own of my poems was published today for DC Pride Poem-A-Day!! it's titled "the river flows" and i'd love it if you read and shared it! you can find it on their website here 🫶🫶🫶
Mike Driver
occasionally subtle
Xuebing Du

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Misplaced Lens Cap
Aqua Utopia|海の底で記憶を紡ぐ
will byers stan first human second
Stranger Things
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taylor price

Product Placement
Peter Solarz
he wasn't even looking at me and he found me
d e v o n
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dirt enthusiast

Origami Around

Kiana Khansmith

PR's Tumblrdome

tannertan36
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@boricuareads
own of my poems was published today for DC Pride Poem-A-Day!! it's titled "the river flows" and i'd love it if you read and shared it! you can find it on their website here 🫶🫶🫶
Happy book birthday to this week’s new releases! 📚
Happy book birthday to this week’s new releases! 📚
Happy book birthday to this week's new releases! 📚
Here were my top books, music albums, and movies of 2024!
Happy book birthday to this week's new releases! 📚
Here's some beautiful covers of upcoming books! 📚
Jonny Garza Villa's third contemporary young adult novel, CANTO CONTIGO, is a rivals-to-lovers story with a dash of magical realism centering high school mariachi, a story on grief and family and legacy, and, as always, a story that celebrates the beauty and messiness of queer Mexican lives.
In a twenty-four-hour span, Rafael Alvarez led North Amistad High School’s Mariachi Alma de la Frontera to their eleventh consecutive first-place win in the Mariachi Extravaganza de Nacional; met, made out with, and almost hooked up with one of the cutest guys he’s ever met; and lost his abuelo after a heart-breaking battle with Parkinson’s Disease.
Now eight months later, Rafie’s (mostly) fine and ready for one final win. What he didn’t plan for is his family moving to San Antonio before his senior year, forcing him to leave behind his group. Another hitch in his plan: The Selena Quintanilla-Perez Academy’s Mariachi Todos Colores already has a lead vocalist, Rey Chavez—the boy Rafie made out with—who now stands between him winning and being the great Mariachi Rafie's abuelo always believed him to be. Despite their newfound rivalry, Rafie can’t squash his feelings for Rey, showing in moments like their afternoon cleaning brass instruments as punishment; or during vocal training classes when Rafie can’t stop thinking about that December night; or—worst of all—during their duet when Rafie can’t deny how good they sound.
But with residual grief over his abuelo’s death, his old crew pointing out his change, and his new friends challenging what Mariachi should be, Rafie struggles to decide who he’d want to disappoint less: the people he’s known his entire life or the one just starting to get to know the real him.
HarperCollins Strike Update
For the full breakdown of what’s been going on since November, read here.
January 20, 2023
It’s been over FIFTY days. The strike is still ongoing. Harper has yet to even speak to the union.
Union members are still scraping on their second and third hustles (which most entry-level publishing people have) and donations to the strike fund. The union has set up a hardship fund (here’s the post about it on their official Instagram, for verification) so no more fiddling with checks or Venmo.
If you can donate, please do.
And whether you can or can’t, please do still share.
Incomplete list of recommendations if you want greek myth retellings that are actually interesting and do something new with the concept:
Hadestown by Anaïs Mitchell (& friends)
O Brother, Where Art Thou (2000)
Cassandra by Christa Wolf
The King Must Die by Mary Renault
Los Reyes by Julio Cortázar
Lavinia by Ursula K. Le Guin
The Trojan Women: A Comic by Anne Carson and Rosanna Bruno (let's be honest, Ms. Carson could easily dominate this whole list but I'm trying to limit myself to one and I think this one is the most interesting.)
Girl on an Altar by Marina Carr
Oresteia by Robert Icke
An Iliad by Denis O'Hare and Lisa Peterson
Till We Have Faces by C. S. Lewis
Helen in Egypt by Hilda Doolittle (H.D.)
Norma Jean Baker of Troy by Anne Carson (ok I lied, what are you gonna do about it?)
Weight by Jeanette Winterson
The Penelopiad by Margaret Atwood
Guide to Queries
A guide for all writers who want to pitch a book to an agent, but haven’t done it before.
All of this comes from my experience and shouldn’t be taken a firm rule.
Terminology
Some important query lingo you should know when enterying this stage!
MS = Manuscript
Partial Request = when an agent requests more material about your book, but not the full manuscript. It might be some more chapters.
Full Request = when an agent requests the whole manuscript.
YA/NA/MG/A = Young Adult, New Adult, Middle Grade, Adult. All age target acronyms.
Query Letter = the letter in which you pitch your book to an agent
Synopsis = a summary of all important events happening in the book in a max of 1-2 pages (depending on what the agent requires)
Where to find agents
Finding agents is pretty simple!
You can either use Google (type “[genre] [age target] [country] agents”, i.e. “fantasy ya american agents” and you should find some already!
Other tools:
QueryTracker (I have the Pro version where I can see how long agents take to reply and what kind of replies they give) –> here you can find agents, use the filter to find those who take your genre and age target
