[biminib4bes]

(not another) writeblr reintroduction!

goodbye, @lild4rkage; hello, @biminib4bes!

hello, writeblr people! i'm back, back, back, back, back again! giving y'all a dose of my concerning writing habits I'm between bouts of inactivity! glad to be back and hoping to stay back hehe

for those i don't know and vice-versa, hi! my name is frank, eighteen years of age, he/him, and a writer of some things! this account is primarily for my fiction works, but i actually write a whole lot more feature articles and essays, primarily centering around queerness, relationships (ew <3), and a whole hullabaloo of things i find interesting and worth taking a gander at!

other things i like: horror movies and shows, reading (if i ever get out of my slump), gay shit in the context of our society and culture and applying queer theory to everyday life (lmao), and pop culture and entertainment, because i'm what? homosexual!

username explanation

i thought i'd include this lil section to explain my new @!! so biminib4bes comes from one of my favorite drag performers handles on their social media accounts (bimini bon boulash aka @biminibabes) i love their art, their drag, their laid-back chillness, and that's everything i basically want to be–so yea this is for u, bim! hehe (they're also the model in my display picture!)

works in progress

vince farrow versus the afterlife (re-outlining)

teenage witch vince farrow leaves boarding school unannounced to solve the mystery of what truly happened to his mother, only to have his entire plan upended when he meets fellow runaway kevin gallaga, commencing the journey of their (after) lives. monsters, mayhem, and magic follow suit.

genres: contemporary, young adult, fantasy.

buffy the vampire slayer meets supernatural

links

follow me on twitter @lildark4ge, where i tweet abt writing and wish i was querying :,)

my one and only wip where it is very out of date

happy to be back y'all hehe! i'll try and update y'all on VFVTA bc i be outlining and i think it's going well. here's to second third fourth fifth nth beginnings! <3 frank

[biminib4bes]

tagging:

@raisasokolov @cielnocturnes @amaradesantis @basilelestrange @radley-writes @vitrichor @silent-creed @wavemakermommy @mochiyangi

[black-sweet-blood-mouthfuls]

Follow me on the Instagram for my general art: @papierteufel or for my drag art: @noelenpapier

[my-russia]

Artworks by Elena Kononenko 

https://www.artstation.com/elle

[littlebluerivers]

i wanna exist here

[metamorphesque]

― Clarice Lispector

[screwyouandrew]

VIDEO SOURCE

(Turn on the sound!!)

[queerphobiqe]

[clam-cream]

moo

[athena1138]

I always thought yoshi's "bluhduhm" tongue sound was wildly inaccurate but

[weltenwellen]

Clarice Lispector, tr. by Ronald W. Sousa, The Passion According to G.H.

[weltenwellen]

Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

[larkandkatydid]

“Every horror story, whether an ecological disaster or a vampire encounter, a haunted house or a plague, is basically a long, dark tunnel that the story’s “final girl” is trying to survive.

It’s terrible in this tunnel, no doubt. The cars she clambers over are coffins. There are unnatural creatures shrieking from the ceiling. The walls are crumbling and seeping and maybe even undulating, and this muck she’s having to wade through is noxious — but way down there, through the dark, almost too distant to see, so far away that it has to be taken on faith that it’s actually there, is a point of light.

That’s where she’s headed. The light might be a train, or some monstrous angler fish (horror writers can be cruel like that), but struggling ahead toward that light is what a horror story can gift you.

Never mind that this virus keeps reaching back for variant after variant. Never mind that our politicians are so entrenched in their camps that the common good is just a dim memory. Never mind our monstrous ecological footprint.

In the long, terrible tunnel of her horror story, our heroine keeps struggling ahead, placing one foot in front of the other. Despite the damage, the terror, the hopelessness, the pain, despite her friends and family falling all around her, our heroine does that thing that humans are so, so good at: She keeps going.

If she can struggle on against those insurmountable odds, then, well — so can we, right?”

- Stephen Graham Jones in the New York Times

[2manypdfs]

The Crane Wife by CJ Hauser

[weardes]

[weltenwellen]

Rainer Maria Rilke, The Dark Interval: Letters on Loss, Grief, and Transformation

[jeniferprince]

neck kiss 🩸 

check more of my work on instagram // buy prints here

[haenueli]

Two Halves - Yuumei

[twerklina]

[midnight-charm]

Gucci Spring / Summer 2017

[arsantiquis]

Portrait of Carlos III, Anton Raphael Mengs.