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I want my gay rights now! - Marsha P. Johnson (NYC Pride Parade, 1973)
Les Femmes Palestiniennes (1974, Jocelyne Saab)
youtube (eng subs). vimeo (spanish subs) / runtime: 10mins
whenever I tell a story I feel like Uncle Colm from Derry Girls
THE BEAR 4.08 – Green // 1.08 – Braciole
"Straddling a faultline between tradition and progressive education in 19th-century British India, Rukhmabai forced legislators to reconsider laws on the status of girls, and went on to forge her own career as a doctor—one of the first Indian women to practise in her country. She was quick to generalise her own experience of injustice as a Hindu woman to the predicament of all her fellow countrywomen, and was an outspoken social reformer.
Rukhmabai was born in 1864 in Mumbai, to Janardhan Pandurang and his 14-year-old wife Jayantibai. Janardhan died 2 years later, and when Rukhmabai was 8 years old, Jayantibai married Sakharam Arjun, a physician. Sakharam was an enlightened man and encouraged his stepdaughter’s education. However, his wife arranged Rukhmabai’s marriage at the age of 11 years to one of his relatives, the 19-year-old Dadaji Bhikaji, and they took the young man into their home to supervise his education. Aware of the dangers of early pregnancy and childbirth, Sakharam refused to allow the consummation of the marriage. A disgruntled Dadaji gave up his education and went to live with an uncle, where he led a dissipated life. Rukhmabai refused to join him, and when she was 20 years old, he began legal steps for “restitution of his conjugal rights”. The case became a cause célèbre, raising issues of British and Hindu laws in relation to a husband’s rights over his wife, and a child’s ability to consent to marriage. Among Rukhmabai’s supporters was the editor of the Times of India, Henry Curwen. He published a letter of hers in 1885. Child marriage, she wrote, “has destroyed the happiness of my life. It comes between me and the thing which I prize above all others—study and mental cultivation”.
Eventually she appealed to Queen Victoria, who ordered the marriage to be dissolved. Dadaji received financial compensation and Rukhmabai paid all legal costs. The publicity surrounding the case influenced the 1891 increase in the age of consent for Indian girls from 10 to 12—although Rukhmabai herself thought 15 should be the minimum. All this time she had been learning English and pursuing studies in a wide range of subjects, using books borrowed from mission schools, and had set her heart on becoming a doctor. She was befriended by Edith Pechey, one of the “Edinburgh Seven”, the first female medical students in the UK, who was Medical Officer at the newly built Cama Hospital for women in Mumbai. Pechey and others raised the funds to send Rukhmabai to the London School of Medicine for Women in the UK.
While in England she mixed with feminists and colonial reformers. She was able to argue the case for Indian women’s education with politicians such as Lord Kimberley, the Secretary of State for India. Sitting her professional examinations in Edinburgh, Glasgow, and Brussels—women were not permitted to do so in England— Rukhmabai qualified in 1894. She returned to India and spent 8 months as house surgeon at the Cama Hospital. She was then appointed Chief Medical Officer at the women’s hospital in Surat, in the state of Gujarat, where she stayed for 22 years. In 1918, Rukhmabai was offered a medical officer role in the Women’s Medical Service (WMS), founded by the British Indian administration 4 years previously. But she chose instead to accept a position at the Rasulkhanji Zenana Hospital in Rajkot, where she supervised the care of women in the more than 200 semiautonomous princely states of Saurashtra (now part of Gujarat). The WMS had a reputation for promoting European women doctors over more experienced Indian women, which may have influenced her decision.
Rukhmabai undertook extensive public health work during plague and influenza epidemics, and was awarded India’s public service medal, the Kaisar-i-Hind. She also raised money from her contacts among the maharajas and nawabs of Saurashtra to train Indian women as nurses. The settlement of her legal case stipulated that she should not remarry, and she never did. As a member of the Arya Mahila Samaj (Arya Women’s Society), Rukhmabai continued to campaign for women’s education and against child marriage and other restrictions on women’s lives, such as purdah. She moved back to Mumbai on her retirement and died at the age of 90 years, an inspiration to generations of Indian women who followed her into medicine."
From: Ferry Georgina, "A woman’s place Rukhmabai: doctor and social reformer"
Siddhartha at the Bodhi Tree, 100s–200s CE, Gandhara, Pakistan. Cleveland Museum of Art (ID: 1997.151) The tree under which the Buddha reached enlightenment marks the center of the composition. It had been under worship by local villagers, for it was known to be the residence of a nature divinity, who here emerges from the tree and altar to praise the Buddha. The altar itself is covered with kusha grass used in the context of sacrificial offerings. At the base of the altar, the earth goddess has risen from the ground and kneels before him in reverence. (Cleveland Museum of Art)
Thank you for standing by my family. I know I keep asking, but your donations are what keeps us alive, especially after the recent bombing that injured us all.
Our sole focus now is saving my brother Samer. Securing his vital medications and evacuating him for treatment is our only hope.
Please share our story and encourage others to donate.
@hazemsuhail
!!!
A pair of Mughal spectacles with emerald lenses and diamond mounted frames, India (lenses 17th century, frames 19th century)
via: Apollo Magazine
Nur Jahan
"Beautiful and accomplished, Nur Jahan was the daughter of nobles who’d fled persecution in Persia. She was also the widow of a court official implicated in a plot against Jahangir, but that didn’t stop the emperor from falling hard for her. She was thirty-four when they married, nearly middle-aged in the Mughal world. Since their wedding in 1611, the same year that Shakespeare premiered The Tempest, Nur Jahan (Light of the World in Persian, the name bestowed by her husband), had proved to be a devoted wife, a wise and just queen, a shrewd politician—and an expert markswoman. Her shooting skills were already legendary. A few years earlier, she’d amazed her husband and his courtiers by slaying four tigers with only six shots.
Nur’s shooting skill wasn’t the only thing that made her highly unusual. She held a position in the empire never before filled by a woman: co-sovereign. For more than a decade and a half, from a few years after their wedding until Jahangir’s death, Nur Jahan ruled along with her husband, effectively and prominently, successfully navigating the labyrinth of feudal courtly politics and the male-centered culture of the Mughal world. She issued her own imperial orders, and coins of the realm bore her name along with her husband’s. In Islamic thought and practice, the edicts and the coins were convincing technical signs of sovereignty. Furthermore, Nur sat where no other Mughal queen had sat before or would after, in the jharokha, an elaborately carved balcony projecting from the palace wall, from which government business was conducted. Subjects gathered below the jharokha to pray for her health, and getting a look at her was considered auspicious. More important, nobles sometimes presented themselves below the imperial balcony “and listen[ed] to her dictates,” according to a contemporary historian. “At last her authority reached such a pass that the King was such only in name … Repeatedly he gave out that he bestowed the sovereignty on Nur Jahan Begam."
— Ruby Lal, Empress: The Astonishing Reign of Nur Jahan
Derry Girls – 3.04: The Haunting
OFF CAMPUS 1.06 "The Breakaway"
MIKA ABDALLA as ALLIE HAYES in OFF CAMPUS (2026)
black and brown bloggers will describe a racist phenomenon in a slightly jesting way and white people will very openly flock to the notes proudly saying “i do that!!! xD”. No shame at all. Appalling, really
Like clockwork
#this show has never once been subtle about these two ABBOTT ELEMENTARY (2021- ) 5x22 | 1x01
Tagore says touch grass
A piece on Madhubala by David Cort for the Theatre Arts magazine (1952).