Manuscript Wish List –> a website where you can see what kind of books agents want to read, from the very specific to the broader
Twitter –> use hashtags like #mswl #amagenting to find more wish lists and agents talking about their job and queries.
Who to query
I’d advise only querying those agents that
fit your filters perfectly.
Choose carefully, and make sure to follow them on Twitter for updates! Sometimes they post about their progress in reading queries, so you might know something about your pitch early.
When to query
- When your book sounds like a published book to you, your beta readers, and/or your Critique Partner.
- When you can’t find errors you’d find in a printed book on a shelf.
- When it’s as done and perfect as you can get it!
Where to query
“I’m not American, but I want to query an American agent! Can I do it?
Yes! Don’t worry about your nationality too much. Just make sure you write the query following the standard American rules for courtesy in emails (“sincerely,” before your signature, “Dear ms/mr/mx” at the beginning, etc.)
witchlings!!!!! one of my fav recent MG books :)
THE CITY OF DUSK ebook is on sale!
For just $2.99 you can get:
Skeletons (so many)!
Sun and moon imagery galore!
Complicated disaster characters!
And more! Get it now: https://tinyurl.com/4t5dhuyf
It’s Small Business Saturday! As Native American Heritage Month winds down, here are Indigenous-owned bookstores (including Native Hawaiian- and Pacific Islander-owned stores) you can shop.
Store links:
Native Books (Honolulu, HI)
Books & Burrow (Pittsburg, KS)
Birchbark Books (Minneapolis, MN)
Red Planet Books and Comics (Albuquerque, NM)
Talking Leaves (Cherokee, NC)
Bird Cage Book Store (Rapid City, SD)
Red Salmon Arts, Casa de Resistencia Books (Austin, TX)
The King’s English Bookshop (Salt Lake City, UT)
Goodminds (Online)
Huia Publishers (Online)
Kamehameha Publishing (Online)
Massy Books (Online)
Raven Reads (Online)
Strong Nations (Online)
Wheelers Books (Online)
[Image description: WNDB graphic featuring text that reads, “Shop Indigenous-Owned Bookstores for Small Business Saturday: Native Books (Honolulu, HI), Books & Burrow (Pittsburg, KS), Birchbark Books (Minneapolis, MN), Red Planet Books and Comics (Albuquerque, NM), Talking Leaves (Cherokee, NC), Bird Cage Book Store (Rapid City, SD), Casa de Resistencia Books (Austin, TX), The King’s English Bookshop (Salt Lake City, UT). ONLINE-ONLY stores: Goodminds, Huia Publishers, Kamehameha Publishing, Massy Books, Raven Reads, Strong Nations, Wheelers Books]
let me explain why i’m flooding your dash with posts about the harpercollins strike
As a bookseller, I want you to know that one of the worst things about our industry is the unsettlingly pervasive idea that we should financially suffer for working in it. There is a powerful idea in creative fields (as in many, many fields under late capitalism) that one should be willing to forego necessities of life – namely, an adequate wage – in order to have work that one resonates with emotionally.
In bookworld, I’d say that this is frequently aided and abetted by two factors. First, we often feel a strong sense of community with our coworkers and the book creation/promotion world at large and feel we should sacrifice personally for them; that to do so is right. Second, we have a sense that, due to a confluence of factors from Amazon monopolization to the rise of the Internet to the pandemic’s financial tolls, we work in a permanently struggling industry – that we should be willing to take the hit, as it were, to help keep our business afloat.
Neither of those feelings is accurate in an independent bookstore. It doesn’t matter how narrow the profit margins are or how close you are with your coworkers. Your labor is labor, and it must be compensated. They are even less true in the context of a multi-billion-dollar publishing corporation, where the people at the top (including the parent company’s owner, who is literally Rupert Murdoch) benefit from growing monopolization while employees are unable to afford basic cost-of-living expenses. May I remind you that of HarperCollins’ thousands of employees, many are required to live in New York City – one of the most expensive metropolitan areas in the world. While working long hours, HarperCollins staff making a starting salary (45,000/year) make $18,600 less than the average annual cost of living in New York City for a single person.
This is unacceptable. As one sign carried on the picket line read– PASSION DOESN’T PAY THE RENT.
Fair wages do.
Aida Salazar is the award-winning author of stories about Latinx children that touch the reader’s heart, such as Land of the Cranes and The
I got the chance to interview Aida Salazar about her middle grade novel-in-verse about a girl from a family of migrant workers in 1965 who join the protest for better working conditions. It's a beautifully written book and you won't regret picking it up!
Today I moderated a panel on marketing and publicity in book publishing for DVCon 2022. Panelists: Chloe Gong (NYT-bestselling author of These Violent Delights), Zakiya Jamal (Social Media Manager at Scholastic), Vanessa DeJesús (Senior Publicist at Penguin Random House), and Gilda Squire (former Director of Publicity at HarperCollins, founder of Squire Media & Management).
Catch the replay on their YouTube Channel!