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@brettdeadly
I mix my music up with other Trap Metal / Scream Rap artists. We also feature aggressive phonk, punk rap, and alternative genres. I just think thats a better way to promote. If you like this playlist please tap in! We have a magazine and instagram community too! All Trap Metal
I had to take a mental health break so i have no posted in a while!!!! But im back! Ready to catch up on work....
1st up I present to you this new EP by @jayfive666 titled Arsenal. This EP is SOLID! What a great way to kick the new wave into gear. This 4 piece weapon of mass destruction is so refreshing. A genuine take what Trap Metal really is. First off the beats on this EP all feature Trap elements PLUS Metal elements. If there is no metal in there, and its just someone screaming over a beat, its not really Trap Metal, but this release by JayFive 6 stands true to the Trap Metal wave. His lyrics are heavy and fast with a very “hood” tone to his lyricisms. Boasting a distinct style of Drill energy complimented by classic trap samples in between. Every sound, loud and up front, scratching every itch I have as a mutli genre listener. All 4 tracks on this EP are solid, none of theme slacking in the slightest. Id be keen to hear a full EP of these sounds specifically. I’d also like to add that every feature on this release matched his energy and nobody fell behind or threw off the flow of the record. I give this EP a perfect 10 out of 10. Watch out, you better have JayFive 6 on your radar. He’s clearly a force to be reckoned with. Arsenal, out now on all platforms! Check it out. Add it to your playlists. Leave him a comment and let him know what you think!
https://www.instagram.com/p/DDzPUzsJHWk/?img_index=1
. . . Review by Heartless Fendi aka Brett Deadly . . . #TrapMetal#AlternativeHipHop#UndergroundHipHop#IndieHipHop#AlternativeRap#MusicDiscovery#NewMusic#HiddenGems#MusicNerd#MusicLover#MusicAddict#TrapMusic#TrapNation#TrapBeats#TrapLife#TrapMetalKings#AlternativeMusic#IndieMusic#AlternativeCulture#AlternativeLifestyle#AltMusic
Hoodie Weather Vol 1. Acoustic EP by Heartless Fendi
ORDER PHYSICAL CD: https://bit.ly/hoodieweathercd1
LISTEN (ALL PLATS) : https://bit.ly/hoodieweathervol1
Video Testimonial: https://bit.ly/hoodieweathervideoreview
Record Label IG: https://bit.ly/illumignarly-records-ig
Experience the raw, unfiltered emotion of "Hoodie Weather Vol 1" by Heartless Fendi (also known as Brett Deadly), a powerful 7-track Acoustic EP that blends elements of Pop Punk, Grunge, and DIY ACOUSTIC music. Recorded during a period of homelessness, these tracks deliver a deep and personal narrative, showcasing a genuine, heartfelt sound that can only come from real-life struggles.
From stripped-down acoustic guitar melodies to gritty vocals, every song on this EP embodies a true DIY ethos, giving listeners an authentic blend of Pop Punk energy and Grunge undertones. Whether you’re a fan of Acoustic ballads or searching for something with an edge, Hoodie Weather Vol 1 will resonate with anyone who appreciates raw, emotional music.
Z Woadie’s track “SEPPUKU” takes the listener for a trip that blends gritty, sludgy guitar riffs with a hard-hitting beat—an unusual combination that works incredibly well. The production is wild, standing out immediately with its heavy, almost doom-like guitar tones layered over the pulse of trap percussion. It’s a clash of genres that creates an intriguing, dark atmosphere.
When Z Woadie’s vocals come in, they hit with intensity and blend seamlessly into the overall sound, complementing the sludgy, chaotic vibe of the track. His vocal delivery adds an extra layer of energy, elevating the track’s impact without overshadowing the production.
This track is a bold and unique take on the trap metal genre, showcasing Z Woadie’s alternative sound while keeping the vibe cohesive. “SEPPUKU” is definitely a must-listen for fans of heavy, experimental trap metal music.
Overall, I give it an 8/10—it’s a strong, standout track with a crazy production that’s sure to grab attention.
