GIVE ME THE BRUCENAT IN INFINITY WAR
I mean you’re getting brucenat but I’m not entirely sure it’s in the way you want it to be
Like…I’m not gonna lie…angst will fuel me…so…*applauds slowly*
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@bannoff
GIVE ME THE BRUCENAT IN INFINITY WAR
I mean you’re getting brucenat but I’m not entirely sure it’s in the way you want it to be
Like…I’m not gonna lie…angst will fuel me…so…*applauds slowly*
‘He’s got a temper, but deep down he’s all fluff. All my friends are fighters, and here comes this guy who spends his life avoiding the fight because he knows he’ll win.’
hi! I saw your post about playing with Brutasha in Marvel Puzzle Quest and I wanted to ask you something. I also play the game and I have Natasha (Modern) and Natasha (Original), but none of them have this "skin"... Is your Natasha a lengendary character?
She’s actually an epic character, which is one star higher than a legendary character. So you definitely need command points if you’re looking to add her to your roster. I think the card debuted before civil war came out but I could be wrong. Also to the right, there’s a Bruce Banner card there as well! I really do love/support this game because it’s one of the rare few that acknowledges both Bruce and Hulk both separately and together.
Reblog this if you ship BruceNat and will go down with this ship and people can send you messages whenever they need to talk about it.
Because you always need to remember :
bruce n nat + losers (seeing as that's what they are- obvs)
here are some ~cool headcanons~ about our favorite losers
they sometimes watch cheesy horror movies in their pjs together and hold hands and Bruce wears his star wars pj pants that Nat got him
after seeing steve’s Very Effective disguises of ball caps and large sunglasses, Bruce is pretty sure that if he & Nat also go out in public wearing ball caps and large sunglasses, nobody will notice that there are Avengers on the go. he is wrong. naturally, the losers wearing unmarked ball caps and overlarge sunglasses look suspicious, so everyone in all of New York City notices them. photos of the two of them going on a date in what Bruce was certain would be good disguises end up on the cover of every single gossip magazine they sell in new york. Natasha actually knows how to construct a disguise, but Bruce’s disguise was so cute and nerdy that she went along with it anyways, and is stuck between admitting she was caught in such a weak disguise or that she is a pushover for smiley Bruce
they have like 40 plants in their apartment. Nat keeps smuggling plants back into the country when she goes on avengers missions because they skip customs and nobody will stop her from importing live plants, and Bruce seems to appreciate plants as souvenirs
so much drunk cuddling in public! embarrassing! whenever Bruce drinks he gets very cuddly, and whenever he has to be at a public social function as Dr. Bruce Banner, Retired Avenger he drinks too much out of nerves, and spends the entire night attached at the hip to Natasha. their teammates have so many embarrassing photos of this.
Tony has banned them from playing video games in the avengers tower rec room after a heated wii bowling competition ended with a wii remote embedded in Tony’s nice, huge flat screen tv. neither of them will cop to whose remote it was.
they thrift shop together. Bruce has just always been thrifty, and Nat found thrift stores useful as a spy because they were handy shopping for fitting in new places. it drives Tony up a wall, so they keep doing it.
they’re so into each other that it’s embarrassing for everyone around them and that’s honestly the number one thing that makes them big losers
marvellous! such embarrassments! who let them outside?
brucenat + hamilton lyrics
Fanboy Challenge - [2/10] male characters: Bruce Banner
favorite unappreciated main characters : bruce ‘the hulk’ banner, marvel cinematic universe (2/7) :
“That’s my secret, Captain: I’m always angry.”
