I commissioned this piece from the unbelievably talented Hotwe, who is one of the most intelligent, thoughtful, deliberate artists I've ever had the pleasure of working with. I cannot express how grateful I am for the kindness shown towards my imaginary dolls at every step of this process. Thank you! <3
This is a paired piece to this one, also by Hotwe, which I commissioned immediately after finishing Inquisition for the first time. Once I finished Veilguard and filled out how the story ends for these two, I knew I desperately wanted the other half of this diptych.
Close-ups and lengthy notes on the incorporated symbolism are below the cut.
Where the first piece was much more somber and determined, I really wanted this moment to feel triumphant (if not unreservedly happy). These are two people at the end of a long war with each other, and moving forward doesn't mean erasing the road before.
Some notes in no particular order:
Solas's hands are now open, releasing the hard and inflexible grip he had in the original piece
The constellation is Fervenial, the Oak, for its associated concept of Vir Tanadhal: "fly straight and don't waver, bend but never break, and the idea of balance. ...The imagery of the hunter (Adahla) metaphorically striking like a bolt on Solas' plans and forcing a reframing of the lightning/smite-y/fate concept of Fulmenos into a concept of balance and growth/organic/spring" - straight from the artist's massive brain
(I've written about why constellations & stars, especially Fulmenos, are important to them here)
Red embrium leaves for healing
Spring growth for seasonal change
Solas, being pushed forward by the strong wind behind him, is finally able to stop thanks to Adahla's pressure
Adahla's dress is inspired by this statue (San Joaquín, Santa Ana y la Virgen Niña by Juan Alonso Villabrille y Ron), but has been reworked with Dragon Age motifs and emblems
The gold vines are from my post-Veilguard fic for them, The Heart Where I Have Roots
I plan to do one more post with both of these pieces together as soon as I can; their journey's been messy to the max, but it honestly brings me so much joy to know they've landed somewhere like this, and I'm again so thankful to Hotwe for bringing that ended war to life.
I finally have a concrete character design for Lahn. She's an ancient elf follower of Falon'din, and part of his group of assassin priests he send out to kill political rivals.
Lahn is the main character in the fic I am hoping to start posting soon about Solas' rebellion of the Evanuris. She is sent as an undercover agent by Falon’din to destabilize from within and ends up falling in love with Felassan.
About his design, i want to make him "unsettling" like the mention of death itself. So i combine bones (rib cage) and thorns in his robes that makes you think twice to hug him
"we need a joe rogan for the left" we literally have alex cooper and kylie kelce hosting massively popular podcasts where they bring on democratic politicians to boost their messages to their wide audience of normie women as well as talking frankly about politically-relevant issues that impact women such as birth control, sex and sexuality, and the division of labor in marriage and parenting -- oh wait you didn't mean that, you meant "a man with a podcast where it's okay to say slurs" not a "cringe lib wine drinking bitch with a microphone"
sketch page commission for @bodysnatch3r featuring scenes from their Solas x Felassan, arlathan-era fanfic 'Mien'Harel'💚🌿
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