Is that whismur?

ANY PRONOUNS . MY INTERESTS ARE PORTAL, DELTARUNE, TF2, HLVRAI, HL AND DBH :3

[blindtel]

IVE BEEN USING THE WRONG ACC TO REBLOG THINGS OMGGGGG I NEED TO DEEP CLEAN MY ART ACC NOOOOO

[castformi-deactivated20241025]

dystopia au where we are all assigned one of two chosen genders at birth

[peppylilspitfuck]

Thanks to ultrasounds, the genders can be assigned before birth.  The people are so excited to conform they throw “Gender reveal parties” to make sure their offspring exist in a strict binary since before they can even form thoughts. 

[slightlykylie]

Children are color-coded according to their binary assignment. 

[darkersolstice]

One of the genders is seen as inherently inferior.

[yothobro-deactivated20200505]

This all sounds really effing creepy when you put it that way

[rooksandravens]

#BECAUSE IT IS

[fuckyeahfeminist]

And if you deviate from the assigned gender you can be disowned by your family, fired from your job, and beaten by authorities.

[rodserlingofficial]

[youtubebest]

[ikurko]

[eddyneedssleep]

I find it so funny that people are shocked and freaking out that Mark knows about the bloodymary ship as if he wasn't saying shit like this on this very site back in 2015

[bisezual]

Balance the 4 humors!!

Blood

Yellow Bile

Phlegm

Black Bile

Voting ended onApr 11, 2023

[bisezual]

We did it!! Your patient is healthy!!!!

[cerastes]

First Warioware minigame in Tumblr.

[sira0909]

Good work!

[paper-mario-wiki]

in case you're wondering what the greatest AMV of all time is, it's this one from 2008.

[paper-mario-wiki]

[en-tailsgaythings]

y'all need to watch this this pride month

[vinceaddams]

It's nice that loud noises don't stick to clothes like smells do. That would be really bad if they did.

[sawed-on-shotgun]

hello my name is Stray Hair snd my big dream is to play the itsy bitsy spider on broadway. doyou mind if i practice on the side of your head.

[lesbian-toddhoward]

tiktok teen lgbts would not survive in the 80s and 90s when lesbians called gay guys fags lovingly and gay guys would call us dykes lovingly

[lesbian-toddhoward]

now rebloggable. fuck with me

[yosaplyop-deactivated20230729]

Why the fish

[wizardgoblin]

The fish is what makes the post rebloggable

[theonlycabbage]

The fish is what makes this post fuckable

[mapswithoutwyoming]

happy flat fag friday

[thehmn]

There’s a college in my city that has a rumor that there’s a secret basement below the known basement that can only be accessed via some hidden stairs scattered around the school or by pressing a secret number sequence in some of the elevators. The staff at the school are super annoyed by this and have no idea where this rumor started.

But I know. I think it was me.

In my defense I never intended to start a rumor. Many years ago I worked as a cleaner at the school and one evening I had to transport one of those big floor washing machines from the basement to the second level via the elevator. When the doors opened a very confused looking man stood inside. He was one of those slicked back gym-bro IT guys and made no movement to get out. The elevator wouldn’t fit him, me and the machine so I asked “Where are you going? Up or down?”

He gave me a smug shit-eating grin and said “Down?” in a mocking tone.

It took me a second to realize that of course he wasn’t going down, we were in the basement, but his look and tone annoyed me so much I refused to admit I misspoke and instead said “Yeah, down. I don’t know if you’re going to the second basement”

His smile disappeared “There’s a second basement?”

“Yeah but it sounds like you don’t have access to it so I guess you’re going up? I’ll just wait”

I never thought of it as anything other than a funny story to tell about that time I got so annoyed with a guy that I invented an entire second basement, but it turns out he probably refused to believe a cleaner fooled him and the story spread.

[ot3]

its awesome that neither mind reading nor god are real and all of the thoughts inside of your head are completely private and consequenceless forever #myprivacy

[heartattackinblackdye]

mom just said “[place] would be a good place for a honeymoon. or a platonic relationship celebration if that’s more your thing” and i think ive trained her well

[strawberry-seal77]

time loop with two people in it but one person refuses to acknowledge the loop and pretends to be looping with everyone else. meanwhile the other person is freaking out

[derrickwildsun-deactivated20250]

That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:

1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.

2) the people who run Disney would be the first to fall in line with a fascist regime.

3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.

4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.

[sci-fantasy]

J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.

And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?

That one is from his autobiography, Becoming Superman. See also:

(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)

[transhuman-priestess]

Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.

When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.

The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.

The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.

There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.

This is true of all censorship.

[derrickwildsun-deactivated20250]

That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:

1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.

2) the people who run Disney would be the first to fall in line with a fascist regime.

3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.

4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.

[sci-fantasy]

J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.

And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?

That one is from his autobiography, Becoming Superman. See also:

(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)

[transhuman-priestess]

Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.

When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.

The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.

The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.

There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.

This is true of all censorship.

[cloudabserk]

not rude if true. grace squishy eel