Z Woadie’s track “SEPPUKU” takes the listener for a trip that blends gritty, sludgy guitar riffs with a hard-hitting beat—an unusual combina
An Interview With GIZMO For The Cover Of Trap Metal Magazine
The following article was featured in Trap Metal Magazine issue #1 featuring GIZMO on the cover!!! CHECK IT OUT HERE
1. Thank you for taking some time to be interviewed for Trap Metal Arsenal Magazine. Can you please introduce yourself to our readers and tell us, how have you been?
G: My name is gizmo, I am one of the original first 10 artists making “trap metal” on SoundCloud. I make a handful of different styles but I am most known for my screaming style. I have been good thank you for asking.
2. How long have you been working / making music under the title Gizmo and what is the meaning behind it? How did this name come to be?
G: I have been making music under the alias gizmo for about 9 years. I went with gizmo for my name because of the movie gremlins, it was one of my favorites growing up (still is) the styles I go for musically align with who and what gizmo is. When gizmo is not exposed to water or fed after midnight he is chill calm emotional, like some of the music I make, but when he’s exposed to water or fed after midnight (like when I’m faced with fuck shit or people fuck with me) he turns into a demonic gremlin, which goes with my harder styles.
3. Who gets bragging rights for helping you get to where you are now? Who are your day ones?
G: Prohibeo (rip) taught me everything I know about music without him I wouldn’t be where I am today or have any of the musical knowledge I do now. As far as influences s/o Xavier wulf, bones, rozz dyliams, retch, gucci mane, waka flocka, chief keef, and 90’s alt rock.
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4. What were you doing before all this started? Did you have other notable projects or ambitions before this one?
G: I was a professional photographr, really good swimmer, avid skateboarder (yes I can kickflip), fisherman, hunter, and lover of all small creatures. Still follow most of these passions to this day.
5. Why do you have an affinity for Trap Metal? And do you even like being referred to as a trap metal artist? I asked because there has been a lot of controversy on the subject, and I like to hear different opinions. I’d consider you to be among the pioneers of what Trap Metal is today so I’m extra curious what you think about that.
G: I really don’t care what it’s called, Trap Metal, Scream Rap, Alternative Rap; whatever it is the name doesn’t matter to me. I find that most people bothered by the name were metal heads or were into metal before rap. I’ve been making this genre since it was only called “SoundCloud rap” that was the only name for it. So I just make it because I love it, call it whatever you want it doesn’t bother me. Call it penis rap for all I care.
6. What can we expect from you in 2025? New music, visuals or tours?
G: I’m always dropping every year. Next year expect my new album “Nuckelavee” if it doesn’t come out this year. Expect many shows maybe a tour or two and lots of visuals.
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7. What are your long term goals? Where do you see yourself in 10 years. What about your end game?
G: I don’t have any goals really I just make music because it’s fun, but I hope one day to perform at a festival
8. With an interest in who your influences are, if you could go on tour with anyone in the world, who would be on the bill with you?
G: If I could go on tour with anyone I think a really cool bill would be Bones, Suicide Boys, Scarlxrd, City Morgue, Lil Darkie, Omenxiii, Killstation, Gizmo, Mavo, Eddie Fresco
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9. What is your local music scene like? What are the pros and cons? And where do you see room for improvement?
G: The Music scene where I grew up was non existent, which is why around 2016 a little after I started under the alias gizmo I moved to California with my friend Prohibeo. The scene in the Bay Area was fun and accepting. Where I grew up in Rhode Island the scene has developed since 2016 and it’s growing now! I love to see it.
10. Here at TMA we’re constantly looking for fresh talent and prospective features. If you had to choose 5 artists from your circle to put us on too, who would you choose and why?
G: Listen to Mavo, Eddie Fresco, Ouija Macc, Fukkit
11. In the internet age, there are no safe havens from haters and assholes. How do you overcome haters and negativity? And what advice would you have for entry level artists who are starting to go through the same thing?
G: I’ve tried everything over the years and I’ve learned from my mistakes when dealing with the haters. I’ve made a fool of myself time and time again, it’s not worth it, the haters aren’t worth it. Best thing you can do is ignore and move on, I know it hurts but it shows resilience and builds character. As long as you’re doing something you’re passionate about and you’re having fun just do it. Sometimes the haters make you go viral too, sometimes it can be a good thing.
