Minneapolis Institute of Art)

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Free admission. Everyone is welcome. Always. https://new.artsmia.org/always-welcome Entrada gratis. Todos son bienvenidos. Siempre. Soo Galitaanka Waa Lacag La'aan. Qof Walba Waa La Soo Dhaweynayaa. Marwalba. Nkag dawb xwb. Peb txais tos txhua tus txhua lub sij hawm. Tákudaŋ kažúžu šni. Tuwé owás iyówiŋpi. Óhiŋniyaŋ. Gaawiin giwii-diba'igesiinawaa. Gakina awiya, biiindigebii'igedaa. #Minneapolis #Museum #Art #ArtMuseum #MinneapolisInstituteofArt #artsmia #MiaisMine #EveryoneisWelcome #AllareWelcome (at Minneapolis Institute of Art)

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“Tying the knot” is shorthand around the world for getting hitched, taking the plunge—getting married. But in Somali weddings, at least, it was taken literally: women of the bride’s family made baskets like these and filled them with gifts and food. But one had a twist: it was tied with an impenetrable web of knots, and men from the groom’s family took turns trying to open it. What happens if they can't untie the knots? Find out with Art Stories! Art Stories invites you into interactive, in-depth explorations of Mia’s highlights and hidden gems—from intriguing details to secret backstories. And be sure to check out this basket in person at Mia in Gallery 254. For more in-depth stories, video, audio stops, and details about the art at Mia visit more.artsmia.org. Somalia (Africa). “Basket,” 20th century, Fibers, leather, beads, cowrie shells, cloth. The Mary Ruth Weisel Endowment for Africa, Oceania, and the Americas, 2010.73. (https://bit.ly/2JvPIr0) #weddingseason #ArtStoriesMia #MinneapolisInstituteofArt #SomaliArt #WeddingBasket #SomaliWeddingBasket #artsmia #museum #artmuseum #art #Basket #Beading (at Minneapolis Institute of Art)

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🚲🚲🚲 Roll right through our doors into #BikeNightMia on Thursday, July 26, from 6-9 p.m. This FREE event brings the local biking community together to connect, create, play, and explore in the museum's backyard! Enjoy live music from @ggrraavvee and indulge in tasty treats from @caferacermn and 9 Yum Yum Ice Cream Truck. Play lawn games with @midtowngreenway, get creative with @cyclingmuseumofmn, try a roller race with the MN Cycling Center, get crafty with bike tubes and @fullcyclebikeshop, screen print with @perennialcycle, check your bike for safety w/@ cherrycycles, check out the latest and greatest gear from @oneononebike and äventyr, sign up to race the @Powderhorn24, and of course, pose with an iconic green cruiser in the @niceridemn photo booth. Bike Night is part of Mia's Third Thursday event series, which is hosted by Ameriprise Financial. Wanna bike to the event together? Join the official #BikeNightMia @30daysofbiking group ride to the event: on Thursday, July 26, meet at 4:30 p.m. at @surlybrewing. The @joyfulridersclub will leave from Surly at 5:30 p.m. and lead the way to the museum! (at Minneapolis Institute of Art)

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“You must aim high, not in what you are going to do at some future date, but in what you are going to make yourself do today. Otherwise working is just a waste of time." - Edgar Degas Happy Birthday #EdgarDegas! The French impressionist artist most known for his paintings and drawings of dancers was born on this day in Paris in 1834. We're joining our friends at @mfaboston, @artinstitutechi, @philamuseum, @gettymuseum, @clevelandmuseumofart, @lacma, and others in choreographing a Degas birthday dance by sharing #DegasBallerinas today. Check out our story for more views of this dancer and the additional Degas dancer sculpture you can see to the left in the background of this photo! Edgar Degas (French, 1834-1917), "Little Dancer, Aged Fourteen" 1878-1881, Bronze, Airandor-Valsuani cast, 1998. Anonymous loan. This artwork is currently on view in Gallery 351. Marie van Goethem, the model for this sculpture, was a novice at the Paris Ballet, where inexperienced dancers like her were given the unglamorous nickname "rats." Edgar Degas was a sympathetic chronicler of the daily life of ballet dancers and was always searching for new ways to depict movement and form. With a pencil or pastel crayon, he quickly captured fleeting moments on stage or in rehearsal. This bronze was cast from a plaster version of Degas' original colored-wax sculpture, which caused a sensation when it debuted--dressed in real ballet slippers, tutu, and bodice--at the 1881 Impressionist exhibition. Some critics called the sculpture "hideously ugly," while others praised its realistic depiction of a teenage girl. #EdgarDegas #DegasBallerina #ArtistBirthday #ArtistQuote #Inspiration #MinneapolisInstituteofArt #Degas #Sculpture #Dancer #Ballerina #Creativity #Bronze #Impressionist #Impressionism #Art #ArtMuseum #Museum #artsmia (at Minneapolis Institute of Art)

