there’s been enough “sympathetic villains” can we go back to cunts
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#extradirty

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Noah Kahan
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I'd rather be in outer space 🛸
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if i look back, i am lost
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let's talk about Bridgerton tea, my ask is open
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@awkstheturtle
there’s been enough “sympathetic villains” can we go back to cunts
the lea michele situation is actually a prime example of why we should be wary of performative activism right now. if you are supporting the cause by protesting, donating, posting your support, etc. that’s great! but this problem goes so much deeper than just police brutality.
every single non-black person who has posted #blacklivesmatter this week needs to take a step back and analyze whether or not their actions (not just their words) have shown that they truly believe that statement. it’s a clear and obvious choice to speak out against the brutal murder of an innocent man. however, if you are not making the obvious choice every day to speak up for us when your friends/relatives make racist jokes, if you are not listening to and respecting the black people you know in real life, if you have not sat down to analyze the ways you actively benefit from this system, if you have not worked to start unlearning the biases you were raised with, or if you thought “black lives matter” was a controversial statement until this week, do not pretend to care just because everyone is talking about it right now.
when these protests are over, there will still be many battles to fight. this is not a game, and this is not something you post about just for likes and clicks. if you are resting easy right now thinking that you’re “one of the good ones” for showing public outrage over a situation that should anger any reasonable person, you need to do more. racism is not something you can pick and choose when to be against. we don’t get to pick and choose when we experience racism. so if you’re going to get involved with this situation right here, right now, then you need to be ready to hold yourself and others accountable for anti-blackness in all other areas of your life.
white people can and SHOULD reblog!
so my family went to the tulip fields and my little sister didn’t have a good time at all
WHY IS THAT ONE FUCKING TULIP A DIFFERENT COLOR I WOULD BE UPSET TOO
it is the chosen one
it must be the main character in the anime
It got funnier when I realized just how many tulips are in this picture.
“In a world where tulips were yellow, one dared to be different…”
Every spring this picture comes back around and every spring I crack up
at first you just see the row of tulips in the foreground, and it’s funny
then you see the rows stretching back for yards and yards, and it’s even funnier
Heyo so I’m throwing a big ol party after quarantine if this hits 1 mill so uh if anyone’s out there pls help embarrass my sister even more 7 years later
i’m sure i’ve missed a few things, but i can’t stand to look at it any longer. i present to you: the good, the bad, and the ugly of tumblr throughout the decade
had a dream last night that my alarm was connected to twitter and everytime i hit snooze it publicly tweeted it with a disparaging little message along the lines of “filthy horrible boy has slapped the screen again, and slumbers on” so that your followers could shame you and i was deeply, DEEPLY humiliated but that did not stop me from hitting snooze upwards of 14 times
hey op! i couldnt sleep until i built this! you motherfucker!
just gotta “borrow” my sister’s alarm clock
get that twitter api, write the bot in some python bc god is dead n slap together some fuckin UI with legos
your idiot self wants to sleep in???? hit that snooze button a couple times???? (maybe 4 times in a row)?? disgusting.
twitter knows! bc it posts how many times youve hit it. fuck you
the next step is NOT profit. noone profits. everybody loses. go home.
Riku’s Growth
Continuing from the previous ask, by the end of each following game/novel after KH1, Riku displays significant moments of growth in overcoming his fear of abandonment (or rather, learning to recognize and deal with it in a healthy way) - coming to completion at the end of DDD. I talked about where CoM left Riku in terms of his growth in dealing with this issue, so that’s where his change really starts to take off.
358/2 Days, KH2: During Sora’s sleep in the pod, Riku does everything he can to make sure Sora will wake up. And when he does, Riku follows him to various worlds and tries to protect Sora whenever he can. In a way, Riku is able fulfill his need to feel needed because he thinks he still needs to protect Sora, even if he refuses to let Sora know it’s him because he feels ashamed. But by the end of KH2, Riku is confronted again with the fact that Sora is equally strong, if not stronger than him. And unlike in KH1, where this would have caused his fear to spur jealousy and anger, he accepts this fact and it’s here I think Riku begins to see clearly that he needs Sora. This moment from the game and novels really distills Riku’s growth here:
“Sora?” Riku said softly. The name of his best friend, who he was leaning on. Literally. “Yeah?” Sora’s smile was untroubled. “You lead.” He looked ahead, too.
