So I’m reading The Fortune of War (Aubrey-Maturin #6) for the very first time ever (I know. I’m taking hellishly long with this series), and I regret not having picked it up sooner, because the first chapter is hilarious.
The opening scene with the admiral alone had me in stitches.
Here’s Jack failing (as usual) to get his idioms straight as he reacts to hearing that his men are to be put into a different ship:
“Oh, come sir,” cried Jack. “My lieutenants - and Babbington has followed me since my first command - my midshipmen, and all my bargemen in one fell sloop? Is this justice, sir?”
“Why, as to that, sir, I do not mean any specific vessel: it was an allusion to the Bible. But what I mean is, that it is the immemorial custom of the service…”
The “immemorial custom” quickly becomes a running theme:
Jack and the Admiral had known one another off and on for twenty years; they had spent many evenings together, some of them drunken; their collision therefore had none of the cold venom of a purely official encounter. It was none the less eager for that, however, and presently their voices rose until the maidens in the courtyard could clearly make out the words, even the warm personal reflections, direkt on the Admiral’s part, slightly veiled on Jack’s, and again and again they heard the cry “the immemorial custom of the service”.
Culminating in this, almost Austen-like exchange:
“And I know very well that you have always taken good care of your youngsters. The immemorial custom of the service…”
“Oh, f– the immemorial custom of the service,” cried the Admiral: and then appalled at his own words, he fell silent for a while.
Eventually the admiral gives in, because:
“You remind me of that old sodomite.”
“Sodomite, sir?” cried Jack.
“Yes. You who ware so fond of quoting the BIble, yuo must know who I mean. The man who wrangled with the Lord about Sodom and Gomorrah. Abraham, that’s the name!”
Speaking of the service… the Captain of La Fleche, a musician, regrets that his piano is out of tune, by casually commenting that
but it is a sad jingling little box, after all. How I wish I could press a piano-tuner.
No one bats an eye at that, because that’s how they do it in the navy. Just kidnap the people you need.
And that’s after the bit where one of Stephen’s wombats is revealed to be eating Jack’s hat:
“Killick, Killick there: what’s amiss?”
“Which it’s your scraper, sir, your number one scraper. The wombat’s got at it.”
“Then take it away from him for God’s sake.”
“I duresn’t, sir, said Killick. “For fear of tearing the lace.”
“Now, sir,” cried the Captain, striding into the great cabin, a tall, imposing figure. “Now, sir” - addressing the wombat, one of the numerous body of marsupials brought into the ship by her surgeon, a natural philosopher - “give it up directly, d’ye hear me, there?”
The wombat stared him straight in the eye, drew a length of gold lace from its mouth, and then deliberately sucked it in again.
And then, of course, we eventually switch POV to Stephen and are greeted with this line:
“Wallis,” said Maturin, “I am happy to find you here. How is your penis?”
Mr Wallis’s delighted smile changed to gravity; a look of sincere self-commiseration came over his face, and he said that it had come along pretty well, but he feared it would never be quite the member it was.
I also can’t believe I forgot how married Stephen and Jack are? Such as when Jack asks Stephen to “be civil” when they meet the Captain of the ship taking them home (and then he’s so proud when Stephen proves himself to be the perfect gentleman).
And then there’s this bit from Jack’s POV:
Dr Maturin came aboard in his usual elegant manner, kicking the port-lids, cursing the kind hands that propelled him up the side, and arriving breathless on deck, as though he had climbed the Monument at a run.
And that’s only the first chapter. And I didn’t even mention “the lesser of two weevils.”