artsy*ambitions @artsyambitions - Tumblr Blog

As a kid, I spent quite a while staring at my family's tattered paperback cover for Lloyd Alexander's The High King, the fifth and final book in the high fantasy kid's book series 'Chronicles of Prydain.'

It's a visceral scene that pulls the viewer in like any cover should. Check out the fear in those bugging eyes. The ligaments of the knee. The ligaments on that Couldron-born zombie's neck. A lot of ligaments in this one! This image may have been my childhood introduction to the concept of ligaments.

The artist is the Belgian illustrator Jean-Léon Huens (1921-1984).

traddmoore

Landscapes (2023) Nevada - Texas - Texas - Brooklyn By Tradd Moore

andhumanslovedstories

One of the stranger things about training brand new nurses is explaining how to min max small talk. It feels very weird to coach people on how to chat.

andhumanslovedstories

if I make and post an insanely detailed powerpoint on the twenty different equations I run mentally during casual conversation to make it flow better, everyone has to say that it's sexy and cool and not weird at all

andhumanslovedstories

remember, everyone promised to be cool! also disclaimer disclaimer disclaimer assume I said all the things you'd say to be like "i know human interaction is complicated, i know some of what i listed here would be very annoying to some people," and all that

ruhua-langblr

Duolingo Sucks, Now What?: A Guide

Now that the quality of Duolingo has fallen (even more) due to AI and people are more willing to make the jump here are just some alternative apps and what languages they have:

"I just want an identical experience to DL"

Busuu (Languages: Spanish, Japanese, French, English, German, Dutch, Italian, Portuguese, Chinese, Polish, Turkish, Russian, Arabic, Korean)

"I want a good audio-based app"

Language Transfer (Languages: French, Swahili, Italian, Greek, German, Turkish, Arabic, Spanish, English for Spanish Speakers)

"I want a good audio-based app and money's no object"

Pimsleur (Literally so many languages)

Glossika (Also a lot of languages, but minority languages are free)

*anecdote: I borrowed my brother's Japanese Pimsleur CD as a kid and I still remember how to say the weather is nice over a decade later. You can find the CDs at libraries and "other" places I'm sure.

"I have a pretty neat library card"

Mango (Languages: So many and the endangered/Indigenous courses are free even if you don't have a library that has a partnership with Mango)

Transparent Language: (Languages: THE MOST! Also the one that has the widest variety of African languages! Perhaps the most diverse in ESL and learning a foreign language not in English)

"I want SRS flashcards and have an android"

AnkiDroid: (Theoretically all languages, pre-made decks can be found easily)

"I want SRS flashcards and I have an iphone"

AnkiApp: It's almost as good as AnkiDroid and free compared to the official Anki app for iphone

"I don't mind ads and just want to learn Korean"

lingory

"I want an app made for Mandarin that's BETTER than DL and has multiple languages to learn Mandarin in"

ChineseSkill (You can use their older version of the course for free)

"I don't like any of these apps you mentioned already, give me one more"

Bunpo: (Languages: Japanese, Spanish, French, German, Korean, and Mandarin)

theprofessional-amateur

Oh hey, do you know what time it is? It is highly specific resource time!

Today we have the Royal School of Needlework Stitch Bank! There are HUNDREDS of stitch types in the RSN Stitch Bank.

And more added regularly, let’s look at a recent addition

I picked the first one in the 25 recently added Elizabethan stitches, the Elizabethan French Stitch

The stitch bank provides written and photo tutorials as well as a video option to learn to do it yourself. There are examples of the stitch in use, resources, references, everything but a needle and thread!

RSN Stitchbank

rsnstitchbank.org

sauntervaguelydown

it's funny although a little exasperating how artists designing "princess" or medieval-esque gowns really do not understand how those types of clothes are constructed. We're all so used to modern day garments that are like... all sewn together in one layer of cloth, nobody seems to realize all of the bits and pieces were actually attached in layers.

So like look at this mid-1400's fit:

to get the effect of that orange gown, you've got

chemise next to the skin like a slip (not visible here) (sometimes you let a bit of this show at the neckline) (the point is not to sweat into your nice clothes and ruin them)

kirtle, or undergown. (your basic dress, acceptable to be seen by other people) this is the puffing bits visible at the elbow, cleavage, and slashed sleeve. It's a whole ass dress in there. Square neckline usually. In the left picture it's probably the mustard yellow layer on the standing figure.

coat, or gown. This is the orange diamond pattern part. It's also the bit of darker color visible in the V of the neckline.

surcoat, or sleeveless overgown. THIS is the yellow tapestry print. In the left picture it's the long printed blue dress on the standing figure

if you want to get really fancy you can add basically a kerchief or netting over the bare neck/shoulders. It can be tucked into the neckline or it can sit on top. That's called a partlet.

the best I can tell you is that they were technically in a mini-ice-age during this era. Still looks hot as balls though.