It’s a simple moment that’s easily missed, but for Riku to ask Sora to lead represents a huge change in him. Riku always saw himself as the leader. He clung to the idea that he was better at everything than Sora because it meant Sora would always look up to him, would always need him. But now he looks up to Sora, and needs Sora to lead him. At the Dark Margin, Riku confesses that he was always jealous of Sora- which certainly influenced his antagonism towards Sora in KH1, but I don’t think was the root cause of it. His jealousy of Sora was mostly just another symptom of his fears.
Dream Drop Distance: By this point, Riku has come a long way from where he was in the first KH, but he still holds feelings of shame over his past, still thinking he might not be worthy of the Keyblade. But this time, he looks up to Sora as his teacher:
Jiminy: “You must have someone, a friend, you can talk to?” Riku: “Yeah…Actually I do. That stupid grin he’s always wearing. He’s the best teacher I could ever have.”
As we all know, Riku spends DDD singing Sora’s praises- which is cute and all, but Riku tends to forget to give himself credit as well. Then in Symphony of Sorcery, I think Mickey does something important for Riku:
Mickey: “Waddaya know…Riku and Sora. The Sound Ideas you two set free joined together. And when they did, they made a great and powerful harmony.” Riku: *Nods* “Sora can find the brightest part of anything, and pull off miracles like there’s nothing to it. It’s pretty hard not to smile around him.” Mickey: “Wow! No wonder the music sounded like so much fun! But I bet he’s got you to thank for that. Having such a good friend means he could really enjoy it.”
Where Riku only sees Sora’s ability to “pull off miracles” here, Mickey reminds Riku that he was also half of the harmony, and that Sora couldn’t have done it without him. While Riku spends the majority of DDD looking up to Sora, Mickey sees them as equally important parts of a whole. I think Riku takes this to heart, because this idea culminates into his “He needs me” speech at the end of DDD (which I don’t think is an accident that it’s so similar to his speech at the end of CoM when he sees Sora sleeping in the pod). Riku has already accepted that he needs Sora, but by the end of DDD he also sees that Sora does still need him. Not in the more selfish way that Riku expressed it in KH1, but rather in the sense that Sora will always need him as a friend, as someone who will protect him when he’s in trouble- and Sora will do the same for Riku. The sound ideas and the reality shift keyblades are representations, or, manifestations of this balance in their *cough* friendship.
In CoM, Riku’s growth was about redeeming himself so he could at least look Sora in the eyes and apologize. In KH2, his growth was about seeing Sora as someone who could guide him, and letting go of his image of himself the leader. In DDD, Riku’s growth in this dynamic between himself and Sora is complete- ending with him realizing that they need each other, to balance one another. There are a lot of aspects of Riku’s character arc you could talk about, but I would argue that the way his relationship to Sora changes throughout the series is one of the most fundamental pieces - from looking down on Sora to try to preserve his own sense of importance (and bury his jealousy), to looking up to Sora while still feeling shame and degrading his own part in their dynamic, and finally, while still looking up to Sora as a teacher, seeing himself as an equally important part of the whole.