Federal US Agent - Bruce Banner → Mark Ruffalo Russian Spy - Natasha Romanoff → Scarlett Johansson
As the Cold War between the Soviet Union and the United States intensified in the late 1940s and early 1950s, hysteria over the perceived threat posed by Communists in the U.S. became known as the Red Scare. (Communists were often referred to as “Reds” for their allegiance to the red Soviet flag.) The Red Scare led to a range of actions that had a profound and enduring effect on U.S. government and society. Federal employees were analyzed to determine whether they were sufficiently loyal to the government, and the House Un-American Activities Committee, as well as U.S. Senator Joseph R. McCarthy, investigated allegations of subversive elements in the government and the Hollywood film industry. The climate of fear and repression linked to the Red Scare finally began to ease by the late 1950s.
STOP. ATTACKING. A SHIP. JUST. BECAUSE. THEY. INTERFERE. WITH. YOUR. NONCANON. SHIP.
I was looking for BruceNat posts and
IN THOR:RAGNAROK
BRUCE ASKS HEIMDALL TO SHOW HIM NATASHA
that’s what Thor did, remember? He went to Heimdall and asked new of her in midgard, and Heimdall willingly accepted.
LET BRUCE ASK HEIMDALL FOR NATASHA PLEASE THIS IS MY 2017 WISH OKAY IM BEGGING YOU MARVEL
Natasha Romanoff + STILL?????
Coupla things.
#1. Natasha Romanoff’s story in AoU IS NOT CENTERED AROUND BRUCE BANNER.
Bruce Banner is a foil to Natasha Romanoff’s struggle to balance her personal and professional life (y’know, the way Tony and Steve are foils?) The movie, thematically, is about family. Home. Parenthood. Work-life balance. The boys deal with these themes, too. Bruce is the object that allows her to think about how she wants to spend her goddamn life. And, ultimately, she chooses to do her duty, but it’s so much more satisfying character-wise now that we know it costs her something. Hero’s journey, people. AoU explored her pain and you can’t even see it.
#2. Your problem is not the storyline. Your problem is Bruce.
The object of this exploration is a character you don’t personally connect with therefore you don’t like it (the YOU here not meaning OP as much as ALL pseudo-Romanoff stans who denigrate her character because they don’t like her canon ship). If this same storyline had happened with Clint or Steve or whoever you like better, *poof* all this antifeminist evidence you see would disappear. How do I know? Because NO ONE bitches about the Natasha rolling up flirting with Sam and Steve or the Steve/Natasha kiss in CA:TWS — character moments that served no other purpose in the story except reminding us that Natasha is hot (I break down all the beats in CA:TWS that could be read as antifeminist here not because I think CA:TWS is antifeminist but because I think y’all cherry pick). You don’t like brucenat. Get over it.
#3. YOU ARE THE PROBLEM with the infertility storyline.
Okay. Infertility makes you uncomfortable. It’s a touchy subject. Does it belong in a superhero movie? Why the fuck not? X-Men opens in a concentration camp. HYDRA are Nazis. If fictionalizing the atrocities of the Holocaust isn’t taboo then “women’s issues” are fair game. Natasha undergoing sterilization in the Red Room is a process of dehumanization that helped, mentally and physically, make her killing machine because it helped her believe she had no place in this world. By dismissing that part of her backstory as “problematic” you’re missing out on a fascinating topic to think about.
#4. FOR THE LOVE OF GOD NO SHE DID NOT CALL HERSELF A MONSTER BECAUSE SHE CAN’T HAVE KIDS.
Honestly. What is wrong with people? Maybe on first hearing it, sure, you could misinterpret in a split-second. But, after that, you are willfully believing something absolutely ridiculous because you hate Joss Whedon. There is no other explanation. If you need a line-by-line reading that isn’t insane, I break it down here.
JUST BECAUSE YOU CANNOT SEE NATASHA’S AGENCY DOES NOT MEAN SHE DOES NOT HAVE ANY. I’m sorry nuance is hard. Must suck not to be able to see it.
