broken jaw

hello. i either post full fledged analysis or random incoherent rambles in a fit of emotion. i don’t use tumblr casually pfp ochablooms

[lara-cherriinie]

it’s a beautiful day to ominously wingman for your unwilling vessel

[funtergeist]

susie. dude.

[knuckle-velv3tt]

we still love you kris

[booyagi]

sometimes the existence of noelle and susie moves me so deeply that for a second i feel almost a tenth of what kris must feel all the time

[scruncheduppaper]

Hi, Susie!

[knuckle-velv3tt]

Apology

[nursanur]

[booyagi]

i personally like to think a-yeon‘s favorite painting from francis bacon’s portfolio is his 1954 figure with meat. more specifically, it’s something like the figure with meat is a long held favorite since she was a child but as of late, for whatever reason, she’s taken more interest in the may-june 1973 triptych than she ever did as a child. while i personally view figure of meat as a painting that’s meant to show the world as it is in all of it’s raw agony (the idea that people, as much as we play them up and give them meaning, are all flesh and blood and animal at heart; something i think is very symbolic for how a-yeon views the world), the may-june 1973 triptych is visceral and poignant. something more emotional, something full of the loss that comes with caring. i like to imagine her never being able to understand it or interact with it her entire life, not like she could resonate with any other painting, and kind of sidestepped it despite it being his most emotionally charged work. maybe she admired it, but she couldn’t really connect to it; not like she’s beginning to be able to now. not to say that she understands even a minuscule amount of bacon’s grief, but more the idea that she is possibly beginning to understand how the painting could have been created & what emotions it was borne from. how does loss exist? how does guilt exist? because of love, because of care.

[pomb-o]

Deltarune art repost :]

[handjumperhiatus-cope]

Happy hiatus! Sayeon & Ryujin have, uh, gotten up to Quite A Bit since I last drew them.

(And as is characteristic of all things Hand Jumper, I am late in posting this.)

[medyrick]

Hurt and comfort

[goomyloid]

merry Krismas

[goomyloid]

dump of random noelles and krises and kriselles

[gieoki]

merry yurimas 2025!!!

[secretsecretarchivedaccount]

Do you think Sayeon Lee tried it. Even once

[booyagi]

WHAT DID SHE SAYYYYYYYYYYYYY????????

[booyagi]

it's just so interesting to me how ryujin's presence is a constant nuisance that stands against essentially everything sayeon believes in and wants. it's not just that they're opposites, but that because they're opposites, sayeon ends up caring about and consistently being drawn to her. ryujin can see through sayeon like nobody else can and is a huge brick wall in the face of all of sayeon's plans, even if they have the same goal. whether it be sayeon wanting to get revenge, or wanting to keep her gift a secret, or wanting to use her teammates without caring for them, ryujin somehow manages to breach every wall she’s built up just by existing. she doesn’t work hard or learn, but somehow finds a way to get a hang of sayeon in a way that sayeon can’t have for her plans to work. and yet, for some inexplicable, odd reason, sayeon constantly loses restraint with her, lets herself get pulled into a dozen conversations that foil all her plans just because she desperately wants to say something to ryujin and can't help herself. her powers aren't concrete and are constantly ever changing; they’re not a variable sayeon can concretely predict. but for whatever reason, cold, calculated, strategic sayeon still keeps getting too carried away, risking everything in the hopes that she'll be able to rewind afterwards. practically all of her slip ups are with ryujin, slip ups she can’t have, and for whatever reason, she doesn’t distance herself at all despite that. Hm.

this interaction is also just so unbelievably interesting to me. there was absolutely no need for this to happen. sayeon didn’t need to say any of this, didn’t need to apologize, didn’t need to put any of this out in the open. she didn’t need to open up about her powers and her struggles and the way she wishes ryujin would value her life so that she could lead all of them to a good ending. she didn’t need to give her a heartfelt apology, a heartfelt confession. she put everything on the line, risked her whole plan on some feeble gift she doesn’t even fully understand, just to say what she truly felt to ryujin. and sayeon is such an unreliable narrator to the point where she somehow managed to make a heartfelt moment where she couldn’t control herself and genuinely wanted to apologize and open up to ryujin look like a calculated move, despite her own admittance that it felt good to say that. how gay can you truly get..?.