ah! riku as the light in darkness was there all along. dawn is just a point of light in the darkness!! road to dawn! (sorry if you’ve said this before n-n;;)
No, that’s a good point! It might be a clever double meaning that Way to Dawn broke in kh3 to show that he has finally reached dawn- “the Break of Dawn” (^-^) And the concept of Riku as someone filled with light has been there since KH1, so much so that they show Sora blinded by it in the kh1 opening. Also, many people forget this, but Nomura has stated in Ultimania that the flash of light you see before Sora gets the keyblade was the light of Riku’s heart:
“There is a scene in Destiny islands where Riku is being swallowed by darkness, a light appears, and Sora first obtains the keyblade. With the setting I created, the darkness that surrounds them is Riku’s heart’s darkness. At that moment, Sora enters the darkness, and the light he sees inside is Riku’s heart’s light. Sora, who was squirming in the darkness to save Riku, touched the light and temporarily obtained the Keyblade from Riku”.- x
Also to add to what @owlforkh pointed out on the analysis, Terra also saw the light in Riku after he was guided there by the light:
And to add onto this post, something I was going off on twitter about:
BBS is a treasure trove of narrative set-up for the Power of True Love that we saw come to a climax in KH3 with Riku’s sacrifice and Sora regaining his powers when he went to save Riku in the RoD (Which I…still need to make a post about because it’s extremely relevant yet it wasn’t made clear at all in the narrative..it’s frustratingly obscure as hell actually).
Half of BBS is about the power of love and dreams to defeat darkness and awake one’s true love from an eternal slumber (and Nomura was planning DDD at the same time??!!!). AND immediately after three worlds of this being the theme, Kairi’s Grandma tells the story of how their world was reborn after being lost to darkness SHE SAYS THIS
But the true light sleeps, deep within the darkness. That’s why the worlds are still scattered, divided from each other. But someday, a door to the innermost darkness will open, and the true light will return.”
Yen Sid expands on this story in DDD:
“Long ago, in the Age of Fairy Tales, the World was filled with light- a gift, many believed, from an unseen power known as Kingdom Hearts. You see, Kingdom Hearts was protected by it’s counterpart, the X-Blade so that none could ever lay hands on its mysteries. But in time, the World was overrun by legions who wanted the light all for themselves. And the first shadows were cast upon the land. These warriors crafted keyblades in the image of the original x-blade, and waged a great war over Kingdom Hearts. We call this the “Keyblade War”. But though the war extinguished all light from the World, the darkness could not reach the brightness inside every child’s heart. With that light, the World was remade as we know it today, with countless smaller worlds shining like stars in the sky. As for the real x-blade, it did not survive the battle. The two elements that created it, one of darkness and one of light, shattered into twenty pieces- 7 of light,13 of darkness. And as for the source of all light-the one true Kingdom Hearts- it was swallowed by the darkness, never to be seen again. As long as it remains there, even the brightest world will have its dark corners. After all, light begets darkness, and darkness is drawn to light.”
“The true light”, the one true Kingdom Hearts still sleeps in darkness, and if we go by what the first three worlds in BBS are trying to tell us (and what Chirithy says outright in KHux), only True Love can awaken a slumbering heart. Kingdom Hearts will be awoken by True Love. And what is the only thing that can unlock door to Kingdom Hearts? The X-Blade.
This also gives new meaning to the fact that they decided to use the theme “Somnus” when Yozora made his appearance in the Secret Ending. Somnus, the god of sleep…Yozora, hinted strongly to be a Sora and Riku fusion (x, x, x, x) of some kind. Not to mention, these lyrics in the original song:
God sleeps and his children set a fire that they cannot extinguish, nor can awake him everything shatters in front of tragedy, worth of love and in this endless night alas! of despair can he watch the dawn? he awaits the time of awakening
“Let’s watch the sun rise, shoulder to shoulder.”
Secret Ending Observations pt2
Part 1
The secret ending is jam packed with tons of symbolism. Another detail to look out for is the stoplights- green (or in Japan, called blue lights) for Riku, red for Sora (Remember, the name of the clip is “Yozora”, who has a blue eye and a red eye…). In the first shot you see a green light on Riku’s side:
When Riku wakes up, he gasps and turns around quickly like he senses something. The camera only shows a red stoplight, but this is Sora’s color. Riku might be sensing Sora.
Sora has the same reaction, but you can only see the reflection of the green/blue light on the car (having trouble seeing/recognizing Riku’s light maybe, if the theme continues from KH3 with Sora not realizing the light is Riku yet)
It’s very deliberate: All of the stoplights in the background on Sora’s side are green, and all the stoplights on Riku’s side are red.