12. I’m asking you this last so it’s fresh in everyone’s mind when they are done reading. What you got going on? New music? Music videos? Show announcements?
G: working on an album and a couple other projects. eager to drop something soon this 2024 by end of summer early fall. more to come soon
13. As we wrap this up, is there anything else you want to add? And thank you for your time!
G: love you all thank you to anyone who has ever shown an ounce of support
Check out his 4 page spread in our magazine!
CHECK IT OUT HERE
Park City by JVNEBVG – Review
The following article was featured in Trap Metal Magazine issue #1
CHECK IT OUT HERE: https://www.trapmetal.net/tmm1-gizmo/
PARK CITY by @jvnebvg kicks off with a creative intro that throws listeners back to the 90s, with a cassette player’s click setting the tone for the gritty ride ahead. This nostalgic touch feels intentional, signaling to the listener that JVNEBVG is an artist who plays with eras and sounds. By the time Track 2: BONESHAKER rolls in, you’re hit with that raw Trap Metal and Punk Rap fusion, a sound that JVNEBVG delivers effortlessly. It’s aggressive but calculated, pushing that rebellious energy, and some subtle Cyberpunk vibes, though the artist’s branding pulls more from the grunge scene. What really stands out is the blend of genres in this project. Track 3 and 4 are reminiscent of breakbeat and rave, taking cues from the likes of The Prodigy and Aphex Twin, but JVNEBVG keeps things rooted in Punk Rap, giving a futuristic edge to the grimey, bass-heavy beats.
The collaboration on Track 4: I’m Not The One with Ak3k is a definite high point. Ak3k’s feature adds a dynamic layer, and if you’re familiar with his work, you’ll find his voice meshes perfectly with JVNEBVG’s rebellious grit. The next shift happens in Track 5, which pulls back into a hip-hop and rap lane with a feature from Beamon. This switch in tempo and vibe is refreshing, proving that JVNEBVG isn’t one-dimensional. He’s fluid, willing to jump genres while still making the track feel like it fits into the overall project. The title track PARK CITY really encapsulates JVNEBVG’s core sound. It’s the pinnacle of Trap Metal and Scream Rap with layers of harsh vocal texture and heavy instrumentation. Here, JVNEBVG’s voice feels like a weapon, cutting through the beat with purpose. The depth and texture in his vocal delivery are undeniable and are a true testament to his versatility as an artist. Even though Trap Metal can often be associated with chaotic screaming, JVNEBVG brings technique and intentionality to every shout and growl, showing he’s more than just noise—he’s creating something visceral.
After the intensity of PARK CITY, the album takes a breath with an interlude, and the mood shifts into a softer space. The next few tracks offer a more intimate side of JVNEBVG, showcasing that he’s not all about aggression. There’s a vulnerability that comes through, a shift in energy that feels natural, not forced. It’s here you see the creative depth—he’s not just one lane. The album wraps up with DISTORTED, a bass-heavy collaboration with ARSX that brings back the raw, darker edge. The final track feels like a perfect bookend to the project, tying off the chaos with a sense of resolution. There’s no filler here—each song is crafted with purpose and intention. What really shines through is the audio engineering. Every beat, every vocal layer, every distorted sound is meticulously placed. This isn’t a DIY basement tape thrown together for shock value. JVNEBVG is producing art—an experience that feels both polished and raw. You can tell he cares about the sonic quality as much as the message, and it shows throughout.
Overall, PARK CITY is a well-balanced project that blends nostalgia with innovation. JVNEBVG is a diverse, creative force, balancing Trap Metal, Punk Rap, and hip-hop with gritty lyricism and deep introspection. The album delivers something for everyone, from aggressive headbangers to deeper, moodier tracks. Each song stands on its own but contributes to the larger narrative, and his collaborations with Ak3k and ARSX elevate the overall vibe. This is more than just an album—it’s a statement. I give PARK CITY a perfect 10/10. Every track is unique, but the overall vibe feels cohesive, making this a standout project in today’s underground scene. If you’re a fan of Trap Metal, Punk Rap, or even a curious listener looking for something with depth and grit, PARK CITY is worth every second. Be sure to check it out!
