Brass Orchids

Imperfect circularities will coagulate supposed perfections in these the coming days.

[weepingwidar]

Alberto Regueira (Cuban, 1994) - Reborn (2022)

[nemfrog]

“Moon’s shadow on the earth, as seen from the moon.” A study of the sky. 1896. 

[woundgallery]

Yayoi Kusama

Lingering Dream, 1949

Pigment on paper

53 ¾ x 59 ¾ inches (136.5 x 151.7 cm)

[neonelven]

[brassorchids]

[wintercorrybriea2]

yuko takada

[cyberopticorganism]

m3ch4n1c41 4n931 · "blame! and so on" by tsutomu nihei, 2003

[cyberopticorganism]

m3ch4n1c41 4n931 · "blame! and so on" by tsutomu nihei, 2003

[rolypolypellmell]

Thylacine mandible pincushion, made by Emily Ferrar ca. 1900.

[funstealer]

Eclipse by Hiroshi Nonami

[samueldelany]

“I feel the science-fictional enterprise is richer than the enterprise of mundane fiction. It is richer through its extended repertoire of sentences, its consequent greater range of possible incident, and through its more varied field of rhetorical and syntagmic organization.”

—Samuel R. Delany, “From the Triton Journal: Work Notes and Omitted Pages,” 1976

[weepingwidar]

Heeyoung Noh (Korean, 1995) - Be Quiet! I Won't! (2025)

[robcam-wfu]

“And I add that I am foolish to let myself be frightened by another’s thoughts, lacerating my sky with harmless fires and assailing me with noises signifying nothing.”

— Samuel Beckett, The Unnamable

[weepingwidar]

Liu Yin (Chinese, 1984) - This Green Onion (2025)

[thunderstruck9]

Liu Yin (Chinese, 1984), This Green Onion, 2025. Acrylic on canvas 200 x 230 cm.

[miamaimania]

Shanghai ⌘ Stuart Franklin ~ Red spheres suspended between glass towers

[a-state-of-bliss]

Yasmeen Ghauri @ Jil Sander Fall/Wint 1999

[suffer-rosa]

tormenta sobre saavedra