Green:
Red:
It’s like Sora says in DDD: “Don’t worry, he’s with me! Even when it might seem like he’s not.” So close, but just out of reach.
Regarding my last post, if you want to get an idea of what I mean, there’s this excellent post on Reddit by someone who explained the translation differences much better than I could here:
I definitely like the idea of Sora and Riku joining their powers together and bringing out that keyblade again in that moment… but the scene with Riku protecting Sora (and essentially giving his absolute all to protect Sora) is done to complete the narrative that gets set in Olympus (at least, in the Japanese version, which is what I played…the English…kinda loses this narrative).
In Olympus, Hercules says, “All I know is that she was in trouble. Suddenly, I wanted to save her with all my heart…” he also refers to Meg as his 大切な人 (taisetsu na hito) or “precious (taisetsu) person (hito)” in Japanese. The English version translated “taisetsu na hito” to “person I love” in this instance.
Then, right after Olympus ends we get Mickey and Riku in the RoD. In the English version, Mickey tells Riku “I think it’s because you finally found inside you that special strength to protect what matters. […] Sometimes you care so much for somebody that other feelings disappear.” In the Japanese, Mickey says それはきっとリクが大切な人を守る強さを手に入れたってことじゃないかな?or “Isn’t that because you (Riku) finally found the strength to protect *the person* who matters?” The rest of what Mickey says in the Japanese lines up well with the English localization.
After this talk with Mickey we have Riku flash back to the promise/oath that he made when he was younger and this time, instead of saying 大事なもの (daiji na mono) or “important (daiji) thing(s) (mono)” like he did originally in BBS (and again in DDD), he says 大切な人 (taisetsu na hito) - essentially “person who matters” or “precious person.” So Riku changed his oath/promise from being about protecting “things that matter” to protecting “a person who matters” (aka Sora). The localization team totally failed to show this shift in Riku’s oath/promise though and just kept the line as “things that matter.” But, throughout Sora’s visits to the Disney worlds, the word 大切な人 (taisetsu na hito) keeps getting brought up and it always gets used in reference to one person (thus, Riku’s use of “taisetsu na hito” is likely meant to be viewed as being towards one person as well - Sora).
In Frozen, we see “taisetsu na hito” being connected to an “Act of True Love.” When Sora and Anna are talking about Elsa and Riku, the Japanese and English versions vary quite a bit. In the English, Sora says to Anna (about Elsa) “I’m sure she knows how much you love her.” In the Japanese he says エルサのことを大切に思ってるんだな。or “You really care about her.” Once again we see the word “taisetsu” pop up and Sora uses it again when he talks about Riku a few moments later.
In the English he says (about Riku) “He thought he had to push me away, to protect me.” In the Japanese Sora says 大切な人だからこそいっしょにはいられない。Sora is talking about both Riku and Elsa here and he essentially is saying, because they (Riku and Elsa) viewed them (Sora and Anna) as *precious people*, they “couldn’t be together.” The English localization mostly captures this idea, but they completely erase the aspect of a “precious person.” The Japanese version keeps this through line though and the Frozen world ends with Sora witnessing an “Act of True Love.”
Fast forward to the Keyblade Graveyard. Sora lost the will to fight. He is down on his hands and knees. He looks up at Riku, tears pouring down his eyes and he asks Riku what it is he should do. That he can’t fight without everyone beside him. Sora is so lost. We see Riku start to reach out to Sora - to comfort him - but then he pulls back and clenches his fist. He stands up and says ソラ、俺は信じてる。お前はあきらめない。or “Sora, I believe in you. You won’t give up.” Then he starts walking away from Sora and toward the heartless swarm. The scene then enters slow motion and we see Riku (from Sora’s perspective) using all of his strength to protect the *person who matters* (Sora). He literally protects Sora until his death. He puts his whole being into protecting Sora.
