It Is What It Is

Hyperfixations and brainrot don’t mind me.

[bardace]

Shut Up, I Don’t Care

[darth-memes]

No wonder he never shuts up.

STAR WARS: MAUL - SHADOW LORD COMES OUT IN 20 DAYS!!!!!

[going2hell4everythingbutbeingbi]

things to say after fucking up egregiously

pack it up boys we've made a social blunder

let's run that again

one more time normal style

I'm going to become a statistic

further proof god is out to get me

it's because I tore my acl senior year

I couldn't do it for religious reasons

my ex took my talent in the divorce

good thing nobody saw that (said directly to someone who definitely saw it)

[kyberinthevoid]

I hate that “chat” now makes people think of chatgpt. no. I’m asking my imaginary greek chorus twitch audience.

[stealingpotatoes]

in my personal indulgent “everyone lives” au owen lars absolutely drags vaderkin every single chance he gets (like in your comics). and luke doesn’t know what to do with it bc he never saw the sass growing up. leia loves it though, absolutely 10/10 no notes uncle owen can you do it some more?

also give the noble eunuch a snuggle/kissu/treat/whatever token of my fealty he will accept, please!

i absolutely love that but i don't think owen would even get the chance to drag vader tbh

(commission info // tip jar!)

[nerdreamer]

[pagliaccis-clown]

btw think about how this very well could have been the first time ezra has seen his parents faces in eight years. he lived on the streets i doubt he had access to holos of them. do you think hed started forgetting what they looked like

[average-lothal-inhabitant2]

Wait yeah. I feel like a real 15 year old would have had a complete breakdown. Ezra had suppressed that entire chapter of his life as a survival mechanism. I mean thinking about it, he could have totally continued living in his parents house, it wasn’t repossessed by the empire or resold or anything… but he chose not to. He chose the real danger of the streets because the memory of his parents was too painful to face. I’m sure he had done the same thing internally. He said that he couldn’t allow himself to believe they’d return. He severed his connection to them and started anew because it was less painful than facing the loss. And now suddenly here he is, staring at a family unit that hasn’t existed in half of his lifetime. He’s absorbing every little detail of his fathers complexion, of his mothers joy. His first and only safe attachment figures. People he loved and lost and possibly blocked out. I can’t even imagine the psychological impact of that holo and the floodgates it would have opened

[autumnwoodsdreamer]

you can’t tell me it’s not Ezra’s favourite song

[average-lothal-inhabitant2]

Kinda wild that Thrawn’s ship gets that giant snake design on the bottom like bro really decided to aura-farm on taxpayer dollars and he isn’t even Vader

[stilltheturtlemoves]

Ahsoka Tano, Star Wars: The Clone Wars

[ripcurlreef]

ezra n kanan

[asters-28]

Sabine is so pretty oh my god

[facts-i-just-made-up]

[eastern-bloc-party-archive]

[pagliaccis-clown]

Sorry to any Sheev kinnies I guess?

Song is Lotta True Crime by Penelope Scott

[average-lothal-inhabitant2]

So sad that 7 books in murderbot still uses words to describe itself like “damaged” and “leaking” instead of “hurt” and “bleeding” like it still cannot personalize its pain 😭

[basementexplorer07]

[average-lothal-inhabitant2]

One thing that is so interesting about the murderbot series is that it (as of rn) doesn’t put any focus on its wealthy class, and only the people that they exploit. We never meet the cruel and generationally wealthy decaquadrillionaires in charge GrayCris, DeltFall, Palisade, Barish-Estranza etc corporations and we probably never will.

I know a lot of royal family historic drama/crazy rich people fight for power type narratives give a lot of space for the fantasy of being at the top of the economic pyramid and glaze over what’s happening at the bottom. It’s all fancy galas and backstabbing and no sweat shops and slavery. And then there is left leaning fictional media that tries to put focus on every class level, with certain people at the top working covertly to help the little guy. But Martha Wells doesn’t let us humanize or even really give our attention to the corporation rims 1-percenters because there are no characters up there. There’s no singular villain or villains causing this. It’s just a vague systemic culture of exploitation and trauma; it’s turtles all the way down but make it oppression all the way up.