👏👏👏👏👏
psa: on distinguishing fan entitlement
fan entitlement is:
- sending abuse to creators;
- sending abuse to other fans;
- abusing anyone who disagrees with your interpretation of the story;
- actively seeking out people who disagree with your interpretation specifically to abuse them;
- demanding creators maintain a 100% perfect public persona (by your definition) and savaging them the second they slip up, regardless of context or history;
- behaving as though creators, actors and anyone else involved in the production of a narrative owe you, specifically, their time and attention, just because you’ve paid for it/read it/watched it.
fan entitlement is not:
- being critical of creative decisions;
- being critical of fandom;
- sharing your own interpretation of the story;
- debating with others about various theories and interpretations of the story;
- holding creators accountable for their content and public behaviour;
- advocating for fan theories, diverse narratives, headcanons and the discussion of toxic tropes, or engaging in any other form of criticism.
*
If it seems like a lot of these points are similar, it’s because they are, and by the same token, I’m not going to pretend that there’s never a YMMV element to determining which thing is actually happening. The key distinction, rather, is one of conduct: the difference between talking about and talking to.
For instance: there are some ships I think of as not only gross, but representative in their popularity of wider social and cultural issues both within fandom and more generally. Discussing those problems and those ships in particular, in my own space, on my own initiative, or by joining an existing conversation? That is talking about, the backbone of meta and criticism. But leaving hate on every fic that features those ships or sending abusive messages to the people who write them? That is talking to, and if you’re addressing someone directly, on a personal level, the golden rule is this: Don’t Be A Dick.
Note, please, that the golden rule also extends to addressing creators, and that there is an actual salient difference between criticism and abuse. Criticism is a response to something a person has done: a comment directly addressing their works or actions. Abuse is simply attacking them, and while I’m not going to pretend a creator’s actions are never directly responsible for eliciting fan pushback, I guarantee you that the issue itself, whatever it might be, is pretty much never served by responding with abuse. By all means, talk trash and vent online about the shitty things that happen, but talking about in the general sense (posting on your blog, in comment threads, in private chat) is still very, very different to talking to (@ing a creator’s Twitter, emailing them, sending then private messages). Even though both forms of discourse can be equally visible, I promise you that the distinction is an important and relevant one.
Here’s the thing about fandom trends: we’re all influenced by the cultures in which we live, just as fandom, in turn, is influenced by us. Having opinions about fandom doesn’t mean neglecting to be courteous to fans and creators; it means refraining from ad hominem attacks. The problem on tumblr is that the reblogging mechanism makes this something of a liminal space, discussion-wise, such that it’s difficult to make hard and fast rules for interaction in this medium. By virtue of posting a thing that can be, not just commented upon, but reblogged into a multi-essay thread, and where it’s essentially held that “successful” posts invite this sort of discussion, the personal and the general - which is to say, the contextual distinction between talking to and talking about - tend to blur. This is why tag wars happen, why we end up in regular, cyclical arguments about the exact nature of the boundaries we’d each like to impose on what is still, ultimately, a public space. It’s a fundamental basic of discourse that engaging in criticism opens you up to having your position criticised in turn, and yet a lot of people are shocked and outraged when it happens to them, as though they imagined they were speaking from some unassailable, automatic high ground. And at the same time, you’ve got people who never learned the difference between abuse and criticism; whose culturally-trained biases are so ingrained, they honestly don’t recognise that attacking the person is not the same as attacking the person’s argument. I’ve been a dumbass online before. I doubtless will be again. But lately, I’m just exhausted by the number of people who cannot manage the simple fucking distinction between talking about and talking to, and who think it’s okay to engage in abuse in any case, so long as they really and truly believe they’re right. Here’s a simple rule of thumb: if you can imagine Jared Leto doing or saying it to prepare for his role as the Joker, it’s not actually edgy; it’s just a dick move. Don’t be Jared Leto. Don’t be a dick. (Which is, by the way, an example of talking about instead of talking to. See how easy it is?)
This is the Tesseract. It has the potential energy to wipe out the planet.
