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beware of the empty hallways!

[jasminesfury-deactivated2024090]

flirty enemies to lovers prompts pt 2

feel free to use! tag me <3

“not so feisty now are we?” “shut up and kiss me”

“YOU ASSHOLE” “HEY what did i do” “WHAT DIDNT YOU DO?? I WAS HALF WAY THROUGH AN EXTREMELY IMPORTANT PRESENTATION *sighs* and i took my jacket off and the ceo of the company is asking me if i got hurt because i have a bruise on my neck. a very very big one”

^ the other character just fucking laughing because they find it hysterical and getting pillows thrown at them

character A fooling around with character B and leaving them an adorable flustered absolute mess (who is begging for more) before getting up and straight up leaving “that’s for payback *tiny wave*”

“i hate them so so so so so much you don’t understand i wake up? and i think about how much i hate them. i eat? still hating them. work? want to stab them. hooking up with someone?? still thinking about how much i hate them.” “dude..”

“it’s so funny how-””shut up” “you’re like so tough and everything during the day” “i hate you so much” “BUT LAST NIGHT-” “i will punch you”

them hooking up and being loud so a roommate barging in because they think they’re like..killing each other and being like “oh OH OKAY”

“you’re so cute when you’re not trying to sabotage me”

<making out> “this is strictly physical” “obviously” “you being hot doesn’t make up for your awful personality” “rude, but i’ll take it”

“fuck why are you so good at this” “i realise that this is not the time but you just admitted that i was good at something”

“you know, i bet i could win you over” “try”

“i don’t really hate you” “really? name one thing you like about me” proceeds to name 50

[dumplingsjinson]

List of “we just happen to love hate fucking each other” prompts (pt. 2)

“I don’t know, maybe you should hop off my dick for a second. Just a thought.” “That’s not what you said last night.”

“I told you not to leave marks on my neck! How the fuck am I supposed to explain this?” “…You were just so sensitive there, I couldn’t help myself.”

“Why’s your heart beating so fast? It shouldn’t— this isn’t normal.” “…Well, sex is physically exerting so…”

“Let me just make this clear: I like you for what you do to me, not for you.” “Mm, okay. Keep convincing yourself with that bullshit; maybe it’ll work one day.”

Character A confesses how they’ve fallen for Character B, and Character B’s like, “You’re not in love with me; you’re in love with the version of me you get to fuck. It’s not love, it’s lust.” Character A, offended that their affections are being dismissed so easily, tells them, “That’s not true. I know what I feel, and it’s not just lust. It hasn’t been just lust for a while now.”

“Do—” Character A inhales sharply, pupils dilated in absolute pleasure and arousal; voice dropping lower, almost a whisper as they continue, “Do that again and I might just fall in love with you.” (Bonus: Character B smirks. “Then fall. But just a word of warning, I won’t be there to catch you.”)

“I thought you said you hated them?” “I do!” “Then why the hell did I see you guys walking out of the bathroom together?” “Ever heard of cubicles?” “This is my house, [name], not a public fucking toilet. There are no cubicles in there. It’s a one room kind of deal you’ve got here.”

“I can’t stop thinking about you, it’s driving me up the walls; do you realise what exactly you’re doing to me?” “Oh, I know. I know what I’m doing to you and I’ll gladly have you fall to your knees for me.”

“…Why are you staying the night?” “Because it’s late and I’m feeling too tired to drive/walk home. Now scoot the fuck over, someone needs to get their sleep.” “Okay, but how about sleep on the floor instead? I don’t want you near me.” “That’s not what your body language was telling me just moments ago, love.”

“What are we doing right now?” “Fucking. What else?” “…It feels more than just fucking.”

Character B getting hella jealous when they see Character A out and about with their date and end up following them around. Character A catches them and is like, “Why are you following me?” And Character B’s like, “To tell your date how much of a dick you are so they can avoid dating someone like you.” (or, alternatively: Character B cornering Character A about it, and Character A being like, “But why do you care?” and Character B saying, “I don’t.” And then they somehow end up fucking them in a random alleyway or at a back of a bar or something. You can fill in the details on how they get to that point.)