Coats and surcoats are really more for rich people though, normal folks will be wearing this look:

sauntervaguelydown

so you know that ballgown look that people default to when making "princess" designs

this is kind of the fashion equivalent of when an AI has been trained to approximate what art looks like without understanding what it's drawing or how physics work. A costume designer has general recollections of about how the dresses looked from art, and a lot of the art they're learning from is also romanticized revival recreations of earlier art, so things are getting pretty confused structurally.

(I have to blame Disney for a lot of the specific trends but to be clear this was already happening before Disney was born.)

You can probably recognize how the gestalt of the bodice evokes what would actually be two layers--a gown laced over an under-gown, maybe with a stomacher in the same color as the gown.

The skirt is the very distant legacy of a trend that starts around here, in the early 1500's:

deliberately slitting the skirt of your gown so that it shows a triangle of the under-gown peaking through.

You know what a farthingale is? it's this thing.

Reeds sewn into the skirt to give it that round bell shape without needing 100000 layers underneath. Unsurprisingly invented in Spain, where it's hot as fuck. This is also the era where the farthingale starts its evolution into the eventual hoop skirt. You see that wide "ballroom" shape in a lot of princess designs. Princess Peach is a classic example.

Farthingale becomes hoop skirt, and using basically the same technology (reeds sewn into the fabric for support) the under-gown/kirtle becomes stiffened and shaped.

Eventually you get to this very pronounced version of the "slashed skirt" shown in the left figure, below. You can see that the red skirt is probably part of a whole dress, because the red sleeves in the same fabric are visible under the outer gown. (you can also see the chemise at the edge of the neckline). They did have detachable sleeves back then, as a standard part of a gown, so the red sleeves could be pinned to the chemise instead of attached to the body of the gown.

>Right figure, you can see this shit is getting elaborate now. I think that's a white under-gown with a yellow gown and a burgundy overgown. The collar around her neck is actually a partlet, not connected to anything else, just tucked in and maybe pinned underneath the neckline. But they're starting to have separate skirts now, so it's also possible she's only wearing a yellow skirt with the overgown on top it.

At this point whalebone is coming into the picture in a BIG way, and that's when you start to get Tudor style boned gown/kirtles tight around the bust really taking off. Also boned sleeves, if you can believe that. The smooth flat conical bodice is the product of a boned kirtle, which will eventually become stays, which will eventually become a corset.

anyway by now we're fully out of the medieval period and into the early modern/renaissance.

look at this bad ass bitch, hat ON titties OUT, who is doing it like her

sauntervaguelydown

I went to the ren fair recently, which got me interested in the specific historical inspirations of common “Renaissance Festival” clothes and consequently bugged my sister about her research so hard that it made us miss our turn

One common outfit you see (thanks to Amazon) is this modern take on the kirtle

On the left: Amazon. On the right: a recreation of what people actually wore. You can see how we have the same basic concept with a very different execution. This is what you would call a kirtle.

Another common ren fair look is the outer-wear stays. Always with the un-collared billowy undershirt.

I want to draw attention to the lacing. Stands to reason that costumers now would use contemporary lacing rather than that of previous eras. But check out even the romantic depictions of clothing from the 1870’s below this. No grommets. That’s just pure fabric baby.

Very few renaissance era women ever wore anything exactly like the ren fair corsets. For one thing, cross lacing wasn’t common, and metal grommets were not accessible to normal clothing makers. For another, structured stays (or “bodies”) were underwear, not outerwear. (Apparently something more popular with English peasants than French peasants, who didn’t use them.)

Left: stays (underwear). Right: jumps (outerwear)

Stays are boned. Jumps are not. Stays/bodies were pretty expensive due to the craftsmanship, and a poor person would have budget for a single pair. You can imagine this investment was not as popular with women who did hard physical labor. Jumps got really popular in the mid-1700’s and largely replaced stays in working class fashion.

