snack ideas ⊹ ࣪ ˖
AnasAbdin
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Discoholic 🪩
wallacepolsom

if i look back, i am lost
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d e v o n

ellievsbear
DEAR READER
Stranger Things
"I'm Dorothy Gale from Kansas"
he wasn't even looking at me and he found me
TVSTRANGERTHINGS
I'd rather be in outer space 🛸
we're not kids anymore.

#extradirty
PUT YOUR BEARD IN MY MOUTH
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@bokuwatobi
snack ideas ⊹ ࣪ ˖
I need tips to not give in to the crave!
Time to rant about the Alvarez arc and issues I had with it once more now that I've posted some spriggan redesigns. This might be long.
The largest reason Alvarez and anything following Tartaros fall so flat is because you can almost tell Mashima was checked out by that point. That his excitement for the series had dwindled.
I have this theory that Tartaros was meant to be the last arc of the series but there were still things unanswered meaning that he was forced into adding more on. Now I don't say this as someone who thinks tartaros should've been the end, but because none of the villains after this point have any weight to them when honestly they should. All the reveals feel like they're done to surprise the audience more than flesh out the story.
I'm someone who always hated the Irene as Erza's mom plot because we really didn't need it. It was a trend of "villain is a blood relative" twists mashima kept throwing in and by that point it was honestly more annoying than anything. Erza never had questions about her family. She was never focused on her past so introducing her mother felt so out of left field. Irene literally could've just been the person who was in charge of creating the tower of Heaven, maybe she was even the on who corrupted Jellal, and that would've done far more towards making me invested in a showdown between her and Erza than anything in canon.
In general the Spriggan 12 being set up as characters involved in the various arcs would've been so beneficial because it would've given readers actual reasons to be angry or upset. What if Invel was the one who created Deliora and consistently tried to create new ice demons to impress Zeref. What if Layla's death was originally believed to be an accident but as time goes on Lucy uncovers more deaths and incidents connected to her mother that eventually lead back to Brandish. The tartaros group answering to August, who is still devote to Zeref, giving us a more solid reason to believe him as a Wizard king and actual tangible terror at the thought of facing him if tartaros itself would bend to him.
And this isn't even getting into how all their designs seem so slapped together causing them to look more like mid level/filler villains than actual final arc antagonists. Compare them to any of the tartaros characters and it just instantly becomes so obvious which ones Mashima actually cared about. By that point he knew he just had to make the women scantily clad and his die hard fans would ignore everything else. Jacob Lessio is one of the first Spriggan I think of whenever I get angry over how rushed their designs are.
Even Zeref himself felt so disappointing as a villain because any hype built for him really peaked during the tartaros arc. I was sure he'd be the one to appear instead of Mard Geer. It felt like that's what tartaros was building to. But instead we someone new and Zeref was pushed back. We could talk about him torturing Mavis and how Mashima still wanted to paint things between them as romantic because heaven forbid Mavis actually be a human with emotions who gets mad and vengeful when she's hurt, but we'll move on.
Beyond just this, Alvarez kingdom could've been so very interesting to have in the background, mentioned every now and then off handedly by side characters or guild members when discussing the world around them. This idea of it always existing but just never seeming important to our leads who aren't thinking about the political side of things. Us getting Alvarez hints early on and Alvarez only increasing in importance would've been something for fans to hold onto and engage with.
Mashima really dropped the ball on the series following Tartaros from the gray villain arc that amounted to nothing, a 1 year time skip setting up Natsu and Lucy collecting guild members that ended with everyone miraculously back at the guild with no persuasion necessary, to his final antagonists carrying non of the weight he wanted because titles don't create fear. And it makes me so incredibly furious because all it would've taken was actual care and interest in his own creation.
Tips for writing Hospital/medical scenes!!
Spent way too long researching this before posting lol. but please, if something's wrong, tell me. i'd rather be corrected than spread misinformation.
⋆˙⟡ Doctors don't run. Almost ever. Running in a hospital is a safety hazard, knocks into patients and equipment, and signals panic to everyone who sees it, which is the opposite of what hospital staff want to project. In a true code blue situation, there is urgency, but it looks more like extremely fast, purposeful walking and a kind of controlled chaos where everyone knows their role. The sprinting attending dramatically sliding to a bedside is a TV invention.
