cinebutt

madeleine. 19. new york // los angeles. tomato princess. harpo-marxist. testimonial: "girl from LA who is really cool and fun and a freak like me."

[maudit]

[robertxdarling]

[filmografie]

“I was very pleased with the role because it will always be modern. Her freedom exists naturally within her.” Emmanuelle Riva on acting in Hiroshima mon amour (1959), dir. Alain Resnais

[nevver]

[goodtimeskid]

Hiroshima Mon Amour (1959)

[craborb]

[thedouble]

“I can’t take this by myself because I’m afraid of myself. Because I’m the maker of my own evil. Goodness is only some kind of reflection upon evil. That’s all it is.” Possession (1981) dir. Andrzej Żuławski.

[earthdad]

two worms at dinner

worm 1: my oh my this tastes like dirt

worm 2: it is(:

worm 1: (:

[berlin-1976-has-moved]

Earl’s Court, London, 29 June 1978 © Gus Stewart

[the60sbazaar]

Nico

[trust]

i want $23,000 and someone to kiss me

[boringpostcards-blog]

current mood: needs to be kissed

[90sand2000forever]

[unhollywood-blog]

Taxi Driver

[smallmeanfrog]

ultimate pup

[thewastedgeneration]

The chant of the basic training drill: (“This is my rifle, this is my gun [cock]; This is for killing, this is for fun”) is not a piece of bizarre brainwashing invented by some infantry sergeant’s fertile imagination; it is a recognition of the fact that when you strike the chord of sexuality in the patriarchal psyche, the chord of violence is likely to vibrate in response, and vice versa.

Adrienne Rich, On Lies, Secrets, and Silence (via ladyinfurs)

[paisleysprince]

Purple Rain (1984)