A brief history lesson: clothes are ephemeral; we lose them as they are worn out, cut down, repurposed, and thrown away. Before modern anthropology and modern record keeping, it was difficult for anyone to know what anyone else looked like in the past or even a country away. Words used to refer to one kind of garment kept being used even as that garment changed in structure and purpose over time. Even after paper became common enough for printing art, it wore out fast and art was lost. References were hard to get.

What we think of as “peasant garb” is actually the product of a game of telephone that travels back from Romantic Revival art, and many of those (urban) artists got their idea of what rural peasants wore from opera costumes. The costumers working at the opera were not going out to the country side to take notes on what farmers actually wore, nor did they want to. Opera is show biz, you want it to be evocative, but not ordinary. Their costumes would have been based on what urban folks were wearing, with extra little touches like a shepherds crook to make it look “rural”.

Below: some mid-to-late 1800’s artistic depictions of peasants wearing improbably nice fabrics/clothes (probably a reflection of opera costumes). The painting of the peasant girl on the right is wearing more-or-less jumps.

You can see how the romantic art depictions of unstructured vests eventually inspired the “medieval revival” styles of the 1960’s/1970’s which lives on in the ren fair. Not only the neckline of the vest, but the style of undershirt with an open neck and billowy sleeves.

Compare (unstructured, laced, outerwear):

Nobody wore that in the 1400’s or 1500’s, but they wore things that looked similar at a glance. When 1960’s artists went back looking for early modern/medieval styles to replicate, they mostly had a hodge podge of this art to reference and extrapolate from.

The fact that a historical laced kirtle with an over skirt looks a lot like stays worn on the outside, probably made this confusing for artists. Undershirts of the 1500’s were collared and high necked, however, with tighter sleeves.(Below, 1500’s kirtle)

One last example of 1800’s romanticism, this time depicting a contemporary girl. Looks familiar, right? We’re back at the ren fair, if you take the bonnet off.

It does look similar to what was being worn in the 1800’s. Here’s a cartoon showing a working class woman in the 1870’s.

TLDR; what we think of as “Renaissance” or even “medieval” peasant garb is actually a remix of the working class clothes from the 1800’s, with some confused memories of the kirtle from older art thrown in.

Structured stays? 1500’s. The blousy no-collar undershirt? 1700’s. The cross lacing? 1800’s.

Anyway. This image of peasants has always been costume & fantasy. That’s why I think it’s kind of fun that it reaches a terminus in the anachronism and fantasy of a Renaissance Festival.

sometiktoksarevalid

arsvitaest-deactivated20260111

Carl Strathmann, Chesnut Trees, ca. 1900

genericpuff

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

kabocha-chan

I'm absolutely on board with learning some self-reliance in the webcomics arena. Remember when Tapas included a grab for the right of first refusal in their general terms of service? Yeah. I'm 100% on with you on trying to manage your stuff yourself.

ANYWAY.

@nattosoup, @respheal and I wrote an blog post about this years ago, when Project Wonderful still existed. It has been a long time, and the landscape has changed, so please bear with me as I provide some updated information.

(See also: the archive of the FreeJeeves page. There's a wealth of information here, including some ways to make your comic website more mobile friendly.)

Please visit these resources and see if any appeal to you. They're a mix of materials that are like textbooks, as well as free courses. Some links may require signing up.

I am not affiliated with any of these websites.

1. Learn HTML + CSS

HTML and CSS are the foundation of every page. You don't need internet access to build an HTML page -- you can do it all from your computer at home. But you do need some basic knowledge to get started. If you can format a tumblr post or ever feel adventurous enough to poke at tumblr's themes, you can learn HTML.

https://www.w3schools.com/

https://developer.mozilla.org/en-US/docs/Web

https://www.codecademy.com/learn/learn-html

https://web.dev/learn/design

https://www.freecodecamp.org/learn/2022/responsive-web-design/

https://www.theodinproject.com/paths/foundations/courses/foundations

Once you learn how to build your website, and have a place you want to upload it? You might want to learn about FTP, which is the file transfer protocol. This lets you upload files to your webhost. If you need an FTP client, Filezilla is absolutely free and works Windows, Mac, and Debian flavors of Linux. (important note: Download the Filezilla client. Don't download Filezilla server unless you know what you're doing.)

2. Where to Post your Webcomic

Here, I'm focusing on places that let you customize your layout and allow for some freedom.