You know how every time you look up Trap Metal you get the same artists over and over? Trap Metal Magazine is here to change that! Discover
#trapmetal
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#doomtrap
#undergroundrap
#alternative
King Saul by DUSTMYTE For Trap Metal Magazine Issue 1
The following article was featured in Trap Metal Magazine issue #1
CHECK IT OUT HERE
DUSTMYTE’s latest release, King Saul, is a bold entry into the world of underground trap metal. From the moment the first track begins, the album grabs your attention with a raw, unpolished sound that feels refreshing in a sea of overproduced music. The opening guitar riffs start as a grungy acoustic jam session, seamlessly transitioning into distorted leads that set the stage for a unique listening experience. This combination of elements immediately highlights DUSTMYTE’s ability to blend genres, creating something fresh while still staying true to the DIY roots of underground music. A Powerful Fusion of Genres, what makes King Saul stand out is DUSTMYTE’s mastery of combining different musical styles without losing coherence. The early tracks, particularly Tracks 2 and 3, are heavy-hitting examples of trap metal, shadow rap, and hard trap. The features from SHEBA and Boodi B add depth, each bringing their own flair to the project. These songs pack a punch, combining brutal, distorted beats with fierce, energetic vocals, perfect for fans of aggressive trap and metal, scream rap, and experimental.
For listeners looking for variety, King Saul doesn’t disappoint. Track 4, “Toss Em,” offers a brief respite with a more laid-back trap beat, allowing for a moment of calm before the album returns to its high-energy assault. From this point forward, the album only intensifies. DUSTMYTE keeps things fresh by enlisting collaborators like VOODOOCHILD, Vitamjn, Celeste Kay, and Costlyloss, each of whom helps elevate the sound with their distinct contributions. The mix of vocals and instrumentation from the guest artists adds an extra layer of complexity to the tracks, making each one feel like a unique chapter in the overall narrative of the album. One of the standout aspects of King Saul is its ability to maintain energy while also diving deep into emotional and lyrical content. The album doesn’t just rely on its aggressive sound but also brings moments of introspection and experimentation. The final tracks push boundaries, closing the album with a lyrically focused trap cut followed by an experimental track featuring a full band, which really showcases DUSTMYTE’s versatility. This exploration into different sounds and textures provides a satisfying conclusion to the album. The production of King Saul leans into a raw, DIY aesthetic, which fits perfectly within the underground trap metal scene. This album feels gritty and unpolished, but in a way that complements its overall rebellious and aggressive tone. The raw sound amplifies the energy and emotion, giving listeners a sense of authenticity. For fans of underground music, where the imperfections often add to the charm, King Saul hits the mark.
My final Thoughts. All in all, DUSTMYTE’s King Saul is a must-listen for fans of trap metal and underground music. The ability to blend multiple genres—grunge, trap, metal, and experimental sounds—gives the album a unique identity. The features from SHEBA, Boodi B, VOODOOCHILD, Vitamjn, Celeste Kay, and costlyloss only strengthen the project, bringing new dimensions to the tracks and making each listen feel fresh. While the production may feel rough around the edges, that’s exactly what makes this release so special. It stays true to the underground roots while pushing boundaries musically. For anyone looking to explore the bleeding edge of trap metal and underground rap, King Saul by DUSTMYTE is a project that shouldn’t be missed. We rate this a solid 9/10.
Stream King Saul now on all platforms and follow Trap Metal Magazine for more reviews, underground music news, and exclusive interviews with emerging artists in the scene.
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"And now she's being sucked in by the spiral that appeared on her body."