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Mia enriches the community by collecting, preserving, and making accessible outstanding works of art from the world’s diverse cultures. Ever wonder what the "preservation" piece of our mission statement looks like? Here's some of our friends from @preserve.art conserving Mia's Frank Stella 1969 painting "Tahkt-I-Sulayman Variation II" thanks to @BankofAmerica's #BofAConservation grant program. Check out some video clips of the conservation in progress in our story! #Conservation #Preservation #ArtConservation #MidwestArtConservationCenter #MinneapolisInstituteofArt #artsmia #FrankStella #painting #museum #artmuseum 🖼: Frank Stella (United States, 1936), "Tahkt-I-Sulayman Variation II," 1969, Acrylic on canvas. Gift of Bruce B. Dayton, 69.132, © 2014 Frank Stella / Artists Rights Society (ARS), New York. (at Minneapolis Institute of Art)

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“Art and Healing: In the Moment" is an exhibition of artwork made by local community artists in response to the fatal shooting of Philando Castile. The above image is a detail from one of the artworks in the exhibition, "January 19th, 2015," an oil, pastel, acrylic and photo transfer on panel by Leslie Barlow. Castile was an African-American man who grew up in Saint Paul. On July 6, 2016, he was fatally shot by a police officer in the nearby town of Falcon Heights after being pulled over for a traffic stop. He was 32 years old. In the months after Castile’s funeral, artists across the community were motivated to make art, some of which they gave to his family–-gifts intended to help the people closest to Castile process their grief and start to heal, while also bearing collective witness to the tragedy of his untimely death. The family, moved by this generosity, approached Mia with a desire to publicly share these artworks, which includes video, sculpture, posters, paintings, and quilts. As a part of this exhibition, Mia is providing a Quiet Space for visitors who need a space to reflect after viewing the exhibition. This space is available daily during regular museum hours. In support of this exhibition, Mia is also co-hosting events intended to promote learning and healing on Friday evenings and Saturday mornings through the end of July. This exhibition closes on July 29, 2018. Learn more at artsmia.org. (at Minneapolis Institute of Art)

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Did you know that this 17th-century suit of armor from Japan was probably never worn in battle? Find out who might have owned this suit with Art Stories! Art Stories invites you into interactive, in-depth explorations of Mia’s highlights and hidden gems—from intriguing details to secret backstories. Want more in-depth stories, video, audio stops, and details about the art at Mia? Visit more.artsmia.org to explore! Japan (Asia), “Red-and-blue-laced Suit of Armor from the Kii Tokugawa Family,” 17th century, Iron, leather, lacquer, silk, wood, gold leaf and powder, bear fur. The Ethel Morrison Van Derlip Fund, 2009.60a-s. Currently on view in Gallery 219. #MinneapolisInstituteofArt #ArtStoriesMia #artsmia #JapaneseArt #17thCentury #Armor #Samurai # KiiTokugawa #Art #Museum #ArtMuseum #history #SuitofArmor #Japan (at Minneapolis Institute of Art)

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Happy Birthday #FridaKahlo, born #onthisday 1907. Kahlo is known mainly for her self portraits– often dark and surreal– they deal with identity, corporality, and death. In “An Inner Dialogue with Frida Kahlo (Hand Shaped Earring)”, contemporary Japanese artist Morimura Yasumasa riffs off these themes, using costume, makeup and visual manipulation to fashion himself into Kahlo’s likeness. Come take a closer look in Gallery 369! Pictured: Morimura Yasumasa (Japan, 1951), "An Inner Dialogue with Frida Kahlo (Hand Shaped Earring)," 2001, Color photograph on canvas. Gift of funds from Beverly Grossman, 2010.25, © 2001 Yasumasa Morimura, courtesy of the artist and Luhring Augustine, New York (http://bit.ly/2KRIQnH) (at Minneapolis Institute of Art)

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This is your last weekend to experience two FREE exhibitions featuring artwork by Minnesota artist George Morrison! Don't miss "George Morrison in Focus" in gallery 375 and "George Morrison: Drawings and Small Paintings" in gallery 353! Both shows close on Sunday, July 1. George Morrison (1919–2000) constantly explored new ways to translate nature and personal experience. Born near Grand Marais, Minnesota, Morrison trained in Minneapolis before moving to New York in 1943. Immersed in the culture of improvisation and experimentation in New York, Morrison gradually worked on a large scale and made thickly encrusted paintings shimmering with light and energy. This installation places Morrison’s Untitled (1960) painting in dialogue with artists he knew and exhibited with in the 1950s and 1960s, including Philip Guston, Grace Hartigan, and Louise Nevelson. Recently conserved, Morrison’s painting has not been on view at Mia for many decades. This installation reconnects Morrison’s work to midcentury modernism and reaches forward to suggest his legacy. A newly acquired piece by Andrea Carlson (Anishinaabe, Ojibwe, b. 1979), who early on received encouragement from Morrison, will also be on view for the first time. #georgemorrison #art #artmuseum #museum #painting #abstractexpressionism #abstractexpressionist #minneapolisinstituteofart #artsmia #exhibition #americanart #nativeamericanart #minnesotaartist (at Minneapolis Institute of Art)