In that old blog post, I mention different types of hosting. We're going to focus on "shared" hosting, which is usually fairly inexpensive on a month-to-month basis and requires almost no knowledge of the server. For a webcomic, you do not need to use AWS, buy a VPS, or rent a dedicated server. That'll be overkill for most folks. If you're at that level, you should know what you're doing.

2.1 Existing Services

Existing services can change their rules or go offline at any time with no notice to the user. Please keep this in mind.

https://comicfury.com/ - Free, Requires HTML knowledge. Has Templates that you can customize when you build your site, but also some documentation on their forum.

https://www.tumblr.com/ - Free, might require HTML knowledge. Simple Webcomic Theme: https://www.tumblr.com/theme/39018 Baidi Webcomic Theme: https://www.tumblr.com/theme/40103 If you do this, I would recommend setting up a dedicated secondary blog for your comic.

https://www.theduckwebcomics.com/ - Also free. I have no idea where the theme documentation is without having to log in, so... I'm only linking this because it exists and people still use it.

https://neocities.org/ - Free hosting? Yay! When I was a kid, we had free websites through Geocities and Angelfire, and this is much like that. Rarebit template for comics: https://rarebit.neocities.org/

2.2 Self-Hosting with a Content Management System (CMS)

I cannot recommend any webhosts right now, but I can recommend software you can use for posting webcomics, if you feel like getting into the weeds way more than basic HTML/CSS will allow.

These will require the ability to read documentation and follow instructions, as well as basic knowledge in how to upload/edit files using FTP. Your webhost will have documentation if you need access to it.

At the end of the day, a webcomic is basically a blog, so most blogging software can be modified to make it work for this purpose.

If you require technical support for these options, please visit the websites for these tools.

Also, please remember support the developers if you can. Making tools for webcomics is largely a project of love (...sometimes spite), but many are discontinued because the devs become tired, burnt out, or simply lack the energy and finances to do so. It takes a lot of spoons and energy in general to provide technical support, especially when so much knowledge has been lost.

Wordpress + Toochecke - Great for webtoon-style comics, rather than graphic novel style comics. If you don't want the theme, the Toocheke companion tool can be used for making any theme a comic theme. Requires PHP and MySQL.

Wordpress + Manga+Press - Works with some of the default themes for Wordpress. Documentation is a little sparse right now.

Grawlix - A webcomic dedicated Content Management System, now maintained by folks who want the software to continue to exist. Requires PHP and MySQL.

ComicControl. - Created by Hiveworks' developer, available to download for free. Requires PHP and MySQL.

3. Promote your Webcomic

Let's assume you know about social media, and skip right to some other resources:

ComicAd Network - You can put ads on your website OR you can put out ads and get the word out on other webcomic sites.

Piperka - I'm not sure how much this is used anymore, but you used to be able to list your comics for people to find it.

Archive Binge - This functions as an aggregator tool, letting readers track comic updates and keep your place on one website.

TopWebComics - It's a toplist -- which basically, you get your readers to vote for your comic to boost your ranking. (They can vote for others, too!)

Link to your comics and make it possible for people to link back! A lot of people forget -- link exchanges and sharing content you like? Unequivocally a win-win for everyone, and it's good for SEO. I actually built a banner display script that you can look over and reuse, if you wanted to make a webring or something.

madam-melon-meow

@bogleech as a seasoned webcomic maker do you have insight on this?

bogleech

Hosting a webcomic is free and almost effortless actually. My multi gigabyte 22 year old website is now hosted for $5 a month on neocities, but the free neocities also gives you enough space to host hundreds of comic pages and more.

The html I use is less complicated than what many of you used to do for your custom Tumblr profiles, or what kids used to do for their neopets lookups. I made one simple template to my liking and all I do to update is copy that template again, then manually alter the links as needed.

For a typical webcomic that would mean you're only updating the links to the comic page and navigation buttons, then adding a link to the new page in some master "archive" page.

I can just upload a template myself when I get home later, or alternatively, you can save any of my pages off bogleech.com as a .html file, open it up in a text editor and see how it's laid out. If you change it all around to your own content you don't have to credit me, since it's bare bones universal css code anyway.

vintacha

for all the artists out there, here are my favorite resources i use to learn!