⋆˙⟡ "She flatlined" does not mean what you think it means. A flatline (a straight line on a heart monitor) means asystole: the heart has stopped producing electrical activity. You don't shock a flatline. CPR, yes. Epinephrine, yes. But the dramatic defibrillator moment everyone loves? That's for ventricular fibrillation, which looks like chaotic scribble on the monitor, not a flat line. Shocking a flatline in real life does nothing. Your doctor character would know this. Your nurse would know this. Your paramedic absolutely knows this.
⋆˙⟡ Medical professionals have a dark, dry humor and it's a coping mechanism, not a character flaw. People who work in high-stress, high-death environments often develop humor that sounds brutal to outsiders. BUT It's not callousness, it's a pressure valve.
⋆˙⟡ Hospitals are obscenely loud and smell very specific. Writers default to clinical silence and "the sharp smell of antiseptic." Real hospitals smell like a combination of cleaning fluid, stale air, cafeteria food leaking through vents, and occasionally something you don't want to identify. They're also constantly noisy. Intercoms, rolling carts, the beep of a dozen different monitors all slightly out of sync with each other, people talking too loudly, visitors crying in hallways. The silence only comes in very specific moments, and it's jarring precisely because it's unusual.
⋆˙⟡ Waking up from a coma is not waking up from a nap. Someone who has been unconscious for more than a day or two will have profound muscle weakness, and they often can't hold their own head up. They'll be confused, possibly for days. They won't be able to speak normally if they had a breathing tube, because their throat will be raw and damaged. They won't recognize people immediately and then have a tearful reunion five minutes later. The brain coming back online is slow, strange, and disorienting in ways that aren't photogenic. Patients frequently don't remember the first several days of recovery at all.
⋆˙⟡ There's a specific hierarchy and it matters to the people inside it. Attending physician, fellow, resident, intern, these are not interchangeable words for "doctor." An intern on their third week is legally a doctor and can barely order a sandwich without second-guessing themselves. An attending has full clinical responsibility and has seen everything. A fellow is post-residency, specializing, somewhere in between. Nurses operate in their own parallel hierarchy that intersects with but is absolutely not subordinate to doctors in the way TV suggests. Experienced nurses regularly catch errors that residents make, and both parties know it.
⋆˙⟡ Patients are almost never alone in their room doing emotional things. Nurses check vitals. Phlebotomists come for blood draws at ungodly hours. Housekeeping rolls in. A different doctor than the one managing the case comes to consult. Meals appear. An orderly needs to take them to imaging. The room itself is rarely private for long. The idea of a character lying in a hospital bed having a long, uninterrupted emotional conversation is something that mostly happens in fiction. In reality, someone knocks and enters approximately every 40 minutes, sometimes more.
⋆˙⟡ Paperwork and insurance are a constant, grinding presence. Discharge doesn't happen because the patient is better. It happens when it's approved, when a bed is needed, when insurance says so. Patients are sometimes sent home earlier than feels safe because the system demands it. Doctors spend an enormous, demoralizing amount of time on documentation, estimates suggest 2 hours of paperwork for every hour of patient care. The administrative weight of hospital medicine is a slow-burn horror that almost no fiction touches, which means the moment you do, it feels startlingly real.
⋆˙⟡ Prognosis conversations are never one clean scene. When a doctor tells a family that someone is dying, there isn't a single moment of devastation and then forward motion. People mishear. They ask the same question rephrased five different ways hoping for a different answer. They argue with the information. Someone pulls out their phone to Google the diagnosis. Someone else goes completely silent and leaves the room. A week later, one family member still believes recovery is possible and another has accepted the death entirely, and they haven't been able to talk about it. Information lands at different speeds for different people and the gap between them is its own source of suffering.