This scene is meant to be an accumulation and reflection of Hercules’ words to Sora at the beginning of the game “All I know is that she was in trouble. Suddenly, I wanted to save her with all my heart…”, Mickey’s words to Riku “Sometimes you care so much about somebody that other feelings disappear,” and of an “Act of True Love,” like what we saw with Rapunzel and Eugene in Corona or Anna and Elsa in Arendelle. The Japanese kept this narrative for Riku extremely clear throughout the course of the game through the use of 大切な人 (taisetsu na hito) by both Riku towards his oath/promise and by the various Disney characters and their use of the term towards the people they care about. The English really loses this aspect of Riku’s narrative though.
That’s why, as much as I *really* would have loved to see Riku and Sora come together and bring out this particular attack again…it would have destroyed Riku’s narrative in this game. A narrative that I love to bits. That this moment was Riku’s “Act of True Love” to Sora - him finally fulfilling that oath/promise he made to “protect the person who matters.” That scene was honestly so good! I wouldn’t want it to change in anyway.
again: Source
Show, Don’t Tell
An analysis of how Riku is shown as the light in the darkness for Sora in kh3, unrealized by Sora (yet) due to confusion over his own feelings and preconceived expectations.
The most important clue, the real clincher: The fact that they put a literal light in Riku’s place during the segment of the Dive to the heart that is a 1:1, shot for shot parallel of the kh1 opening:
An important difference here though, is at the end of the sequence, Riku’s light isn’t underwater like Riku is in the KH1 op- instead the light is above the water, symbolizing that Riku overcame the darkness he fell to in KH1:
(Hence why he can be Sora’s light now. Remember, Sora is shown blinded by Riku’s light in kh1 before he falls to darkness)
Then we come to Riku’s sacrifice. Earlier we had Mickey telling Riku, “Sometimes you care for somebody so much, that other feelings disappear. And then there’s no room for fear or doubt.”, and now we see this in practice, and who that “somebody” is, conclusively. It’s framed as one of the most significant moments in the game: the slow motion as Riku calmly walks away from Sora, all sound fading away except for Riku taking a breath before he puts his entire being into protecting Sora from the demon tide. The force of the heartless creates a literal tunnel of darkness around them, with Riku as the light in the center.
They absolutely did not have to make the visuals like this. They could have had Riku cast a reflect shield around himself and Sora until the heartless broke through it like glass- similar to how Vanitas tried breaking Aqua’s shield during her fight. But instead, they made sure Riku was a singular point of light in a tunnel of darkness as he protects Sora with everything he has.
Not only are the visual similarities clear, also take notice of the repeated compositions between the two scenes, many shots paralleled right to the end, with Sora reaching out to Riku.
I should also mention here that when Sora calls out to Riku in the tunnel and says “Riku! Answer me!”, the light starts making an odd sound as though it IS anwering him, and Sora gets a look on his face that makes it seem as though he’s having a revelation- or is on the cusp of one:
And when Sora reaches the other side of the light, where else does it lead, but straight to Riku. As if that wasn’t strong enough a hint on its own, Sora finds him floating atop a sacrificial tripod that seems to be a reference to the Delphic Tripod of Greek myth, which was used to deliver prophecies of Apollo, god of Sun and Light.
It’s an important point that the light only leads Sora to Riku. Through the rest of the sequence Sora is led through dark portals created by the lich.
After this, we get to another tunnel scene, which is hugely important but has been controversial to say the least. In order to not make this post a mile longer and keep anything that can be misconstrued negatively off of this one, I’ll go through that scene in the next part.
The Sleeping Realm Theory
A near 350 page KH3 rundown and analysis, the brainchild of @nikutsuneart , @cquaer , and @sorwikus, that took over a month to complete. Please enjoy!
The Sleeping Realm Theory Doc: LINK
Artwork provided by @canarywitch
Talked about this on Twitter a few days ago, but it really has me interested that whenever antagonists have told Sora that he’s weak on his own, Sora has never actually disagreed with them.
He always launches into his speech about his friends being his power- and they are. Sora’s bonds are his greatest strength. But in KH3 I think they are making a really smart move by possibly having this also become his greatest weakness. (This is one of the reasons I think Riku’s arc is so great- because they also had his greatest strength- the desire to protect what matters to him- be a fundamental part of his fall to darkness.) By the time DDD rolls around, Sora has completely internalized the idea that he is useless without his friends, and that none of his power comes from himself. This is a very dangerous belief, yet it’s also one that we see reinforced even by Sora’s friends.