Files

The Complete Famous Artist Course

Art Books and Resources

Art, Anatomy, and Color Books

PDF Files of Art Books

Internet Archive

YouTube

My YouTube Playlist of Tutorials

How to Draw Facial Features

Drawing and Art Advice

Drawing Lessons

Art Fundamentals

Anatomy of the Human Body

2D Animation

Perspective Drawing

Websites

Pinterest Board for Poses

Another Pinterest Board for Poses

Pinterest Boards for References

Reference Angle

Figurosity

Sketch Daily

Line of Action

Human Anatomy

Animal Photo References

Humanae - Angélica Dass

Fine Art - Jimmy Nelson

Character Design References

CDR's Twitter Account

iamagco's Twitter Account

taco1704's Twitter Account

takuya_kakikata's Twitter Account

EtheringtonBro's Twitter Account

Drawabox

Color Wheel

Color Palette Cinema

Free Images and Pictures

Free Stock Photos

FILMGRAB

Screen Musings

William Nguyen Light Reference Tool

Animation References - sakugabooru

Animation References - Bodies in Motion

3liza

fyi

#hmm this is useful #embarrassing how even as someone with boobs and bra #don't know deeply about them

ancientcharm

House of the wounded bear, Pompeii.

Photo: Silvia Vacca

The name of the house is due to the mosaic on the entrance floor that depicts a bear wounded by a spear.

midwinterhunt

hot artists don't gatekeep

I've been resource gathering for YEARS so now I am going to share my dragons hoard

Floorplanner. Design and furnish a house for you to use for having a consistent background in your comic or anything! Free, you need an account, easy to use, and you can save multiple houses.

Comparing Heights. Input the heights of characters to see what the different is between them. Great for keeping consistency. Free.

Magma. Draw online with friends in real time. Great for practice or hanging out. Free, paid plan available, account preferred.

Smithsonian Open Access. Loads of free images. Free.

SketchDaily. Lots of pose references, massive library, is set on a timer so you can practice quick figure drawing. Free.

SculptGL. A sculpting tool which I am yet to master, but you should be able to make whatever 3d object you like with it. free.

Pexels. Free stock images. And the search engine is actually pretty good at pulling up what you want.

Figurosity. Great pose references, diverse body types, lots of "how to draw" videos directly on the site, the models are 3d and you can rotate the angle, but you can't make custom poses or edit body proportions. Free, account option, paid plans available.

Line of Action. More drawing references, this one also has a focus on expressions, hands/feet, animals, landscapes. Free.

Animal Photo. You pose a 3d skull model and select an animal species, and they give you a bunch of photo references for that animal at that angle. Super handy. Free.

Height Weight Chart. You ever see an OC listed as having a certain weight but then they look Wildly different than the number suggests? Well here's a site to avoid that! It shows real people at different weights and heights to give you a better idea of what these abstract numbers all look like. Free to use.

kiwi

HEY THIS IS IMPORTANT whats your favorite place to find drawing references?

kiwi

so far we’ve got

senshi stock

croquis cafe

line-of-action.com

quickposes.com

posemaniacs

clip studio paint models

pexels.com

sketchdaily

eggazyoutatsu atarichan drawer

designdoll

if you have any more please reply!

nohara

Unsplash: All photos published on Unsplash can be used for free. You can use them for commercial and noncommercial purposes. You do not need to ask permission from or provide credit to the photographer or Unsplash, although it is appreciated when possible. More precisely, Unsplash grants you an irrevocable, nonexclusive copyright license to download, copy, modify, distribute, perform, and use photos from Unsplash for free, including for commercial purposes, without permission from or attributing the photographer or Unsplash. This license does not include the right to compile photos from Unsplash to replicate a similar or competing service.

Freeimages: You can use the images in digital format on websites, blog posts, social media, advertisements, film and television productions, web and mobile applications. In printed materials such as magazines, newspapers, books, brochures, flyers, product packaging for decorative use in your home, office or any public place or personal use. The rights granted to you by FreeImages.com are: Perpetual, meaning there is no expiration or end date on your rights to use the content. Non-exclusive, meaning that you do not have exclusive rights to use the content. FreeImages.com can license the same content to other customers. Unlimited, meaning you can use the content in an unlimited number of projects and in any media. For purposes of this agreement, “use” means to copy, reproduce, modify, edit, synchronize, perform, display, broadcast, publish, or otherwise make use of.

