Rather proud to share one of my first campaign images for @ausballet. Featuring @knanasca it's to promote the regional tour of Giselle. #TABRegionalTour #TABGiselle (at Rokeby Studios)
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JBB: An Artblog!
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@boudist
Rather proud to share one of my first campaign images for @ausballet. Featuring @knanasca it's to promote the regional tour of Giselle. #TABRegionalTour #TABGiselle (at Rokeby Studios)
I have a pretty ridiculous story about the time I was hired to shoot Prince. Prince being Prince I had to sign a non-disclosure agreement. But the short of it is - I met him and he decided he didn’t want to do any photos after all. It was probably the most simultaneously thrilling and devastating day of my career. I did photograph all the members of his band though. But no Prince. Pictured here are his backup singers Shelby Johnson, Olivia Warfield and Elisa Fiorillo. 💜💜💜
@ausballet's @kevin.j.jackson and @rahendricks perform in DGV: Danse à Grande Vitesse as part of Vitesse, now on at @sydneyoperahouse (at Joan Sutherland Theatre, Sydney Opera House)
Laneway Festival Class of 2016 It’s only two months overdue – but here’s a mega gallery of shots from my time on tour with Laneway Festival this year. Featuring Flume, Vince Staples, Violent Soho, Grimes, Chvrches, High Tension, Royal Headache, Purity Ring, Fidlar, DMA’s and more. Their work isn’t included here, but in each city I invited a local photographer to shoot with me and they all nailed it. Thanks Savannah, Jacquie, Katie, Court and Ryan. Laneway Festival photo wrap up
A 30 second exposure in the Joshua Tree National Park. The car was lit by my iPhone. Cybele and I are on a road trip in this car, courtesy of Mercedes.
Decapitate Mike Patton and place his head in a jar
Model Madison Stubbington getting her make-up done backstage at Romance Was Born’s fashion week show.
The Australian Ballet’s production of Giselle at Sydney Opera House, April 2015
Some photos from Triple J's Beat The Drum concert in the Domain
The Rolling Stones last night at Sydney's Allphones Arena.
It was such a thrill to finally shoot this band.
WAY back in 1995 I was a 15 year old and my first job was selling ice creams at big events at the Sydney Cricket Ground or Football Stadium. I carried a tray which held a chunk of dry ice and about 30 magnums and cornettos, and I'd wander the aisles selling them to punters.
It was mostly football and cricket matches, but in '95 The Rolling Stones came to town on their Voodoo Lounge tour, playing at the SCG, and I got the ice cream shift on it.
A vivid memory I have is realising that because I was staff, selling these ice creams allowed me to walk pretty much wherever I wanted.
So several songs in I waved my way past security, to the expensive front section right at the foot of the stage. For about 5 songs I stopped spruiking ice creams and lost track of time, just soaking it all in, the showmanship of the band, the bombast of the staging.
Then a security guard tapped me on the shoulder "Hey mate, don't you think it's about time you got back to work?"
I thought, "Can't you see i'm having a MOMENT here!", and quietly returned to make the motions of selling ice creams.
That thrill of being so close to a massive rock concert was etched into me. I didn't realise how I'd do it, but I wanted to experience that again, and again.
It took over 10 more years to figure out photography was my ticket into that world, and that's largely why I started shooting shows. More for the excitement of being so close to my favourite musicians than a lofty appreciation of the photographic arts.
So I think that's why last night was quite special to me, not just because the Stones are one of the greatest bands of all time, but because it felt like i'd come full circle and realised a childhood dream.
Moving portrait by photographer Daniel Boud
Over 100000 reblogs and likes for this gif I made of Haim
An 'old hollywood' style shoot I did with Tony Vacher from Sterling Hair.
Model: Isabelle Faith Hair: Tony Vacher @ Sterling Hair Make Up: Angie Hogan Dress: Katerina Nis Photography: Daniel Boud
Kirin J Callinan, Kings Cross, July 2014
I made a video for Andy Bull's lovely song 'Nothing is Wrong'.
Before we did this Andy did an interview where he was asked about our work together. I think it illustrates our process pretty well.
Over the years I’ve noticed that you’ve worked with Sydney photographer Daniel Boud a lot. Has this kind of resulted in something like a creative partnership?
When I started working with him I just felt like there was no reason to change. He’s a good partnership guy; he kind of learned how to take photos of me and I learned a bit about how to be a photographed. Being photographed is a strange thing – it’s not normal, you have to learn how to do it. And it took me a while to learn how to do it; ironically it’s more about doing less than it is about doing more. A lot like acting in a way, you’ve got to be there as a performer – but not get in the way of the photograph.
I just feel like I learned how to be photographed by Dan and we started to get a little bit more creative along the way as well. I guess it is kind of a nice gentle creative partnership, I really like doing stuff with Dan. It’s become really nice and easy and I think we’ve got a good understanding.
I’ve noticed that you’ve worked together over the years. It seems like you’ve got just a nice complimentary relationship.
A visual understanding I think. He’s very tolerant – like i’ll talk at him a lot and he manages to understand it visually. Not all photographers have that either. I think it’s possible to be a very good photographer, but also someone who tries to dominate the proceedings rather than letting the photograph be the most important thing.
Like how the music has to be the most important thing, and you’re there to kind of serve it. That’s what Dan wants, he doesn’t make a big scene, he’s very quiet and meticulous and for that reason I think, you can trust that in the end, the right decisions are going to be made for the photographs.
If only all my shoots could be this rewarding. Yesterday's shoot with dancers from The Australian Ballet's Swan Lake in the empty Bondi Icebergs pool.
An out-take of 360 from our shoot at Sterling for Rolling Stone.
I made a moving version of my Andy Bull album cover for the youtube of his new song Talk Too Much. Not the official music video, just a placeholder.