Donald/Goofy KH3 quote: “Sora’s useless without us.”
Though they don’t mean any harm by it, nonetheless having the same type of sentiment expressed by both villains and friends (and friends turned villain) alike is good cause for Sora to have come to lack a belief in his own power.
In KH3, Xehanort seems to have realized that Sora is unstoppable as long as he has his friends, so what better way to break Sora than to remove the source of his strength? In the Final Battle trailer, Sora witnesses all his friends being taken from him, and in the end it seems he is left completely alone. This is where we see Sora’s greatest strength become his greatest weakness.
“I was only able to fight because everyone was by my side! I can’t do this alone.”
Sora has so much faith in the strength of his friends, yet so little faith in himself when he is left isolated. This is where I’m hoping we will see Riku helping Sora to grow and believe in his own strength- and we got a glimpse of it in the final trailer:
Riku saw firsthand Sora’s internal strength in KH1 when Sora was abandoned by his friends, fought his way into Hollow Bastion with nothing but a wooden sword, and the strength of his heart won the keyblade back from Riku. Much like Sora helped teach Riku to not isolate himself so much and accept the help of others, Riku might help teach Sora that even when alone he still has immense inner strength. Sora and Riku have represented both sides of the extremes- complete reliance on oneself (Riku) and complete reliance on others (Sora) - and show only a balance between the two is strongest.
Sköll
Just some interesting background on the mythology behind Skoll (that may also add to the theory that in the original version of the Frozen level, Elsa created this heartless):
In Norse Mythology, Skoll and Hati were giant wolves that chased Sol and Mani- Sun and Moon- across the sky perpetually until Ragnorak, when they would devour the sun and moon, causing the sky and earth to darken and collapse. Different versions of the legend switch which wolf chases the sun or moon, but typically (and in KH3) Skoll is the one who pursues and devours the sun.
In KH3, Skoll has a special attack where he turns the sun black (or becomes a black sun?), which then threatens to collide with earth. Thematically, we tend to consider Riku with the moon/night and Sora with the sun/day (though it’s not as simple as them always being one or the other). If it’s true that in the original version of the Frozen level, Elsa struggled with darkness like Riku, and created Skoll, it would make sense for her (and by extension with the parallel, Riku) to be represented by this lone wolf that pursues the sun. A strong light can draw in an equally strong darkness- the closer you get to light, the greater your shadow becomes.
A place where earth and sky meet…The connections between Sora/Riku and Scala ad Caelum/The Final World are piling up. What is going on here?
I’m gonna keep a list of all my related meta/observations here I think:
The Final World/Riku’s Sacrifice
Scala ad Caelum/Final World connections
Scala/Jacob’s Ladder/Yozora
Scala/Ultima Weapon connections
Scala Writing/Chi meaning
Scala/Terra’s Mark/Riku’s Symbol
Yozora meta/observations:
Ultima Weapon/Sora/Riku/Yozora connections
Yozora Kingstagram Translation
Sora/Riku/Yozora connections
Yozora/Secret Ending observations: Part 1 | Part 2
Progression of Sora and Riku’s Hearts combining
Endymion and Somnus
Yozora/Somnus
KH Platinum Trophy designs
KH2 Taglines
Is Sora also connected to the moon? I think you mentioned it on twitter?
Yes, I think so. But I also think both Sora and Riku are symbolically connected to the moon (especially the Kingdom Hearts moon) and sun in different contexts. It’s not concrete one or the other. They are true representations of Yin and Yang, and that means neither of them are purely light or dark; they both contain a piece of each other.
The way I explain it is like this:
Sora is darkness cloaked in light; Riku is light cloaked in darkness.
Sora is the sun on the outside,the moon on the inside; Riku is the moon on the outside, the sun on the inside.
Sora parallels Ven on the outside, Vanitas on the inside.
