Sonora House, Estado Libre y Soberano de Sonora, Mexico,
by Davit Jilavyan & Mary Jilavyan
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@bittersinew
Sonora House, Estado Libre y Soberano de Sonora, Mexico,
by Davit Jilavyan & Mary Jilavyan
Winter is coming, Nicola Twilley
We’re getting hungry just looking at Stephanie H. Shih’s ceramics!
Her work explores her Chinese/Taiwanese American identity and is a tribute to Asian American kitchen pantries. You can check out more of her work on Instagram and at stonedumplinghouse.com.
A controversial young art duo included in the show breaks new ground with Can’t Help Myself (2016), a gigantic robot equipped with a single arm upon whose end a shovel-like object is attached. It is the brainchild of Beijing-based artists Sun Yuan and Peng Yu. Described by the press release as “guard” of sorts, the robot’s duty is to contain a pool of dark liquid resembling blood as it starts to seep away. The more the substance oozes, the more frantic the robot grows, shoveling the liquid in a move that leaves behind smears and traces of red.
Can’t Help Myself, according the curator, “is itself a tale, a story, that we can say comments on our contemporary culture.”
Flowers in Film — ( 3 / ∞ ) 🌸
White Oleander, Funny Face, Picnic at Hanging Rock, The Princess Diaries, Snow White and the Huntsman, Matilda, Practical Magic, Tuck Everlasting
based on rest energy marina abramovic, except, you know, they suck at it
i’ll be selling this print at flamecon 2k19! :’)
commission info
COME OUT! magazine, Vol 1, Issue 1, 1969
Pang Xunqin | Chinese | 1906-1985 - The Girl on the Couch | 1930
“MY ARROGANCE KNOWS NO BOUNDS AND I WILL MAKE NO PEACE TODAY, AND YOU SHOULD BE SO LUCKY TO FIND A WOMAN LIKE ME” | Jenny Holzer, “Projections”
Important note : this is a projection by artist Jenny Holzer, but the text comes from a poem by Arab American writer Mohja Kahf, ’Ishtar Awakens in Chicago’. Holzer used Kahf’s work with her full agreement, I believe they’ve collaborated several times, but please check out the full context of the poem below.
My arrogance knows no bounds And I will make no peace today And you shall be so lucky To find a woman like me
Today neither will the East claim me nor the West admit me Today my belly is a well wherein serpents are coiled ready to poison the world, and you should be so lucky.
All I have is my arrogance I will teach it to lean back and smoke a cigarette in your faces, and you should be so lucky
No I will make no peace even though my hands are empty I will talk as big as I please I will be all or nothing And I will jump before the heavy trucks And I will saw off my leg at the thigh before I bend one womanly knee
I am poison And you will drink me And you should be so lucky.
Lizzo for New York Magazine February 2019. Photographed by Pari Dukovic.
Song of Songs written on an egg, mid 1700s Italy [720x875]
[…] so when you walk into this gorgeous flat that she owns, it does still feel like a young woman in her twenties, who just happens to have wigs and guns in her drawers. —Executive Producer & Writer Phoebe Waller-Bridge on creating Villanelle’s flat in Killing Eve
Elibeidy Dani by Miles Aldridge for Numéro Magazine , December 2018
El Lissitsky Cover Illustration for the Book of Jewish Folktales “Arba’ah Tyasim,” Moscow 1922
First images of Ruth Negga as Hamlet (Gate Theater Dublin, 27 Sept-13 Oct 2018)
“Negga is a princely Hamlet, full of gracious entitlement, capricious and deeply wounded. This is a gruelling performance; three-and-a-half hours, with Hamlet on stage most of the time, other than a brief respite in Act Four.
Negga combines vulnerability and ruthlessness, her tiny frame asserting its dominance of the action throughout by theatrical force of will. She brings a freshness to these oh-so-familiar speeches. “ (x)