[bloodyrawsweet]

bloody outfits from hannibal (NBC)

[userarmand]

Shall we? Here? Now? It's a roomy box.

[girldevouring]

“I think I would like to call myself “the girl who wanted to be God.”

Sylvia Plath, Letters Home / Ethel Cain, Sun Bleached Flies / Kristin Chang / Simone de Beauvoir, Memoirs of a Dutiful Daughter / Anne Carson, Grief Lessons: Four Plays by Euripides / Sylvia Plath, The Unabridged Journals of Sylvia Plath / Florence and the Machine, King / Jenny Hval, Girls Against God / Florence and the Machine, Girls Against God

[outrageauxbonnesmoeurs]

[pierppasolini]

Suspiria (2018) // dir. Luca Guadagnino

Bones and All (2022) // dir. Luca Guadagnino

[mothercain]

Separation

@silkenweinberg

[weltenwellen]

Czeslaw Milosz, New and Collected Poems: 1931-2001

[389]

Brendan Burton

[horrorcitos]

Briscoe Park

[becomingvecna]

By Andrea Galad

[fashionlandscapeblog]

Antony Gormley Connect VI, 2023' Inkcap on paper.

[thevampchronicles]

Interview with the Vampire Series (2022-) one happy family

[art-of-thomas-elliott]

Had this idea in my head for ages and found the time to get it out. Really wanted to focus on getting a traditional/classical look to the figure and juxtapose that with scary dystopian sci-fi elements. Think it came out alright?

[bloodyrawsweet]

famous last words (an ode to eaters) by ethel cain + bones and all

handmade collage, don't repost without credits

[sweatermuppet]

[Image ID: a black and white typography edit. there are three boxes of text. they read "are you proud of how you function?" "is there is a part of your body that is more real than the others?" "could you demonstrate that realness?" to the right of the text is an anatomical model showing the internal organs of the torso. the model lacks arms and legs and does not have a head. lines connect the boxes of text to parts of the model. /End ID]

click for quality + do not remove caption (instagram)

[amerlcanteenager]

[frankencain]

Star Wars: Knights of the Old Republic II: The Sith Lords / Lara Williams, Supper Club / Théodore Géricaul, The Raft of the Medusa (1818–19) / Jenefer Shute, Life-Size / Ovid (tr. Henry T. Riley), The Story of Erysichthon from Metamorphoses / Guillermo Lorca Garcia-Huidobro, The Banquet (2013-14) / Maya C. Popa, from “The Color Wheel Has Been Cancelled”, American Faith / Haruki Murakami, Norwegian Wood / Interview With the Vampire (1994) / Yves Olade, Belovéd / Natalie Diaz, Postcolonial Love Poem / William-Adolphe Bouguereau, Dante and Virgil (1850) / J. Karl Bogartte, A Curious Night for a Double Eclipse / Leah Raeder, Black Iris / Hannibal (2013-2015) / Marina Tsvetaeva, Poem of the End / The Terror (2018) / CS Lewis, The Horse and His Boy / Beastars (2019 - ?) / Hélène Cixous from “The Love of the Wolf” / “The Cannibal” / Azra T. / Raw (2016) / Richard Siken, from Crush; “Wishbone” / Severance (2022 - ?) / Emma Rebholz, No Good Boodsuckers / Aex Lemon, Another Last Day / Francisco Goya, Saturn Devouring His Son (c. 1819–1823) / Anne Carson, Plainwater: Essays and Poetry / Black Sails (2014 - 2017) / Kathy Acker, Empire of the Senseless / Anaïs Nin, Henry and June / Neon Genesis Evangelion (1995–1996) / Tanaka Mhishi / Margaret Atwood, You Are Happy / Jennifer’s Body (2009) / KotOR II / Edna St. Vincent Millay, from The Collected Poems of E. M; “True Encounter”