“Careful — if you stare for longer than that then you’re going to fall in love with me and I won’t be there to catch you.” “Fuck you, like I’d fall for someone like you.”

The first time being purely on accident — the other times being on accident on purpose (because they just can’t get enough of each other but won’t admit it, and would make excuses about how they’re just doing this because there’re no other options when it’s becoming increasingly clear that that’s not the case).

“This is a mistake.” “You keep saying that but you keep coming back so is it really a mistake at this point?”

“You’re going to fucking break me one day.” “That’s my goal, sweetheart.”

“…Why’d you just kiss me?” “Huh?” “We promised everything intimate stays behind closed doors.” “…Okay, but why’d you kiss back?”

“You left your [insert clothing item] at my house.” “Why would you give it back to me out in the fucking open?!”

“Just because I like making out with you doesn’t mean I have to like you.” 

“…Do you know exactly just how gorgeous you are?” “I know. Why else would you want to fuck me if it wasn’t for that?”

“So, like… Do you want to fuck me up or do you want to fuck me?” “Can’t it be both?”

(pt. 1)

[english-idylls]

From Aurora Leigh by Elizabeth Barrett Browning (1856).

[bubonicbandages]

A GUIDE TO FOLLOW WHEN HOME ALONE

•You are alone and you know this. It's just your parent's footsteps still echoing outside the door. Do not mind them. Resume your tasks normally.

•During your unchaperoned time, it's best to not turn on the television or anything louder than forty decibels. You don't want to attract them. Even whispers have a heartbeat in here.

•Do not try to be gallant. You already know how heroes end up.

•The sky is your companion. The sky should be trusted for it shows everything and nothing. The sky is your friend. Do not look at the leering shadows. The sky is safe.

•If you feel lightheaded around noon, drink chamomile tea. Regular tea works too. Do not remain in the kitchen; promptly head to the basement. Under no circumstances drink from the the cup. A headache will pass, and they will too.

•You are alone and you know this. Everything else is a mirage created by the bored mind. Do not listen to the knocks of the leering shadows.

•When it is lunchtime, share your food with the neighbor's cat. It will bring you something useful in return. If the feline leaves and doesn't return for half an hour, proceed to grab as many shiny things as you can and place them around yourself. It is recommended to close your eyes. Do not leave the circle until the cat returns.

•Occasional humming will be heard at around four o'clock. You are free to sing along but remember the golden rule: the student cannot surpass the master.

•A flock of birds will visit you three times by your bedroom window. The first time they do only ever listen to their chirping until gone. The second time they appear, you will notice that they are remaining silent and still: take immediate example. The final apparition respects the following: if you see that all the volatiles have a certain ribbon tied around their tarsus then everything is going to be okay. If only one isn't bedizened with anything proceed to lock every window and rooms that have a bed. But if only one returns, then you have approximately fifteen seconds to flee the Strangers that flicked the door handle and are calling for your name. You are not alone and you know this.

[jackalopiel]

New Year’s Eve Gothic

Your skin is dusted with sparkly glitter. You can only see shimmering stars. The glitter is in your eyes.

It is 11:59. It is 10:02. It is tomorrow and yesterday. Time is not real here.

You have made and broken your resolution already.

Your entire life is being lived simultaneously. You feel every year you have passed through slide down your spine. You hear everyone you have ever loved in ten seconds.

Ten, nine, eight,

You are celebrating with your friends, alcohol making time’s river murky

Seven, six, five,

You are sitting on your couch, an arm wrapped around a lover. Their pulse is slow. Your own is nonexistent. 

Four, three, two,

The entire city is alive tonight. The streetlights squirm.

One,

You are alone. Your television is playing an old sit-com. The air is still and desperate.

The fireworks sounds like guns. Maybe some are. Are they laughing or screaming?

[promptsforthestrugglingauthor]

Writing Prompt #1979

"Have you ever wanted to be king?" The prince asked the knight, his closest friend after all these years. "I do have one way I can make that happen."

The knight paused, trying to make sure he wasn't misinterpreting what he had heard. "Was that...was that a proposal, or just an inquiry?"

[coffeebeanwriting]

The Darkest Hour for your Protagonist

Also known as the “crisis” or the moment when all hope is lost for your protagonist. The Darkest Hour is when your character hits rock bottom and that “happy ending” just seems unreachable. In this scene, success for your protagonist appears impossible.

