Joan Miro
Sade Olutola

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shark vs the universe
he wasn't even looking at me and he found me
PUT YOUR BEARD IN MY MOUTH

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Origami Around
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dirt enthusiast
occasionally subtle
Three Goblin Art
Claire Keane
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cherry valley forever
Sweet Seals For You, Always
Lint Roller? I Barely Know Her
Not today Justin
art blog(derogatory)
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@asaintcloudipark
Joan Miro
Ala Champfest Magazine
Behind the scenes: the production of Champfest's issue 8 >>
Love your work Jo!
SANTIAGO SALVADOR
flickr.com/photos/lampiman
SHUNKYO YAMAMOTO
Landscape by Shunkyo Yamamoto (1871-1933)
PEGGY OKI
Peggy Oki is a skateboarder, surfer, artist and environmental activist. Oki staked with the Zephyr stakeboard team, Z Boys in the 1970s. She studied environmental biology, illustrates and paints animals in their natural habitats and is the founder of the Origami Whales Project.
Photo of Peggy Oki staking by James O’Mahoney via WOA
Dive At Dawn, 2009, Peggy Oki
Pelicanus, 2009, Peggy Oki
Paintings © Peggy Oki
EMILY KAI BOCK
GRIZZLY BEAR "YET AGAIN" DIRECTED BY EMILY KAI BOCK // DP EVAN PROSOFSKY
Emily Kai Bock is a director and photographer based in Montreal. The artist has recently been photographing places illuminated by security lights, seeing beauty in the ugly or unexpected - shop windows, swimming pools, vacant places that are lit for security reasons. The music video she directed for the Grizzly Bear track Yet Again is lovely in it's blue-lit wonder. Bock's use of lighting makes for mesmerising films and photos.
www.emilykaibock.com
All images by Emily Kai Bock
SEBASTIEN SCHULLER "NIGHTLIFE" DIRECTED BY EMILY KAI BOCK // DP EVAN PROSOFSKY
WILLIAM EGGLESTON
Biloxi, Mississippi, 1972
Read the responses Bill gave to questions asked by Bobby Gillespie, Nan Goldin, Polly Borland, Martin Parr and others here
CLARE DAVIES. ISLAND LIFE
Island Life (pink) 3, 2011
Island Life (black and green) 6, 2010
Island Life (black and green) 7, 2010
Island Life (black and green) 4, 2010
Island Life (pink) 6, 2011
Island Life (black and green) 3, 2010
All images (C) Clare Davies
http://claredavies.com
MAYA LIN
Groundswell
Wexner Center for the Arts, Columbus, OH, 1993
Art and architecture are balanced perfectly in Maya Lin’s practice. Her work consists of large-scale site specific installations and studio works, with landscape as the focus and inspiration.
Through her work, the artist presents new ways of looking at the world, and looks at how we relate and respond to the environment. Maya Lin ‘…peers curiously at the landscape through a twenty-first century lens, merging rational and technological order with notions of beauty and the transcendental. Utilizing technological methods to study and visualize the natural world, Lin takes micro and macro views of the earth, sonar resonance scans, aerial and satellite mapping devices and translates that information into sculptures, drawings and environmental installations.’ Maya Lin is currently working on her final memorial, What is Missing? which focuses on bringing awareness to the current crisis surrounding biodiversity and habitat loss.
Text from mayalin.com about What is Missing?
Imagine a memorial that would exist not as a fixed static monument, but as a work that would allow us to rethink the idea of a memorial. Imagine a work that could exist in several mediums and in multiple places simultaneously.
What is Missing? will focus attention on species and places that have gone extinct or will most likely disappear within our lifetime. The project exists as a multi-sited installations, as a website, whatismissing.net.
There have been five mass extinctions in the history of our planet. The last one was caused by an asteroid the size of Manhattan hitting the earth at the speed of 18,000 meters per second. We are now witnessing the sixth mass extinction in the planet’s history, the only one caused not by a catastrophic event, but by the actions of one single species: mankind.
Approximately every 20 minutes we witness the disappearance of a distinct living species of plant or animal. Within our lifetime we will witness the extinction of an incalculable number of species. By some estimates, as much as 30 percent of the world’s animals and plants could be on a path to extinction within 100 years.
What is Missing? will make us aware of the enormous loss of species that is presently occurring. Chronicling not just the extinction of specific species, it will focus equal attention on the threatened habitats and ecosystems that are vital to other species’ survival. It will also address the issues that people are not even aware are disappearing, from the sheer abundance of species and their scale to the loss of migratory corridors, the diminished sounds of songbirds that were common in our childhood, even the visibility of the stars at night.
The goal of What is Missing? is to not just make us aware of these losses but to give us direction and hope for what can be done to help.
whatismissing.net
mayalin.com
RICHARD MISRACH
Richard Misrach 1991: Oakland-Berkeley Fire Aftermath
Richard Misrach 2005: Untitled (New Orleans and the Gulf Coast) Just after Hurricane Katrina devastated the city of New Orleans in 2005, photographer Richard Misrach used a 4-megapixel pocket camera to capture messages left behind by evacuees.