Stocksnap: Every single image on StockSnap are governed exclusively by the generous terms of the Creative Commons CC0 license. Specifically, that license means you can do any and all of the following: Download the image file.Publish, revise, copy, alter, and share that image. Use the image (as-is or as you’ve altered it), in both personal and commercial contexts. Moreover, you can put StockSnap CC0 images to any of these usages without buying the right to do it, acquiring written permission from the image’s creator, or attributing the work to the image creator. In other words, there’s no fee to download or use these StockSnap images in accordance with the CC0 license. They’re free to download, free to edit, and free to use - even in a commercial project! You don’t even need to attribute the image to the creator, the way you do with other CC or traditional copyright licensing schemes. (However, even though it’s not required, we here at StockSnap do encourage you to include an appropriate attribution. It’s a nice thing to do.)

Burst.Shopify: Burst is a free stock photo platform that is powered by Shopify. Their image library includes thousands of high-resolution, royalty-free images that were shot by their global community of photographers. You can use their pictures for just about anything — your website, blog or online store, school projects, Instagram ads, facebook posts, desktop backgrounds, client work and more. All of their photos are free for commercial use with no attribution required.

Pixabay: Images and Videos on Pixabay are released under Creative Commons CC0. To the extent possible under law, uploaders of Pixabay have waived their copyright and related or neighboring rights to these Images and Videos. You are free to adapt and use them for commercial purposes without attributing the original author or source. Although not required, a link back to Pixabay is appreciated.

Viintage: All images hosted by Viintage.com are considered to be public domain images, each image is presumed to be in the public domain. It may be distributed or copied as permitted by applicable law. Viintage.com assumes no ownership of the images and they may be downloaded and can be used free of charge for any purpose. They may be downloaded and used for commercial and personal use. Understand “public domain” as the permission to freely use an image without asking permission from the photographer or the illustrator. Thus, the creator of the work will not sue you for violating his/her copyrights. It is your responsibility to make sure, displaying the image does not violate any other law. Viintage.com assumes no responsibility for how or where you use the images found on the site.

Gratisography: You may use Gratisography pictures as you please for both personal and commercial projects. You can adapt and modify the images and get paid for work that incorporates the pictures. This includes advertising campaigns, adding your logo or text to an image, printed in any size print runs (e.g., book covers, magazines, posters, etc.), on your website, blog, or other digital mediums, and on merchandise as long as the picture itself is not the merchandise.

chiptunecreature

As someone who draws a lot of faeries, Faestock is godlike.

uselessarttips

A wonderful addition to the list!

sepdet

Unsplash. Another whopping huge free images site like pixabay: free for commercial and noncommercial use and remixing; just don’t sell the photos unmodified or add them to other photo-sharing sites.

Morguefile. Big old free photo archive from the dawn of the web. “We are a community-based free photo site, and all photos found in the Morguefile archive are free for you to download and re-use in your work, be it commercial or not. The photos have been contributed by a wide range of creatives from around the world, ranging from amateur photo hobbyists to professionals.”

Open Access at the Met. The Metropolitan Museum of Art in New York: “Whether you’re an artist or a designer, an educator or a student, a professional or a hobbyist, you now have more than 406,000 images of artworks from The Met collection to use, share, and remix—without restriction.”

Smithsonian Open Access. Download, share, and reuse millions of the Smithsonian’s images […] from across the Smithsonian’s 19 museums, nine research centers, libraries, archives, and the National Zoo.

Limited use, if you’re doing a Science and need control panels/rockets/futuristic an image search with qualifier site: nasa.gov You have to double-check a photo’s caption it’s really a NASA photo, but photos which were taken by NASA spacecraft and astronauts are public domain, since they’re funded by taxpayer dollars. (This also goes for images of animals archived at the USFWS Digital Library, i.e the US Fish and Wildlife Service, or rocks and landscapes on USGS websites.

soft-lily

Okay updating and consolidating lots of info here; as well as adding links for ease of access. Adding a brief description for some too; as is the case that not all of them have descriptions above. (Warning that some of these links contain nude refs, I will try to mark where possible which ones have more prominent ones.)

Posing Sites and Apps:

Adorkastock. Stock photos for pose refs. DeviantArt gallery started in 2007.

FreePhotoMuscle.com. (translated page link click here) Japanese stock photo pose site that includes buff people, but in funny poses and costumes.

CroquoisCafe. (NSFW, nude model poses warning) A stock photo pose site. You should be aware this org has been linked as pro-Trump. I leave it to y’all to decide if you want to use the resources or not. I highly encourage not financially supporting them and trying to support the individual models if you can.

Line of Action. Fantastic site that includes posing refs, community discussions from other artists, figure study, anatomy, etc. So much stuff in here.