“Why do these characters, why are they so connected to one another? You know this film explores that connection. “ - Scarlett Johansson
alright so as you all probably imagined I would, I take issue with this post, which will very likely get hundreds, perhaps thousands of notes
I’ll try to take this point by point, and if you all would like to add to this, I would really welcome any input you might have. Writing meta in defense of this pairing and Natasha’s AoU arc in general is a sort of lonely pursuit, so I welcome commentary and discussion.
“In their only previous interactions in The Avengers (which was, I remind you, also written by Joss Whedon) neither of them showed anything like romantic or sexual attraction towards the other; in fact, Natasha was justifiably terrified of Bruce’s Hulk side.”
Yes, but!!! By the end of the movie, she has chosen to trust him. Actually, everyone’s afraid of Bruce’s Hulk side, including Bruce. That is not a fear exclusive to Natasha. Please don’t reduce their entire arc together into something so overly simplistic - Natasha interacts with Bruce more than anyone other than Clint, and there are a lot of really interesting interactions between them worthy of analysis, particularly that scene between them in Calcutta [x] [x], their scene when everyone’s arguing over the scepter, and their final scene together. By the end of the movie, Natasha is handing him his bags and looking him in the eye whereas she was cautious even getting close to him before. Based on the thematic content of their arc and the interesting parallels between them in the first movie, there’s a lot to explore here, and Joss chose to do that in a plausible fashion with Natasha acting as his bodyguard, and clearly having done so for some time by the beginning of the film (Scarlett notes in a number of interviews that the Avengers have been together for some time and are a “well-oiled machine” and a “family” at this point).
“Their dialogue comes across as awkward and although they are otherwise very talented actors, Scarlett Johansson and Mark Ruffalo are lacking in romantic chemistry. This is not helped by having other characters such as Steve and Laura Barton commenting on how obvious the attraction is, which falls flat when there isn’t much of an actual connection to back it up.”
I feel like this is one of the many observations contingent on not understanding that their first scene was a roleplay, something they’ve obviously done before, initiated by Bruce. There’s a great analysis of their body language in that scene here. And I know I’m not the only one who found it hot as hell - actually, the relationship has largely been praised by film critics. Chemistry, or lack thereof, is subjective. But it’s nice to know that it’s been critically praised. Additionally, it’s clear why Nat is attracted to Bruce and why she chooses to act on her feelings at this particular moment. It’s the proximity of the farewell party, the success of the lullaby (she tells Bruce it worked better than ever this time), and Bruce’s admission on the quinjet that he trusts Natasha (which as we know from TWS is very important for her), that lead her to think it’s now or never. She needs to put herself out there before time and circumstances can sunder them from each other, so she tells him exactly why she loves him at the party and waits for him to pick up the slack. Luckily, Steve is there to encourage him. And we see them talking to each other in their own little world for the rest of the party.
“Their main points of connection are Natasha performing the Hulk’s lullaby and their shared infertility, which both have their own myriad of issues.”
No, not at all. Again, this is reductive and simplistic and sells both the characters short, individually and together. This ignores the parallels and potential connection between them in both the first movie and this one completely. Natasha’s biggest trauma wasn’t her sterilization - it was the deprivation of her autonomy, something Bruce has also experienced, though he is inadvertently at fault for his own deprivation whereas Natasha is not. According to what Nat herself said, being sterilized made killing “easier” because it was “one less thing to worry about.” Natasha felt like a monster because she is an assassin, and she’s just had to relive some of her worst memories from that phase of her life (i.e. executing someone she didn’t even know in order to “graduate”). Her arc in the movie is about asserting that her skillset can never be entirely divorced from her dark past, which will always cast a shadow over her heroic present - but some people work better within the shadows and can put them to use. She can’t separate her present, nobler self from her darker self, but she can control how that self manifests - she can reclaim her autonomy in that way. She chooses the path of a hero instead of finally choosing something for herself in one of the most pivotal scenes in the film, even if she doesn’t think of herself as a hero. And you have to be strong as fuck to do that. Actually, this is what Bruce’s arc is about as well, but he doesn’t believe himself to have the requisite control to choose the path that Natasha takes, so he leaves her and all the people he loves in order to keep them, and all of humanity, safe - that is his heroic path, for now.
