Morrissey's Meat @bowieenthusiast - Tumblr Blog

liliiiith

‘ur quiet’ i am gatekeeping my personality from u

thingsfromthedirt

021c

bennie julian gay

met-cloisters

Coffret, Metropolitan Museum of Art: Cloisters

The Cloisters Collection, 1955 Metropolitan Museum of Art, New York, NY Medium: Maple

http://www.metmuseum.org/art/collection/search/471561

babbledome

Visit Original Link

Kate Bush “Get Out of My House”

I will not let you in! Don’t you bring back the reveries I turn into a bird Carry further than the word is heard

larchcoin

I hate archive fashion now who knew it would become the newest braindead thing

diamondstandards

yeh the vision squashed under its own monolith: more or less a 25 year timespan merging into a single smoothly grained mosaic of Devon Aoki. And now she’s attained A.I., breaching the anaemic womb of tumblr to spawn endless instagram bots, programming a wasteland of artists and stylists; empty flesh vessels to reproduce polite Puk Puk weirdness.

997

re-cluse

“The first time I saw a movie at the Cinémathèque Française. I thought,”Only the French, only the French would house a cinema inside a palace.“ The movie was Sam Fuller’s Shock Corridor.Its images were so powerful ,it was like being hypnotized. I was 20 years old. It was the late 60′s. and I’d come to Paris for a year to study French. But it was here that I got my real education. I became a member of what in those days was kind of a free masonry. A free masonry of cinephiles, what we’d call "film buffs.” I was one of the insatiables, the ones you’d always find sitting closest to the screen. Why do we sit so close? Maybe it was because we wanted to receive the images first, when they were still new, still fresh. before they cleared the hurdles of the rows behind us, before they’d been relayed back from row to row, spectator to spectator until worn-out, secondhand, the size of a postage stamp, it returned to the projectionist’s cabin. Maybe, too, the screen really was a screen. It screened us from the world.”

the dreamers, 2003