PoseSpace. Extensive library of poses. Some free resources others are paid. I’ve not fully evaluated both, but you should be able to use this all mostly free and get great use out of it.

SketchDaily. This one is one of the better ones out there. You can time yourself, search by pose, clothing options, body type, perspective, etc. All real models.

JustSketch.me. A pose app for any device. Has apps for most devices and a webapp. Customize and pose models/props/scenes.

Quickposes. Pose site that gives you timed challenges to become more proficient at poses.

POSEMANIACS. Ref site with anatomical poses. All the ref pics are of 3D models with only the bones and muscles. Can be helpful for seeing how muscles behave in certain poses. limited to two body types tho.

MagicPoser. A wonderful app that’s great on mobile. Lets you choose size of models, number of them, style, etc. Significant features are use of snap point with the physics engine, adjustable lighting, multiple perspective, 360 angle, articulated hand posing.

Clip Studio Paint Modeler. Free 3d tool that works with Clip Studio Paint. You can import your own data or other models you find online. Not quite an alternative to Blender, but the integration with CSP is very nice.

Egg a Zyoutatsu Atarichan Drawer. (requires enabling flash player or downloading and using standalone flashplayer) Drawing tool for pose practice. The developer is working on an html5 version.

DesignDoll. One of the best pose tool apps out there. You can customize so many things. They also have an extensive collection of ready made poses here. You can use the free or pay once for life and have the poses integrated into the client as well as the ability to export your obj to other programs like blender or smt.

Stock Photo Sites:

Unsplash. Giant free stock image site.

freeimages.com. Another stock photo site, less features than some others.

StockSnap.io. Stock photos with a creative commons CC0 license, which essentially means you can use the photos however you want and don’t have to attribute to them. (though its nice if you do attribute)

Burst.Shopify. Tons of royalty free high quality images. Similar licensing to StockSnap.

pixabay. I feel like most people know about this one, but it features entirely free CC0 licensed Photos, Videos, and Music. No attribution required, but still nice to support a giant site with all this content.

Viintage. Big collection of public domain vintage photos.

Gratisography. For commercial or personal use. They specialize in odd, quirky, wild stock photos.

pexels. Great free stock photos and videos. Only a few stipulations of what they don’t allow, but their license info can be found here.

Faestock. An artist and model with a huge amount of fantasy and fae and other types of photos available. Their terms for use are here.

MorgueFile. Old stock photo archive that’s been around a long time.

Museum and Institution Open Access sites:

USA National Gallery of Art. Over 50k works available for download.

New York Metropolitan Museum open access. 490k works to browse. Even codes for Animal Crossing New Horizons patterns.

The Smithsonian Institution open access. Probably one of the largest open access collections available online. Around 3.9 million items available to view.

Many More. This article from Apollo magazine has an extensive list of open access museums and institutions from around the world. A brief list of places includes: Art Institute of Chicago, Belvedere, Vienna , Birmingham Museums Trust , Cleveland Art Museum , Harvard Art Museums , J. Paul Getty Museum, Los Angeles , Kunstmuseum Basel , Library of Congress, Washington, D.C., Los Angeles County Museum of Art , Mauritshuis, The Hague , Minneapolis Institute of Art , Munch Museet, Norway , Museum of New Zealand Te Papa Tongarewa, Wellington , Národní galerie Praha , Nationalmuseet Danmark , Nationalmuseum, Stockholm , New York Public Library , Paris Musées , Pinakotheken, Munich, Rijksmuseum, Amsterdam, Städtische Galerie im Lenbachhaus, Munich, Statens Museum for Kunst, Copenhagen , Wellcome Collection, London , Yale University .

kiwi

wow its been a while since ive seen this post, im so glad more useful info has been added!

thefugitivesaint

Jill Karla Schwarz, 'Tam Lin', ''Fairies and Elves'', 1984 Source I'm going to use this post as the perfect opportunity to direct you to my favorite song from the folk band Fairport Convention from their 1969 album 'Liege & Lief', Tam Lin (which, I'm sure, I've posted about at some point)

bookgeekconfessions

99 legal sites to download literature

The Classics

Browse works by Mark Twain, Joseph Conrad and other famous authors here.

Classic Bookshelf: This site has put classic novels online, from Charles Dickens to Charlotte Bronte.

The Online Books Page: The University of Pennsylvania hosts this book search and database.