What could be a Darkest Hour?

In my opinion, you want your darkest hour to be as dark as possible. Push things to the extreme, create stakes, and hurt your protagonist.  

• Not just any death, but the death of someone your protagonist loves (did your protagonist fail to save them? They now blame themselves.)

• Not just a mild injury, but a serious and life-threatening one (does this injury follow your protagonist into the end of the story? Permanently?)

• Use their fears against them (if they’re afraid of snakes, don’t just have one appear… have them fall into a pit of them.)

• Make your protagonist lose all hope and put their insecurities on full display (they’re embarrassed and ashamed in front of everyone.)

• Attack their mentality just as much as their physicality. (Betrayals, lies, deceptions, self-doubts.)

When does it happen?

Typically, the Darkest Hour occurs right before the climax. Your protagonist is at their all-time low until they have an “a-ha!” moment and gain the hope, strength, or resources to overcome their conundrum and push into the climax of the story.

How does my Protagonist overcome their crisis?

There are numerous ways that your protagonist can trudge out of the mud and gain the strength to continue fighting. They could do it independently and prove themselves a true hero, pull hope from memories and past encounters, receive aid from allies, divine intervention, etc. 

Why is the Darkest Hour Important?

The Darkest Hour is vital to a character’s arc and story because, during their all-time low, their true nature is revealed. Their insecurities, flaws, and fears are all out on the table and the readers get to see them at their most vulnerable. Watching them overcome the crisis shows the reader their growth as a character.

⭐ Show the readers how much your protagonist has grown. If this crisis happened at the beginning of your story, your protagonist would NOT have been able to overcome it. Only through their growth, learning, and plot experiences… are they able to overcome it now.

⭐THIS IS WHERE YOUR PROTAGONIST CAN FINALLY SEE THEIR MISBELIEF/FLAW.

During or after your protagonist’s Darkest Hour is an amazing place for your protagonist to realize the flaw in their thinking (their misbelief). 

Referring back to older posts, your protagonist needs to have a “flaw” or “misbelief”. A false way of thinking that eventually, they will realize is wrong.

• “I’ll never be good enough.” • “Magic is wrong and I will never use it.” • “All aliens are evil and need to be eliminated.” 

This misbelief should have been impeding on your character through the entire plot, causing them conflict and turmoil. After fighting for survival in their darkest moment, they realize they were thinking wrong all along.

• A character reminds your protagonist that they are good enough. • Your protagonist sees magic being used to heal their allies and realizes finally that it can be used for good. • An alien saves your protagonist from a bullet and suddenly your character sees that not all aliens are bad.

Instagram: coffeebeanwriting   

[dumplingsjinson]

List of “idiots in love but are in denial” prompts

“I don’t like them like that. Absolutely fucking not. What the hell?”

“I mean, I’d make out with them but like — platonically, you know?” “…You can’t make out with someone platonically.” “Of course you can! We’ve done it like, so many times before already.” 

“And why do you think I’d ever like them? I have taste.”

“Would I tuck them in bed and kiss them on the forehead? Yes. Would I fuck them in bed and then pepper kisses all over their face? Also yes. But neither of those options have to mean anything.”

“What do you mean I look at them like they’re everything I could ever want? I call bullshit! That’s slander!”

“You’re so cute.” “What?” “I said you look like a sack of shit, fuck you.”

“What do you mean by that? I do not daydream about us getting married and building our dream home in the country side where no one can bother us on a daily basis.”

“…But there’s just no way, right? Me? Liking them? That’s… No.” 

“What? We’re not looking at each other like we’d rather be alone in a private suite than be here with you guys. Don’t be stupid.” “Then stop eye fucking each other for one second.” “But we weren’t? That’s a ridiculous accusation. Friends don’t do that.”

“Shut the fuck up, I don’t care that they’re looking at someone else like they’re in love with them. Why should I care? It’s none of my business.”

[corvase]

enemies to lovers ‘later in their life’ prompts

later in their life; post-book things like getting married, living together. feel free to use :)

“can you pass me the s—“ “no.” “………. at what point do you become mature?”

