Cosimo Galluzzi
i don't do bad sauce passes
Claire Keane

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RMH
YOU ARE THE REASON
Alisa U Zemlji Chuda
Game of Thrones Daily
wallacepolsom
tumblr dot com
NASA
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dirt enthusiast

shark vs the universe
ojovivo

Discoholic 🪩
Sade Olutola
Mike Driver
styofa doing anything
Misplaced Lens Cap

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@asdfjasklfjdkla
It hurts when you don't say it
brought nothing to the gun fight, and everyone is really embarrassed for me. they keep trying to hand me a knife or a really big rock but I tell them I am not a charity case and die immediately
where is transgender flag "I'M TOO FAT FOR THIS HEAT"
FOUND IT
it's that time of the year again folks
Another design trade with @roccoco-co <3
work like a red onion
play like a white onion
fuck like a green onion
Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
When I was a professor I fucking LOVED teaching this comic. You can read the full thing here (and please read the letters to the editor at the bottom as well—including a message from Ray Bradbury).
HUH?
Most cop thing I've ever read. what the fuck are you talking about. The posts you're looking for might be on this website but we won't show them to you???
I'm sure all my settings are set to "yes show me mature content no don't filter anything" what are you TALKING ABOUT
the posts are ON THE WEBSITE. I can't search dirty words?? am I five??? is this club penguin??? when I get you
What the hell
What is going on
Dinner in America (2020) dir. Adam Carter Rehmeier
source
source
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new favorite reddit user
Wait wait don't help me I'll figure it out eventually, just gimme more time to study