In the second half of NV, it was kind of funny that while Zenoheld was steaming about being overthrown, Hydron was like "Sweet! Now I can do stuff without royal rules getting in the way!"
genuinely i think hydron relished the opportunity to showcase his skills as a battler and prove to everyone who insulted him for his upbringing that he could put his money where his mouth was.
losing his royal status meant very little to him because the title did nothing to deter his subordinates from looking down on him.
instead he looked to command respect through his capabilities as a battler and even though the general opinion of him didn't change, there was no denying that he was actually very skilled. he's the first to collect an attribute energy on his own (no one else on the vexos managed to accomplish that much.)
plus i'm sure he liked stretching his legs by going on missions lolol. sitting pretty on a throne is no fun.
deconstructing geto suguru’s clothing and the symbolism behind it
Geto’s clothing closely resembles the ceremonial robes of buddhist monks during the Heian period. This Heian era is also known as the golden age of jujutsu sorcerers and when Ryomen Sukuna was recognized as the king of curses.
Coincidentally, the rise of esoteric buddhism in Japan also occured during the Heian period. Jujutsu Kaisen is deeply connected to buddhism, the most notable example is that quotation of Buddha by Gojo.
“In the Heavens above and on the Earth below, I alone am the honored one.”
Now let’s deconstruct Geto’s clothing.
i. the first layer: undergarments:
The undergarment (usually white) helps to add an elegant look, as the collar can be seen beneath the outermost layer. It is constructed of the tabi (socks), the momohiki (long pants) and the hada-juban (undershirt)
ii. the foundation garment: a folded towel is added to the waist area (for women it’s added to the breast area), the foundation garment helps to add some shape to the clothing
iii. the second layer: nagagi or the kimono foundation
iv. the third layer: the hakama ( either full-cut trousers or seperated skirt ) and the haori (hip or thigh length jacket)
v. the outermost layer:
We have arrived to the most interesting part of Geto’s outfit, which is the outermost layer.
The vest-like garment Geto wears is called the 五条袈裟 or the gojogesa. The term gesa in China and Japan refers to the outermost layer itself. In the the later periods of Japan where fine fabrics were available these robes were made using strips of said fabrics. The distinction between these robes was by the number of strips, hence gojogesa = 5 strips of fabric.
Now, Geto’s is goal to eradicate all non-sorcerers. This would also bring a so-called second golden age age of Jujutsu, so it makes sense that he would return to the clothing of the Heian period.
I adore this !
[Artober 2024] Indra Ōtsutsuki: Naruto Shippuden
i think it is soooo interesting actually, the way madara & sasuke end up pursuing such a similar goal (one person controls everything) but the ideology behind it is so different .. like madara believes himself to be a god-figure, a messiah. sasuke seems to think of himself as a martyr. itachi was a martyr so he has to be one, too. its abt sacrifice. abt giving up what You want in pursuit of a higher goal. its not smth he seems to Want so much on a personal level. its abt duty. the same way that itachi also believed to have sacrificed himself in the name of duty. like he put his feelings away, for his family, and killed them bc thats what he felt like he had to do in order to reach peace. sasuke wants to do a very similar thing, just not for one village, but for the entire world. give up ur whole self and be HATED forever but u achieve world peace, so its fine. meanwhile madara ... he Does want the position that he will get thru this. i dont think madara believes this to be a self-sacrifice. madara also gives up his bonds but he doesnt do that bc he wants to. he does it bc they are either taken away from him (izuna) or the person themselves cuts it (hashirama). with sasuke, HE is the one trying to cut the bonds (naruto) bc he believes that he has to, whereas madara does Anything that he can to keep his bonds but the circumstances of his life make that impossible so the next goal is. godhood. and madara's definitely motivated by personal desire here .... for him it is not abt martyrdom, its abt ego gratification and the belief that if his bonds cannot hold up. maybe THIS thing will hold up and make him happy. like its kind of the exact opposite ... madara becomes a tyrant bc HE wants it so bad, he believes it will feel good to be a god, have control, whereas sasuke .. he probably knows that it'll feel like shit. LMFAO. but he goes ahead and tries doing it anyway, sasuke Almost turns into a tyrant, but not out of personal aspirations or wants, but bc he feels like he has to ... i do think that madara also feels as if this is his duty (bc he's so strong and it seems to be the main thing that ppl around him consistently valued abt him) but it does become very much also personally motivated. madara does think what he does is altruistic. but it isnt ... not really. but yeah. sasuke's pursuit of the one person solves everything thing is abt giving up what he wants whereas madara is abt doing Exactly what u want. personal desire can blind u but feelings of duty can do so as well
I've found the account of the artist who made this official art, and there's a post where they explain it and idk I felt the need to share it with the world (post)
"This is a momentary scene from the time that Hashirama described as "like a dream." The "dream" here seems to be a sad word that does not know when it will end, and if anything, I think Hashirama was the one who understood that. The Uchiha people have a tendency to entrust their hearts to them once they make a decision, so Madara certainly had a moment when he had the same dream, but from Hashirama's point of view, Madara always seemed a certain kind of precarity... I tried to put all these thoughts into one piece.
