[moodboardmix]

Sonora House, Estado Libre y Soberano de Sonora, Mexico,

by Davit Jilavyan & Mary Jilavyan

[nevver]

Winter is coming, Nicola Twilley

[18mr]

We’re getting hungry just looking at Stephanie H. Shih’s ceramics! 

Her work explores her Chinese/Taiwanese American identity and is a tribute to Asian American kitchen pantries. You can check out more of her work on Instagram and at stonedumplinghouse.com.

[hell-bib-deactivated20171016]

A controversial young art duo included in the show breaks new ground with Can’t Help Myself (2016), a gigantic robot equipped with a single arm upon whose end a shovel-like object is attached. It is the brainchild of Beijing-based artists Sun Yuan and Peng Yu. Described by the press release as “guard” of sorts, the robot’s duty is to contain a pool of dark liquid resembling blood as it starts to seep away. The more the substance oozes, the more frantic the robot grows, shoveling the liquid in a move that leaves behind smears and traces of red.

Can’t Help Myself, according the curator, “is itself a tale, a story, that we can say comments on our contemporary culture.”

[brittany]

Flowers in Film — ( 3 / ∞ ) 🌸

White Oleander, Funny Face, Picnic at Hanging Rock, The Princess Diaries, Snow White and the Huntsman, Matilda, Practical Magic, Tuck Everlasting

[horreurscopes]

based on rest energy marina abramovic, except, you know, they suck at it 

i’ll be selling this print at flamecon 2k19! :’) 

commission info

[fishfem]

COME OUT! magazine, Vol 1, Issue 1, 1969

[prettystuff]

[dimension---seven]

[tat-art]

Pang Xunqin | Chinese | 1906-1985 - The Girl on the Couch | 1930 

[sheholdsyoucaptivated]

“MY ARROGANCE KNOWS NO BOUNDS AND I WILL MAKE NO PEACE TODAY, AND YOU SHOULD BE SO LUCKY TO FIND A WOMAN LIKE ME” | Jenny Holzer, “Projections”

[klexquisite]

Important note : this is a projection by artist Jenny Holzer, but the text comes from a poem by Arab American writer Mohja Kahf, ’Ishtar Awakens in Chicago’. Holzer used Kahf’s work with her full agreement, I believe they’ve collaborated several times, but please check out the full context of the poem below.

My arrogance knows no bounds And I will make no peace today And you shall be so lucky To find a woman like me

Today neither will the East claim me nor the West admit me Today my belly is a well wherein serpents are coiled ready to poison the world, and you should be so lucky.

All I have is my arrogance I will teach it to lean back and smoke a cigarette in your faces, and you should be so lucky

No I will make no peace even though my hands are empty I will talk as big as I please I will be all or nothing And I will jump before the heavy trucks And I will saw off my leg at the thigh before I bend one womanly knee

I am poison And you will drink me And you should be so lucky.

[burnintoflame]

Lizzo for New York Magazine February 2019. Photographed by Pari Dukovic. 

[historyarchaeologyartefacts]

Song of Songs written on an egg, mid 1700s Italy [720x875]

[cesaray]

[…] so when you walk into this gorgeous flat that she owns, it does still feel like a young woman in her twenties, who just happens to have wigs and guns in her drawers. —Executive Producer & Writer Phoebe Waller-Bridge on creating Villanelle’s flat in Killing Eve

[modelsof-color]

Elibeidy Dani by Miles Aldridge for Numéro Magazine , December 2018

[thelipstickofyourdreams]

[kvetchlandia]

El Lissitsky     Cover Illustration for the Book of Jewish Folktales “Arba’ah Tyasim,” Moscow     1922

[gael-garcia]

First images of Ruth Negga as Hamlet (Gate Theater Dublin, 27 Sept-13 Oct 2018)

“Negga is a princely Hamlet, full of gracious entitlement, capricious and deeply wounded. This is a gruelling performance; three-and-a-half hours, with Hamlet on stage most of the time, other than a brief respite in Act Four.

Negga combines vulnerability and ruthlessness, her tiny frame asserting its dominance of the action throughout by theatrical force of will. She brings a freshness to these oh-so-familiar speeches. “ (x)