Poetry doesn't have to rhyme, it just has to touch someone where your hands couldn't.
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PUT YOUR BEARD IN MY MOUTH
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@ashatlas
Poetry doesn't have to rhyme, it just has to touch someone where your hands couldn't.
Human Is is a 1955 Philip K. Dick sci-fi short story where a guy goes to another planet for work and when he comes back to Earth his personality has flipped from an asshole to a sweet, kind, considerate man. Everyone's immediately convinced that an alien has taken over his body, this goes all the way to court, and in court his wife testifies that she's noticed no changes at all and so the charges are dropped.
And then there's a bit right at the end of the story as the wife and the husband are walking out of court:
Jill turned abruptly. "What is your name? Your real name."
The man's gray eyes flickered. He smiled a little, kind, gentle smile. "I'm afraid you would not be able to pronounce it. The sounds cannot be formed..."
Jill was silent as they walked along, deep in thought. The city lights were coming on all around them. Bright yellow spots in the gloom. "What are you thinking?" the man asked.
"I was thinking perhaps I will still call you Lester," Jill said. "If you don't mind."
"I don't mind," the man said. He put his arm around her, drawing her close to him. He gazed down tenderly as they walked through the thickening darkness, between the yellow candles of light that marked the way. "Anything you wish. Whatever will make you happy."
And I. God. There's something there. A soupcon of monsterfuckery. To tell your partner in a moment of intimacy that yes, you're something so inhuman that the lips you're stealing can't speak your actual name. You're a parasite that not only had the ability to burrow under this man's skin and take over his life, but you were so desperate to escape a dead, dry, blasted planet that you did.
And for your partner to then turn around and go "I know, I've always known, and I love you" is just. God I know it's not a great Dick story but something about it is making me lose my mind
Also it's explicitly stated that the guy's consciousness is still alive and preserved on the alien planet. Jill is told this and then proceeds to defend the alien anyways, ensuring that her husband's brain is stuck in a jar on a desert planet. You love to see it
dash did a thing
1 year ago today (July 19th)
2 years ago today (July 19th)
Need this in my life
Why do men eat so loudly
i've mistaken the ache in my chest for hope
Ugh i love being sleepy. Like yes I have something to look forward to (sleep) and i don't have any reason not to do it (will go crazya nd die w/o it)
who wants to do this with me serious inquiries only
murder wives
— HUGH DANCY as LUKE BRANDON in CONFESSIONS OF A SHOPAHOLIC, dir. P.J. HOGAN (2009)
“Put him on his knees give him something to believe in” has the exact same energy and depth of meaning as anything Hozier puts out on the regular but since it’s sung by Megan Thee Stallion no one takes it seriously. In this essay I will-
To flesh this out a little bit more: both Megan Thee Stallion and Hozier write and sing really sexual songs, but they’re different in that Hozier’s music is typically “let me worship you” while Megan’s is usually “I’m worshipping myself,” which makes all the difference because it’s an acceptance of power rather than the giving of it. He’s the sinner, she’s the saint. However, taking their difference in genres out of it, people don’t usually seem to take Megan Thee Stallion’s music seriously in comparison to Hozier because a) her lyrics are more overtly and blatantly sexual and b)she’s claiming her sexuality for herself, and that scares a lot of people. The secret, no-one-wants-to-talk-about reason is that she’s a confident black woman, which terrifies people way than sex does. In conclusion, Hozier and Megan Thee Stallion are two sides of the same poetic, sexual coin, but people just don’t want to admit it. Which is WHY a collaboration between Hozier and Megan would be so powerful that it would change the timeline as we know it yes I will elaborate
Repost, now do your honors.
me remembering i have a name and body and people know me:
I DON’T GIVE A FUCK ABOUT TAYLOR SWIFT OR HER WEDDING