Text via The Museum of Fine Arts, Boston All images © Richard Misrach
Mitra Tabrizia
Another Country (2010)
Leicestershire (2012)
Tehran 2006 (2006)
Another Country (2010)
Another Country (2010)
Wall House Project (2007)
Another Country (2010)
Wall House Project (2007)
Leicestershire (2012)
Border (2005-06)
Another Country (2010)
Wall House Project (2007)
Another Country (2010)
Leicestershire (2012)
Leicestershire (2012)
Another Country (2010)
Born in Tehran and living and working in London, Mitra Tabrizian is a British-Iranian photographer and film director who also teaches at the University of Westminster.
Mitra Tabrizian examines what she calls ‘the crisis of contemporary culture in both the West and the East’. She photographs everyday ordinary people playing themselves.
Her work Tehran 2006 is part of Light from the Middle East currently showing at the V&A in London.
All images (c) Mitra Tabrizia
mitratabrizian.com
(名) 建築家; 立案者 (JAPANESE ARCHITECTS)
Terunobu Fujimori
In 2006 Terunobu Fujimori represented Japan in the Venice Biennale. His work displayed in the Japanese pavilion consisted of houses sprouting leeks and dandelions. The theme of the 2006 Biennale was the "city" and so Fujimori included a woven rice twine hut housing a slide presentation of the work of ROJO. His work has influenced younger architects like Yoshiharu Tsukamoto and Momoyo Kajima of Atelier Bow-Wow. Like Fujimori they surveyed the city for "no-good" architecture and published their findings in the book Made in Tōkyō.
Shigeru Ban
Shigeru Ban is well known for his innovative work with paper, predominantly recycled cardboard paper tubes used to quickly and efficiently house disaster victims. Ban's work with paper and other materials is based on its sustainability and because it produces very little waste. Ban's DIY refugee shelters have been used in Japan after the Kobe earthquake, in Turkey, Rwanda and around the world.
www.shigerubanarchitects.com
Arata Isozaki
Japanese architect Arata Isozaki is known for using bold, exaggerated forms and creating unique details. Isozaki has often integrated Eastern ideas into his designs.
www.isozaki.co.jp
Tadao Ando
Tadao Ando worked as a truck driver and boxer prior to becoming an architect, despite having no formal training. Japanese religion and style of life is a major influence in his architecture and design and his style is said to create a haiku effect, emphasising nothingness and empty space to represent the beauty of simplicity.
www.andotadao.org
Shusaku Arakawa
Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and over time formed a close friendship. Arakawa and Madeline Gins are co-founders of the Reversible Destiny Foundation, an organization dedicated to the use of architecture to extend the human lifespan.
www.reversibledestiny.org
Ralph Borland. Suited for Subversion.
Ralph Borland
Photographs by Pieter Hugo Suited for Subversion, 2002 Nylon-reinforced PVC, denim, padding, speaker, pulse-reader, circuitry Edition of 3
http://ralphborland.net/
ALA CHAMPFEST ISSUE #6
PARLÁ FRÈRES - shot by Clément Pascal, Paris
DANIEL ARSHAM shot by Clément Pascal, New York.
Featuring José & Rey Parlá | Daniel Arsham | Jeff Wall | Erik Brunetti | Rana Begum | Jules Wright of Wapping Project | Thomas Zanon-Larcher | Wes Lang | Paradis
Keep your eyes peeled for Champ mag issue #6 with two cover beauties available in the places below very soon.
Third Drawer Down | thirddrawerdown.com
MagNation | magnation.com
239 Flinders Lane |
Centre for Contemporary Photography | ccp.org.au
Someday Store | someday-store.com
INCU | incuclothing.com
alachampfest.com/
SOUVENIRS
by Stricher Gerard via dishranawaywithspoon
JEFF WALL | THOMAS DEMAND
Jeff Wall and Thomas Demand, two contemporary luminaries of photography are currently on view at the NGV. See Thomas Demand at NGV International, and Jeff Wall Photographs at NGV Australia.
Seeing Jeff Wall’s A sudden gust of wind (after Hokusai) in all its lit up glory was pretty great. I actually didn’t realise until recently that this massive and dramatic scene is made up of hundreds of images. You can read what I wrote about this, one of my favourite photographs here. Both exhibitions are on until mid March. Read Joanna Kawecki’s interview with Jeff Wall for Post New.
Jeff WALL
Untangling (1994, printed 2006)
National Gallery of Victoria, Melbourne
Purchased NGV Foundation and with the assistance of NGV Contemporary, 2006
© Jeff Wall
Thomas DEMAND
Badezimmer / Bathroom 1997
Courtesy Taka Ishii Gallery, Sprüth Magers Berlin London, Esther Schipper, Berlin, Matthew Marks Gallery
© Thomas Demand, VG Bild-Kunst, Bonn / VISCOPY, Sydney
LUCY ORTA
Refuge Wear Intervention London East End 1998
After graduating with an honours degree in fashion-knitwear design, Lucy with Jorge Orta founded Studio Orta in Paris in 1991. Their collaborative practice uses drawing, sculpture, installation, object making, silkscreen printing and other techniques to represent social and ecological issues of sustainability, investigating boundaries between the body and architecture, communication and identity.
Lucy Orta's work Refuge Wear and Body Architecture (1992–98) consist of portable, lightweight, and autonomous structures representing issues of survival.
http://www.studio-orta.com/
All images © Lucy Orta