“It makes little sense that Natasha would be the one to perform a calming method for the Hulk, when the two of them have very little emotional connection. More logical candidates would be Tony, who has a well-established and trusting friendship with Bruce, or Betty Ross, who has been canonically shown to be able to help Bruce down while Hulked out. Instead this duty is handed off to Natasha with no real explanation as to why, leaving the impression that as the sole woman of the team she is the one to handle emotional issues despite being known for her emotional distance even with trusted allies and friends.”
Tony is indeed Bruce’s trusted friend, but since when has Tony’s preferred methodology for dealing with problems been to try something non-lethal and persuasive? Remember, the Hulkbuster suit is his idea. Physical coercion is more his stock in trade, and although he is Bruce’s good friend, he doesn’t connect with him on the same sort of kindred spirit wavelength that Natasha does. Betty Ross has been canonically separated from Bruce for 5 years; there’s no reason to think Bruce would never make a similarly deep connection with someone ever again, especially someone with whom he has as much in common as Natasha. It’s like Scarlett said in an interview - the lullaby Nat develops as a result of that connection is the “physical incarnation” of what these characters feel for each other. Now, let’s talk about Natasha’s method of dealing with things by reflecting on what she told Bruce when she first met him, all the way back in the first movie - “I’ll persuade you.” Her methodology is typically to work WITH dangerous forces rather than against them if she can manage it - like when she faced down Loki and beat him at his own game by allowing him to think he’d won, and when she figured out how to close the portal in avengers - she explicitly says using force might not be the best way. And she’s right. Moreover, there are a lot of reasons why she might be able to connect with the Hulk and operate on the same wavelength as him - she knows what it is to be a creature of instinct, but unlike Bruce, she has learned control.
“And while the shared moment over their inability to have children is genuine and touching, it rankles a bit that Natasha’s rich backstory is only briefly touched on as a means for her to relate to Bruce, especially since there is no planned Black Widow movie to explore the issue further.”
I agree - but did anyone get extensive flashbacks/attention in this movie? This is a movie with 11 main characters and Natasha, Clint, and Bruce got more attention in narrative terms than anyone other than Tony. (Natasha actually got the most screentime after Steve and Tony, and Bruce got less than her.) Steve and Thor’s arcs were quite simple and bare-boned. I’d like a Black Widow movie too, but we have to be realistic about the amount of time that could be devoted to Natasha in this ensemble piece.
“In fact Natasha’s entire storyline is centered on her relationship with Bruce, while he maintains an individual plot centered on his increasing view of himself as an uncontrollable threat unfit to be around people he cares about. This leads to an important decision to go on the run once again, while Natasha’s Bruce-centric story has no real conclusion after he leaves and does next to nothing to develop her as a character despite the rich and complex insight into her mind in The Winter Soldier.”
As I said under point 3, that farmhouse scene wasn’t just about infertility - it was about the lack of autonomy of both characters - autonomy that they both reassert by the end of their arcs - Natasha by choosing to stay, and Bruce by choosing to leave. I discussed Natasha’s arc in brief under point three above, but here’s more about it, and here’s how it relates to Bruce’s.
There are a number of excellent analyses of Natasha’s arc by film critics as well, to wit: [x] [x] [x] [x] [x] [x] [x] [x]
Basically, I completely disagree with literally every point OP made. What do you all think? Please, comment and discuss and feel free to disagree with me. I find posts like this (of which there are many at this point) really irritating because of how they refuse to engage with the very prominent arc Natasha and Bruce had in Avengers (which I wrote about extensively before this movie even came out and thereby managed to predict how their arc in this movie might go), and refuse to critically examine her arc in this movie by dismissing it almost, if not entirely, out of hand.