@fandomaestheticnet back to school ⟶ play ♡ romeo and juliet
In their triumph die, like fire and powder
Which, as they kiss,
CONSUME.
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@bold-seer
@fandomaestheticnet back to school ⟶ play ♡ romeo and juliet
In their triumph die, like fire and powder
Which, as they kiss,
CONSUME.
You may my glories and my state depose, But not my griefs; still am I king of those.
Richard (Richard II, Act IV scene i)
HAMLET, WILLIAM SHAKESPEARE
To die, to sleep - To sleep, perchance to dream - ay, there’s the rub, For in this sleep of death what dreams may come…
LEE VAN CLEEF as COLONEL DOUGLAS MORTIMER in FOR A FEW DOLLARS MORE (1965)
DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS (2022), dr. Sam Raimi
But the law is not an instrument to find out truth. It is there to create a fiction that will help us move past atrocious acts and face our future. It seems there is no mercy in this world, but a kind of haphazard justice: men pay for crimes, but not necessarily their own.
Hilary Mantel, The Mirror & the Light, ‘Mirror’
Evelyn De Morgan (1855-1919), Night and Sleep, 1878, oil on canvas, 108.8 x 157.8 cm. De Morgan Foundation
𝒕𝒓𝒊𝒃𝒖𝒕𝒆 𝒕𝒐 𝒐𝒏𝒆 𝒐𝒇 𝒎𝒚 𝒇𝒂𝒗𝒐𝒖𝒓𝒊𝒕𝒆 𝒕𝒗 𝒔𝒉𝒐𝒘𝒔.
Shakespeare Meme: Objects (3/3) Six thousand ducats
Yes, here I tender it for him in the court, Yea, twice the sum; if that will not suffice, I will be bound to pay it ten times o'er (Merchant of Venice, IV.I.212-214)
3:10 to Yuma (2007) dir James Mangold
Those were the stories that stayed with you. They meant something, even if you were too small to understand why.
It’s important you know, that you feel like you can talk to me about this sort of stuff, we’re crew mates
Prompt 1: Hades Underworld, balance, cold, judgment and finality – favourite scenes/screencaps that relate to mortality and death.
The Hunchback of Notre Dame (1996) – divine judgment: after spilling blood, Frollo fears for his soul. The Lord of the Rings: The Two Towers (2002) – mortality and immortality: Whether by the sword or the slow decay of time, Aragorn will die.
Casualty, S33E33 – saving lives: It's the job. Øyevitne, S1E6 – aftermath of a life-or-death situation: catharsis.
The Hollow Crown: Richard III (2016) – loss and devastation: the end of the Wars of the Roses. Doctor Strange (2016) – the cycle of life, death and suffering: the time loop and sacrifice.
“Twin Peaks is resolutely horror-oriented in its underlying premise, but some weeks it is indeed more soap than nightmare, more pointed satire than suspense. Still, when Twin Peaks decides that horror is its primary component for the week, the program manages to be more terrifying, more frightening in its implications, than just about any program in television history. Simply put, it is a masterpiece of TV drama, and one of the greatest modern horror programs [of the last twenty years]. The threat of the Black Lodge, and the presence of a maniacal killer from the other world, named Bob of all things, assures that Twin Peaks is never far removed from a terrifying place… a place where reason and goodness cannot compete with an unfathomable evil.” - “Terror Television: American Series, 1970-1999″
“Aragorn threw back his cloak. The elven-sheath glittered as he grasped it, and the bright blade of Andúril shone like a sudden flame as he swept it out. ‘Elendil!’ he cried. 'I am Aragorn, son of Arathorn, and am called Elessar, the Elfstone, Dúnadan, the heir of Isildur Elendil’s son of Gondor. Here is the Sword that was Broken and is forged again! Will you aid me or thwart me? Choose swiftly!”
Twin Peaks: The Return | David Lynch