You get the idea. Sora’s darkness is so powerful perhaps (Rage/Anti form) because it is surrounded by light. This is a principle in art too: a single shade will look darker when surrounded by a lighter shade, and lighter when surrounded by a darker shade.
Sora is connected more overtly to daytime/the sun, as we see in the Symphony of Sorcery, where Sora and Riku enter musical worlds which function as symbolic representations of themselves. Sora’s world is sunny, full of rainbows and springtime flowers:
Riku’s is a moonlit summer’s night, a mysterious autumn forest, and a cold winter’s night:
But both of these worlds have elements of what you might consider their opposite- darkness for Sora and light for Riku: Sora’s world is full of strong gusts of wind and raging stormclouds that he has to dissipate in order to move forward. Riku makes glowing flowers bloom and grow to progress. Again, it’s the principle of YIn and Yang, that neither one is “pure” light or darkness.
It’s hard to find concrete examples of Sora being connected to the moon because he is so associated with light at the surface level, but it’s possible we will be seeing it more and more as Sora’s darkness gets further explored, and as Riku’s connection with the sun/light becomes more clear, as we have started to see: x, x, x
The bit we were talking about on twitter was this lovely shot from CoM:
On its own, does it mean anything? Maybe, maybe not. But considering, Riku’s recent associations with the sun, Sora being his complementary opposite would associate Sora with the moon. Re:Coded may have made one reference to this in the scene where Data Sora sees a memory of Riku’s from KH1, after Riku had just left Sora on Captain Hook’s boat with a shadow copy of Sora.
The purpose of the memory, as Data Riku tells Sora, was to show how he and Kairi had been hurting. In it, Riku reaches out to the moon and “captures” it, then pulls it close to his heart with a sad expression. Given the context of that moment, Riku having just left Sora, it seems very likely he was thinking of Sora in that gesture. Sora, his light in the darkness, just like the moon.
Perhaps this could be a reason why Sora has had trouble recognizing Riku as his light while Riku seems to have known his for a long time. The sun is blinding and hard to view directly among an already bright sky, while the moon is gentle to look at among the dark. And we do see Sora at the very start of KH1, blinded by Riku’s light:
Also, since I was supposed to only be talking about Sora and the moon I’ll end on these awesome shots:
If Square had intended on Elsa being the “villain” of Arendelle, like Matpat’s theory suggests, I think the Riku/Elsa parallels would’ve been almost too obvious. It also would’ve solidified the connection between the vision Sora gets of Elsa and Anna to Riku, as well as confirming that he was the light.
Think about it… Elsa’s character is already so similar to Riku; growing up lonely even when surrounded by friends and family, building emotional walls to protect oneself from everyone on the outside and vice versa, the internal struggle between morals and sense of self (light and darkness), the struggle to control one’s emotions, resulting in one lashing out and hurting the ones they never wanted to hurt, etc.
But if we go by Matpat’s theory and the themes of what we’ve seen in past games… Elsa’s internal struggle between light and dark, Anna’s meddling pushing Elsa further into isolation, Elsa accidentally hurting Anna, OrgXiii and/or Hans (outside forces) manipulating Elsa into believing that she is darkness and that she is evil, the darkness within her/her dark magic creating Skoll (a Heartless that has an attack which is very reminiscent of the darkness that swallowed the Destiny Islands, the same darkness that Riku invited), Sora having to be the one to defeat that darkness to snap Elsa out of the raging storm of her repressed anger and sorrow, Elsa learning that love is the key to controlling her powers and that following her heart is what she should’ve been doing since the beginning.
And then there’s the dialogue from Larxene after Sora defeats Skoll; “So, love has filled both their hearts with light. Two in one world… Definitely didn’t see that coming.”
They fully expected Elsa to fall to darkness, but Anna’s sacrifice, her act of true love, saved Elsa from the darkness within her heart and kept her from giving in to the darkness completely.
*cough cough*
You know… like Riku’s ability to “consume the darkness and return it to light.”
Or, uh, you know… the phrase used in regards to what saved Sora…
The “don’t ever give up” will of a heart of light overturned the overwhelming power of darkness.