Music isn't a Boys Club: Meet five Australian musicians getting set to take over the world
Welcome to the new series highlighting talented Australian female musicians as they travel the country and the world - setting names for themselves in their wake. To start off the series, we take you to South by Southwest (SXSW) in Austin, Texas and the Queensland Music Awards (QMAs) where we meet five talented musicians who are getting set to become superstars in their own right, while proving the naysayers wrong: this industry is anything but a "boys club".
George Maple Future Classic - the label who have brought us the likes of EDM superstar Flume - recently signed this young talent from Sydney, which has quickly seen tracks like "Talk Talk" and "Vacant Space" get local and international attention. While she was making her mark on the annual SXSW music festival in Austin, Texas, I caught up with her to find out more about her growing success and what her plans for the future are:
I saw you’ve played LA on the way over, first time playing there?
Yeah, it was crazy. We sold it out! It was mental because I haven’t done a headline gig yet and it’s amazing when I could play all the songs, like I’ve done so many showcases where I’m like oh I can’t play this song because it just doesn’t ‘bang’ as much as I need it to bang. And so, it’s been really nice.
How have you found your music to have travelled here? You know, before you came here, were you finding there to be interest in your music through Facebook and all that?
I guess you never know when you go overseas, you never know who likes it, who doesn’t. I think I was very surprised with the response in LA, the project's still so small and it manages to reach that many people in the US, which is really cool. Yeah, I guess we’ll see what happens during the year!
Indeed. How long do you spend here? Is it a pretty quick trip, do you head back home soon? I know you have some shows in Australia.
Yeah I’m here until I leave for that. I’m doing something special at the end of April here which I can’t talk about yet but yeah it’s quite a long trip. I spend a lot of time over here anyway.
What’s your general feeling of your future trajectory then, are you going to continue spending a lot of time over here do you think?
I think so, I mean, for me I’m primarily a songwriter so being in LA makes a lot of sense being able to connect to other pop artists and sort of help them out. It’s a place where I’ve always wanted to be and now I have a visa so I can be there. I think I’ll just spend my time between Australia and LA at the moment, and London of course. It’s kind of the same as it’s been for the last three years.
You can read the full interview here.
Ayla Meanwhile, in Brisbane, Australia, emerging artist Ayla was recently awarded the Billy Thorpe $10,000 scholarship at the QMAs, an award handed down in the past to the likes of Jeremy Neale, Astrid and The Asteroids and The Jungle Giant's Sam Hales.
It follows a massive year for the young talent, whose debut single "Wish I Was" was the 15th most played song of last year on triple j. The success saw her land a record deal in Italy (alongside Emma Louise who has already had a number 1 single in the region) and a new single is reportedly just around the corner. The days are early but the future is looking very, very bright for this one...
Airling Another artists to garner acclaim at the QMAs was Hannah Shepherd - unrelated to the band of the similar surname, Hannah performs under the guise of Airling and won Best Pop Act at the Awards for her track "Wasted Pilots", which she wrote with Big Scary's Tom Iansek and Graham Ritchie.
Though this project has only released an EP to date ("Love Gracefully"), Hannah is hard at work on her next release and the project itself comes off the back of her touring the world as a backing musician for the amazing Emma Louise, who's also hard at work on new music. Late last year I sat down with the talented artist to talk about all her successes so far...
Demi Louise This artist is likely a name you haven't heard before, but that's not quite the fault of anyone but the artist herself. Though based in Melbourne, Demi has spent the last year or so travelling the world and popping up at festivals like the recent South by Southwest in Austin, Folk Alliance in Kansas City and MU:CON in South Korea - where she was the first ever Australian to perform. Watch as we talked to Demi at SXSW about her time travelling the world in this rather unique fashion:
Nai Palm of Haitus Kaiyote And finally we meet Nai Palm, front woman of the group Haitus Kaiyote, who are getting set to release their second recordChoose Your Weapon on May 4th. This is a group who have already made a huge mark on the international circuit, following the release of Tawk Tomahawk back in 2012, which not only saw them garner acclaim at home, but also abroad, travelling the world many times over and even getting nominated for a Best R&B Performance Grammy for their track ""Nakamarra"" alongside the likes of Kendrick Lamar and Snarky Puppy (who won in their category) along the way. We sat down at SXSW to talk about all their successes so far, before they get set to do it all over again:
Each of these talented musicians - be they solo performers or fronting a band - is doing Australian music proud. They're all also in very different stages of their careers. In the case of Hiatus Kaiyote, they're looking to move forward from the unexpected success of their debut and translate that into planned domination come album number two.
Artists like Airling, who have experience of touring in other projects internationally are getting set to do the same and then there's someone like Ayla who will be using the winnings of a industry voted accolade to grow her klout both at home and abroad. But what they all have in common is one thing very simple: they're artists you should be listening to. This is just the start of a series highlighting the amazing female talents out of Australia - stay tuned for more in the coming weeks!
Larry Heath is the founder and editor-in-chief of the AU review.











