
No title available
he wasn't even looking at me and he found me
let's talk about Bridgerton tea, my ask is open
art blog(derogatory)

gracie abrams
Monterey Bay Aquarium
One Nice Bug Per Day
Today's Document
RMH
Lint Roller? I Barely Know Her
Show & Tell
ojovivo

❣ Chile in a Photography ❣
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EXPECTATIONS
🪼

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Claire Keane

blake kathryn

seen from Afghanistan
seen from United States

seen from Türkiye
seen from United States

seen from Türkiye

seen from Malaysia

seen from United States
seen from Singapore

seen from Portugal

seen from Singapore
seen from United States

seen from Canada
seen from United States
seen from United States
seen from Malaysia

seen from Portugal
seen from United States
seen from United States

seen from United States
seen from United States
@betweendreamtimes
Kronos Quartet - Marquee Moon
Open Mike Eagle and Kenny Segal - Watching a Movie Called Freedom by Myself
Nich Hance McElroy
Analia Saban - Tapestry (Computer Chip, TMS 1000, Texas Instrument, 1974)
Woven acrylic paint and linen thread, 72 ¼ x 68 ¼ in. / 183.5 x 173.4 cm, 2018
Dissertatio de generatione et metamorphosibus insectorum Surinamensium - Maria Sibylla Merian - 1719 - via Internet Archive
The grammar of ornament - Owen Jones - 1856 - via Internet Archive
Giovanni Pintori, Schema frecce colore, (sketch), 1956 [Archivio privato Paolo Pintori. © Matteo Zarbo, Milano]
“I once told my wife I was going out to buy an envelope: “Oh,” she said, "well, you're not a poor man. You know, why don't you go online and buy a hundred envelopes and put them in the closet?” And so I pretended not to hear her. And went out to get an envelope because I have a hell of a good time in the process of buying one envelope. I meet a lot of people. And see some great looking babies. And a fire engine goes by. And I give them the thumbs up. And I'll ask a woman what kind of dog that is. And, and I don't know. The moral of the story is - we're here on Earth to fart around. And, of course, the computers will do us out of that. And what the computer people don't realise, or they don't care, is we're dancing animals. You know, we love to move around. And it's like we're not supposed to dance at all anymore. Let's all get up and move around a bit right now...or at least dance.
Kurt Vonnegut
Lucy Ward
Flowers of Summer, 1966 - John Randall Bratby (1928–1992)
From Early Computers to Ships at Sea, Lola Dupre Warps Everyday Objects
Abstract Paintings Confront Andean Weaving in Miguel Arzabe’s Dynamic Compositions