It's a banquet like a social gathering for the Uchiha and Senju. I think they happened often at that time. They've already become quite close. The postures of the people at the banquet are casual. And by this time, Hashirama had already gathered the popularity of the Uchiha people, and Madara suddenly left the group and was drinking alone on a tree while looking at the flowers. I think the more you are in a circle of people, the stronger you feel loss. He is drinking with Izuna, thinking of his younger brothers. And then you're in a special seat again! "Hashirama comes climbing the tree with a bottle of sake hanging from his arm. In the rough draft, he had brought a box of food from the banquet (because Hashirama is fully intending to stay here for a long time), but given his position, he should have asked someone to pack it for him, but I thought it would be fake to prepare that much, and it would be better if he just took the bottle of sake and disappeared without a trace, so I decided not to.
Tobirama glares at the two of them (or rather, Madara) with reproachful eyes for the leader who left the banquet. Given the situation, I wanted Tobirama to wear a haori coat, but changing his costume was a no-go.
This is the scene where Madara notices Hashirama climbing the tree and the stern gazes following him, so Madara's gaze is actually on Tobirama. I wanted to create a mysterious atmosphere with the cherry blossoms that Madara could blend into, so I made them talkative, but if I drew each blossom as it was, it came off like something from a shoujo manga, so I redrawn them all to make them look fluffy.
Madara is drawn to emphasize the sense of Madara as seen from Hashirama, and Hashirama is drawn to emphasize the sense of Hashirama as seen from Madara."
Insane to me that Shino is supposed to be a “forgettable” guy. If I met someone who’s main weapon was So Many Bugs I wouldn’t forget him I think
obito surviving the war would be such a disaster for literally everyone around him bc this man would not at all get better or find Happiness™️, but he would make it everyone else's problem
he'd show up to his daily therapy meetings wearing the most ridiculous outfit known to mankind: neon pink booty shorts, a silk robe he definitely stole from somewhere fancy and some stupid star sunglasses he got from naruto as a gag gift. he'd throw himself onto the office couch like he's the main character in a soap opera and goes "it all started when i was born--"
he's a yapper. he loves yapping. the therapist can't even get a word in bc obito is giving a ted talk about how stepping on a lego when he was 6 is actually a metaphor for the inherent suffering of human existence
3 sessions later and he's STILL on his childhood, and he didn't even get to that part about that one rock that changed the entire trajectory of his life yet
is he healing? no. is he having the time of his life being a dramatic unhinged bitch? ABSOLUTELY
he is SOOOOO cute asfsfdfdgfs
what's really funny about madara being narratively the "bigger bad" in relation to obito is that. obito is worse. like a lot worse. like i love him to death but he's objectively so much worse
madara's base plan required maybe 10 deaths (the jinchuuriki + nagato, later adding rin for some reason which i don't personally believe but it's technically canon so i'll include it). obito has like. the highest bodycount in the series. like this man is directly involved in multiple state-sponsored ethnic cleansings. like idk if even black zetsu has the kind of blood on his hands that obito does, it's that bad
but he was a really great guy!
the fandom's blindness towards obito is immeasurable lmao
That's true though! I've never thought about it this way😂 people usually add Madara's casualties because of the Shinobi war but forget he didn't initiate this war, that was not part of his original plan. He just obliterated the shinobi alliance and a random village because they were on his way.
Sasuke outfit redesign
„You‘ve done it now!“
Redraw of an old piece that I hated 🤲