- Uzumaki (2024) | Episode 1
The following article was featured in Trap Metal Magazine issue #1
CHECK IT OUT HERE: https://www.trapmetal.net/tmm1-gizmo/
MUSIC REVIEW: LILBEEFROAST - Silence Of The Lambs
LILBEEFROAST delivers a raw and gritty performance with his latest track, “Silence Of The Lambs.” This dark, underground trap anthem oozes with heavy basslines, ominous beats, and haunting vibes, perfectly capturing the intense, shadowy aesthetic of the genre. His raw, unapologetic flow matches the dark, almost menacing production, making it a must-listen for fans of underground trap music. In addition to his music, LILBEEFROAST runs a brand called “Dipshit,” which perfectly complements his dark aesthetic. For enthusiasts of underground trap culture, this is definitely a brand worth checking out—merging style with the same gritty energy found in his tracks.
Ronin X — Musashi Xero. Album Review
The following article was featured in Trap Metal Magazine issue #1 CHECK IT OUT HERE
Musashi Xero’s latest offering, “Ronin X,” is a sonic journey through a futuristic, dystopian landscape. This 5-track EP blends multiple genres into a cohesive, high-energy experience that feels ripped straight from the world of Cyberpunk 2077. From start to finish, Ronin X is a relentless fusion of sounds, and its ability to shift between different audio textures is what truly sets it apart. The first thing that hits you is the beat production—an absolute standout across all five tracks. The EP showcases masterfully curated soundscapes, each one distinct yet tied together by a sense of gritty, cinematic atmosphere. Musashi Xero pulls from a wide range of influences, with dubstep elements and seasoned DJ techniques adding layers of depth to each song. The production feels immersive, like walking through neon-lit streets in a digital rainstorm. Vocally, Musashi Xero brings a unique performance with his shadowy delivery and laid-back lyricism. His threatening undertone matches the dark, cybernetic soundscapes, giving the EP an almost ghostly presence. There’s a restraint in his vocals, but it only amplifies the feeling of tension and foreboding, creating a haunting juxtaposition to the relentless, genre-bending production.
What makes Ronin X truly exceptional, though, is how well the art matches the sound. This is one of those rare releases where every element—from the cover art to the beats to the vocal delivery—fits together seamlessly, painting a vivid, futuristic world. You can practically see the neon glow and hear the hum of dystopian machinery as the tracks unfold. It’s cyberpunk at its core, with a gritty, rebellious edge that feels alive. Overall, Musashi Xero has crafted a genre-defying masterpiece with Ronin X. While there’s always room to push the envelope even further, this EP is a near-perfect experience that feels both familiar and refreshingly new. 9/10—a must-listen for anyone looking for a ride through the darker corners of the future.
An Interview With Shanx TCG for Trap Metal Magazine
The following article was featured in Trap Metal Magazine issue #1
CHECK IT OUT HERE: https://www.trapmetal.net/tmm1-gizmo/
1. Trap Metal is known for its raw energy and emotional intensity. Can you tell us about your journey into this scene? What drew you to this genre?
The idea of being able to mix different styles to deliver more emotion called to me like crazy. I tried to include that mentality in several Metal projects over the years, but people in the local scene I was in weren’t 100% comfortable with the idea. Only took a few more years for the catalyst of what would be my home genre to grow strong. I couldn’t believe it, honestly. Trap Metal felt like home. It safeguards so many different styles under it, allowing what I feel is complete musical freedom.
2. The name “Shanx The Crooked Ghost” is unique and intriguing. What’s the story behind it, and how does it reflect your music or persona?
I took inspiration from “THE CROOKED MAN” story. The idea of a crooked man in a crooked world, in his crooked house, and does crooked music. The ghost part is me feeling like one constantly. This weird feeling of not belonging anywhere, that music has helped me deal with. Shanx, though, was a nickname given by a friend of mine.
3. When creating a track, what comes first for you – the lyrics, the beat, or the overall vibe? How do you approach blending metal and trap elements in your sound?
Yes. In all seriousness, it depends. If I’m by myself It’s lyrics guaranteed. But if I’m back home in Portugal, my producer will be working on a beat and I’ll be writing at the same time. The blend comes naturally. I grew up on 808s, breakdowns and glitch effects while my producer came up from Metal and works with a few prominent names in the industry. It creates this weird dichotomy that is always in balance.
