Takeshi Kitano portraits by Kazumi Kurigami

gracie abrams
Misplaced Lens Cap
Interview Vampire Daily
$LAYYYTER
Sade Olutola
NASA
hello vonnie

bliss lane

#extradirty
The Bowery Presents
RMH

if i look back, i am lost
todays bird
EXPECTATIONS

Origami Around
Cosmic Funnies
untitled

❣ Chile in a Photography ❣
Monterey Bay Aquarium
sheepfilms
seen from Malaysia

seen from Singapore

seen from United States

seen from South Africa

seen from Bangladesh
seen from United States
seen from India
seen from Finland

seen from United States

seen from Türkiye

seen from United States
seen from Vietnam
seen from Kazakhstan
seen from Spain
seen from Bangladesh
seen from Italy
seen from United States

seen from United Kingdom

seen from T1
seen from South Africa
@bronto-sara
Takeshi Kitano portraits by Kazumi Kurigami
"I like the animal thing when you're acting, to use a bit of animal stuff."
Lady Snowblood (1973, Toshiya Fujita)
JEFF BUCKLEY photographed by Ken Hinchey in Philadelphia, 1994.
'Under Monet's Pond' by Eiko Jones
Konbini • Luca Guadagnino est dans le Video Club
John Singer Sargent expo @ Musée d'Orsay, Paris, 2025
"If rest becomes a form of recovery from work, as is the case today, it loses its specific ontological value. It no longer represents an independent, higher form of existence and degenerates into a derivative of work. Today's compulsion of production perpetuates work and thus eliminates that sacred silence. Life becomes entirely profane, desecrated."
—Han Byung-Chul, The Disappearance of Rituals
part of the fun of the original alien is the horror of the nostromo itself imo. it’s a cell of corporate greed ferrying narrowly-trained workers across barren space. it’s huge and yet claustrophobic, cockpits crammed with machinery giving way to yawning berths dripping chains and water. the supercomputer is named mother in a stroke of human anthropomorphization, but instead of providing comfort or protection, it’s only a courier between its creator and its wailing brood. ripley yells “mother! mother!” at a matronly-voiced computer that speaks calmly over her helplessness. the ship is full of endless details and patterns and unlabeled buttons and dials the audience can’t entirely make sense of; to do anything on the ship is a rigorous, technical process, and we must depend on the characters to know it. the internal mechanics of the ship are so alien that a literal alien can hide among the bits and bobs and not be noticed. it’s great.
the worst part about grief is that it feels like the world should be horrendously earth shatteringly changed, and to an extent it IS but its also the same. to everyone else it's just another tuesday. the world moves on. you have to go grocery shopping.
Gregg Araki
TV quotes
GOODBYE, DRAGON INN 不散 (2003) dir. Tsai Ming-Liang
The Wayward Cloud (2005) // dir. Tsai Ming-liang
Ichi the Killer (2001) Takashi Miike
This is a lesbian sex party invitation from 1970s San Francisco. I love that it has coffee stains on it, like it was left out on a table for a while.
Happy lesbian sex party day to those who celebrate