Project Gutenberg: This famous site has over 27,000 free books online.

Page by Page Books: Find books by Sir Arthur Conan Doyle and H.G. Wells, as well as speeches from George W. Bush on this site.

Classic Book Library: Genres here include historical fiction, history, science fiction, mystery, romance and children’s literature, but they’re all classics.

Classic Reader: Here you can read Shakespeare, young adult fiction and more.

Read Print: From George Orwell to Alexandre Dumas to George Eliot to Charles Darwin, this online library is stocked with the best classics.

Planet eBook: Download free classic literature titles here, from Dostoevsky to D.H. Lawrence to Joseph Conrad.

The Spectator Project: Montclair State University’s project features full-text, online versions of The Spectator and The Tatler.

Bibliomania: This site has more than 2,000 classic texts, plus study guides and reference books.

Online Library of Literature: Find full and unabridged texts of classic literature, including the Bronte sisters, Mark Twain and more.

Bartleby: Bartleby has much more than just the classics, but its collection of anthologies and other important novels made it famous.

Fiction.us: Fiction.us has a huge selection of novels, including works by Lewis Carroll, Willa Cather, Sherwood Anderson, Flaubert, George Eliot, F. Scott Fitzgerald and others.

Free Classic Literature: Find British authors like Shakespeare and Sir Arthur Conan Doyle, plus other authors like Jules Verne, Mark Twain, and more.

Textbooks

If you don’t absolutely need to pay for your textbooks, save yourself a few hundred dollars by reviewing these sites.

Textbook Revolution: Find biology, business, engineering, mathematics and world history textbooks here.

Wikibooks: From cookbooks to the computing department, find instructional and educational materials here.

KnowThis Free Online Textbooks: Get directed to stats textbooks and more.

Online Medical Textbooks: Find books about plastic surgery, anatomy and more here.

Online Science and Math Textbooks: Access biochemistry, chemistry, aeronautics, medical manuals and other textbooks here.

MIT Open Courseware Supplemental Resources: Find free videos, textbooks and more on the subjects of mechanical engineering, mathematics, chemistry and more.

Flat World Knowledge: This innovative site has created an open college textbooks platform that will launch in January 2009.

Free Business Textbooks: Find free books to go along with accounting, economics and other business classes.

Light and Matter: Here you can access open source physics textbooks.

eMedicine: This project from WebMD is continuously updated and has articles and references on surgery, pediatrics and more.

cygnahime

The Faded Page, which has books that are in public domain in Canada. Lots of Canadian lit, but also lots of mysteries and other works! I recommend the Sayers Collection in particular.

the-trash-eating-llama

I. AM. FLOORED.

ladyshinga

I’m sorry friends, but “just google it” is no longer viable advice. What are we even telling people to do anymore, go try to google useful info and the first three pages are just ads for products that might be the exact opposite of what the person is trying to find but The Algorithm thinks the words are related enough? And if it’s not ads it’s just sponsored websites filled with listicles, just pages and pages of “TOP FIFTEEN [thing you googled] IMAGINED AS DISNEY PRINCESSES” like… what are we even doing anymore, google? I can no longer use you as shorthand for people doing real and actual helpful research on their own.

nyandotexe

Time to drop some links again.

– https://searchmysite.net/ Search engine for the indie web, personal websites, digital gardens. You can also find them in websites like Neocities, Indieweb, Blogarama, and write.as. There is also a big list of personal websites.

– https://search.marginalia.nu/ Search engine that focuses on non-commercial content, and promotes websites that aren’t usually at the top of the list.

– https://www.worldcat.org/ Search engine for items in libraries (books, but also maps, articles, sound recordings, theses, etc.)

– https://scholar.google.com/ Search engine for scientific papers, reviews, etc. It’s still google, but a lot better than the normal search engine counterpart.

– https://en.wikipedia.org/wiki/List_of_search_engines A list of search engines sorted by subject, area, and more. If you’re searching on a specific area, it might be worth checking if there is one focused on that area.

– https://en.wikipedia.org/wiki/List_of_academic_databases_and_search_engines A list of academic databases and search engines.

– https://tineye.com/ Reverse image search alternative to Google’s. Also, P.S.: Please stop using Google, and start using more privacy focused search engines, like DuckDuckGo or SearchX (opensource; personally haven’t used it yet, but it looks promising for privacy-focused users)

Trending Blogs

Recently Viewed Blogs

artsy*ambitions