4. Who or what are your biggest influences musically and personally? How have they shaped the sound of Shanx TCG?
I’ve learned to channel my energy towards this futuristic, cyberpunk feeling, mixed with heavy guitars and breakdowns. Honestly, It’s aided heavily by the never-ending estrangement present in my life. This idea that an idealistic world in the future might be where I belong.
5. What is your local music scene like? What are the pros, what are the cons, and where do you see room for improvement?
I’ve spent the last few years living abroad, which made connections with the underground of my country very rare. At the time, new styles of music, especially metal, had difficulty being born in Portugal. Sometimes it happens, but it gets stifled by other genres that have existed there for several generations. But with time, and new blood, I’ve been told a lot more people are trying the Trap Metal sound, or just simply testing new horizons. Gives me hope.
6. How has your sound evolved since you first started in the Trap Metal scene? Are there any pivotal moments that pushed your music in a new direction?
Apart from the last 2 songs I released, all my tracks were stepping stones to reach the sound I want. And the beauty of it is that I’m not done learning. Every song feels closer to what my music sounds like in my head.
7. Trap Metal often taps into themes of darkness, rage, and rebellion. How do you channel these emotions into your music while keeping it engaging for your listeners?
The first song I ever released called “BEDROOM ANTHEM” tells everything. I grew up finding peace in the music on my headphones, while jumping around inside my bedroom. Growing up and learning I was never alone with this feeling made me want to see that as my target audience.
I don’t write songs for clubs as much as I write for the isolated people that only have music to deal with life, most of the time. Whether it be anger, sadness or happiness.
8. Have you collaborated with any artists in the underground scene? If so, who has been your favorite to work with, and who would you like to collaborate with in the future?
I got a song in the works with BRETT DEADLY that I’m really excited for. The more I dig into the underground, the more I find artists I want to work with. Off the top of my head, APE GABRIEL, GENWUNNER and GXREPARTY all have very personal sounds I would enjoy working with.
9. 🙂 Ayeeee. Trap Metal is not just about sound but also the visuals that accompany it. How do you approach the visual aspect of your artistry, from cover art to music videos?
My visual style shifts back forth between gritty and aggressive to industrial and cyber-inspired. I also have a mascot that represents the cacophony inside my head. A humanoid mesh of darkness covered with eyes. Each eye represents a different voice trying to take turns to talk.
10. Can you give us a sneak peek into what’s next for Shanx TCG? Any upcoming releases, collaborations, or shows we should be excited about?
New track with BRETT DEADLY aka Heartless Fendi on music streaming platforms coming soon, and a visual diary of sorts that goes deep on what each of my songs are.
11. As we wrap this up, is there anything else you want our readers to know? And thank you for your time.
Thank you for having me!
The following article was featured in Trap Metal Magazine issue #1 CHECK IT OUT HERE: https://www.trapmetal.net/tmm1-gizmo/
Dirty by Ferg Berserk – Review [ Trap Metal Magazine Issue 1 ]
Ferg Berserk is rapidly gaining momentum in the music scene, carving out his niche with a distinctive blend of Trap and Metal. His unique style feels raw, gritty, and authentic, consistently delivering the kind of high-octane energy that gets crowds moving. His latest release, “Dirty,” continues to push the boundaries of both genres, making it an instant hit. The track stands out with its unapologetically aggressive tone, pulsating basslines, and hard-hitting beats that are sure to resonate with fans of both trap music and metal. Ferg’s ability to merge the intense, head-banging vibe of metal with the infectious, rhythmic flow of trap sets him apart in today’s music landscape. From start to finish, “Dirty” feels like a party in sonic form—chaotic, intense, and full of life. Adding to the appeal, the cover art is equally captivating. With its bold design and eye-catching visuals, it complements the raw energy of the song perfectly, drawing listeners in before they even hit play. For fans of boundary-pushing music, “Dirty” is a must-listen. Ferg Berserk’s rising star status is well-earned with tracks like this, and it’s clear he’s only getting started. Without hesitation, I’d give this track a 10/10. It’s a flawless cut, showcasing the perfect fusion of two dynamic genres.
CHECK IT OUT HERE: https://www.trapmetal.net/tmm1-gizmo/
