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hildeeveraert

Edwin Smith, Palace Pier, Brighton, 1952

kitsunetsuki-deactivated2026051

Irving Penn - Veruschka for Carita Paris (Vogue 1967)

viktorbezic

via are.na

whizpurr

theegoist

Paul Klee (Swiss-German, 1879-1940) - Hitze, colored paste on paper laid down on the artist’s mount, 49.90 x 69.50 cm (1940)

jamescullen

https://www.instagram.com/kroki.shop/

brooklynmuseum

A connection to nature dominated Nellie Mae Rowe’s childhood as the seasons and weather often dictated her farm tasks. She reclaimed that connection by tending to the Playhouse’s garden, filled with flowering plants. After 1969, the completion of a major highway drastically altered her surroundings. The space she made for nature to grow densely was a form of self-care that became all the more meaningful against the backdrop of the rapidly gentrifying suburb where she lived.

Celebrate the final weeks of #NellieMaeRoweBkM with us on December 17. The day will feature an exhibition tour with the artist’s grandniece, conversation with the curators, a poetry tribute by vanessa german, and a musical performance by Lonnie Holley.

🎟 https://bit.ly/CelebrateRowe

📷 Melinda Blauvelt (American, born 1949). Nellie Mae Rowe, Vinings, Georgia, 1971, printed 2021. Gelatin silver print, 21 ¾ × 14 5/8 in. (55.2 × 37.1 cm). High Museum of Art, gift of the artist, 2021.69. © 2022 Melinda Blauvelt. (Photo: Courtesy of the High Museum of Art)