Michael Triegel
Monterey Bay Aquarium

shark vs the universe
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d e v o n
Keni
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TMBGareOK. The Official They Might Be Giants tumblr
RMH

tannertan36
almost home

Game Changer & Make Some Noise

oozey mess
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Cosimo Galluzzi
noise dept.
let's talk about Bridgerton tea, my ask is open
Mike Driver
sheepfilms
The Bowery Presents
Lint Roller? I Barely Know Her

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@bliss-and-heaven
Michael Triegel
Michael Triegel
Night (2006)
Vanitasstilleben, 2018 Michael Triegel (1968-...)
Elsa Gramcko (1925–1994) was a Venezuelan artist, known as an abstract sculptor and painter. Her earlier works, which date from 1954, were geometric paintings, while her later works were more tachist in nature. While her earlier works consisted of mostly paintings, she expanded into sculpture and assemblage in the 1960s and 1970s. via W #PalianSHOW
Elsa Gramcko, “Memoria” (Remembrance) (1964),
Mixed media on wood, 29 12 x 21 58 inches,
Photo by Paul Hester
Sophie Calle, Douleur Exquise
Sophie Calle - Dolor exquisito
Art Historical Images week 7 - by Robert Smithson
Asphalt rundown, Rome, Italy, 1969
Entropy made visible, seves as an anticipation for a disaster
Earth, geology, everything is gradually breaking down
Robert Smithson, Glue Poor, Vancouver, 1970
Contradicts the view of a mechanistic world - a condition that is irreversible
Pre-occupied with the process
Represents the act of ‘putting all the pieces back together again’ in an attempt to over come entropy
Entropy - the thermodynamic quantity of representing the inability of a system’s thermal energy for conservation into mechanical work, often interpreted as the degree of disorder or randomness in the system. The lack of order or predictability, gradual decline or disorder.
Glue Pour (Robert Smithson, 1969). Photo: Christos Dikeakos.
Robert Smithson, Glue Pour (Vancouver), 1969
Glue Pour (destroyed) - Robert Smithson 1970
‘A bucket of glue was poured down a slope of soil and gravel. As the glue travelled down the slope, seeping into its contours, loose soil was dragged with it. Smithson’s interest in the transformative forces of the natural environment was continued with this work.’ Land and Environmental Art, PHAIDON
Robert Smithson | Glue Pour, 1969
‘‘Glue Pour’‘ (1969)_____________photo Robert Smithson.
Glue Pour was created for the exhibition 995,000, curated by Lucy Lippard for Vancouver Art Gallery. In December 1969 Smithson positioned a large drum of glue, industrially produced by National Starch and Chemical Company, at the crest of a hill and tipped the container over. This image was taken immediately after the pour began. The temporary sculpture exists as a 126 format transparency.
Nancy Holt, Sun Tunnels, 1973-1976
Copa Marcel Duchamp, 2010
Popular Print for the exhibition “Dreams About Marcel Duchamp” (Grabado popular impreso para la exhibición “Sueños con Marcel Duchamp”), Álvaro Barrios, 1980, MoMA: Drawings and Prints
Gift of the artist Size: composition: 7 5/8 x 10 3/16" (19.4 x 25.8 cm); sheet: 8 3/8 x 10 7/8" (21.2 x 27.7 cm) Medium: Offset lithograph with pencil additions
http://www.moma.org/collection/works/110517