“i’m tireddd.” *in a whiny voice* “i’m tired.” *mocking them*

“hug?” “clingy, much?……” but hugs them anyway

random races. waking up and brushing? i’ll do it five hours before you even begin dreaming. walking to the kitchen to make breakfast? i can flip fifteen pancakes before you can blink.

“you said you loved me first, remember?” “…. did i?”

everything is still a competition. i don’t care if both our families are watching i can and will scarf this all down and beat you

“cant believe we fell in love. i swore i would never become this trope.” “who doesn’t love a good cliche?”

“kiss?” and an immediate joking “no” but they’re already leaning in with a small smile

both being very stubborn and like carbon copies of the other so small domestic things trip them up

^ like they’re both lying down on the couch like “who’s turn is it to do the dishes?” “… i think it’s yours.” “but i did them yesterday.” “no you most definitely did not—“

“i missed you.” and with a small smile, “really?” and an annoyed “no i’m lyin— WHAT DO YOU THINK???”

“must you argue with me about everything?” genuinely annoyed because they just want to choose what to eat for breakfast and the other one just wants to argue

BUT ALSO “must you argue with me about everything?” and it’s with the fondest smile ever as they run a hand through the other’s hair

“where are the onions?” “…. you called me at 2:00pm on a work day to ask me where the onions are??? WHEN YOU BOUGHT THEM LAST?????????” “… if you didn’t know where they were you could’ve just said that but whatever.”

“do you fancy getting married?” “do i f— DO I FANCY????? WE’RE NINETEEN.” “yeah but i love you.”

“did you do the laundry?” “did YOU do the laundry?” “oh splendid i’m married to a seven year old.”

a petty argument and the make-up being all reluctant

^ like “and by the way, i hate your new haircut.” and the other responding with a smile and a “yeah?” because they know with a glance that it’s not true at all

“i love you.” “… yeah. you too, i guess.” “….? say you love me.” “…” “i’m going to call your mom.” “… that is so low.”

it’s also important to have moments where they acknowledge that the enemies part is in the past and as much as they joke they both love each other very much

^“can we be serious for a second?” and an immediate sobering up

“i love you like, a crazy amount, you know.” “i love you even more.” “okay…. just let me have this one maybe.”

them learning each other’s hobbies & things they enjoy doing, going out of their way to learn and enjoy it too

“let’s go stargaze.” “i’d honestly rather do anything else.” but they go and just stare at the other one the whole time (and the other is aware)

[dumplingsjinson]

Perhaps some "You look ABSOLUTELY AMAZING right now but I'm trying not to stare but you're DEFINITELY noticing me" Prompts? If that makes any sort of sense?

List of “my eyes are definitely not on you. why would you think that?” prompts

“You’ve been staring at me the whole night. Is everything alright or…?” “I— I wasn’t staring. I was observing. Big difference!”

Character B sneaking Character A a small wave and a cheeky grin to let them know their staring hasn’t gone by unnoticed.

“Hey,” Character C whispers loudly, nudging Character A. “You’ve been staring at [name] ever since we got here. Are they really that hot?”

“So you admit I’m nice enough to stare at?” “…Excuse me?”

“A photo lasts so much longer, you know?”

“I know I look delectable tonight, so you have permission to stare all you want.”

“I know I’m hot.” “You really aren’t that hot.” “Your staring tells me otherwise.”

“Hi,” Character A says, sliding into the seat from across Character B, who flushes immediately. “Um, hi,” they answer, trying to sound nonchalant as possible, while Character A leans forward, a pretty smile painted on their lips. “Couldn’t help but notice you watching me from over there,” Character A says, pointing towards where they were sitting a few moments ago. “So I thought, why not introduce myself? I think you’re quite the looker yourself.”

Character A has always had their eyes on Character B, but right now, they can’t seem to tear their eyes away from them no matter how hard they try, and Character B seems to be aware of their blatant staring but doesn’t comment on it. 

“I’d stare at me too if I were you.”

[dumplingsjinson]

List of “we just happen to love hate fucking each other” prompts

“You definitely don’t hold someone’s hand while you’re fucking them if you hate them.” 

“Yeah, so what happened last night…” “You’d better not tell anyone else about it or it’s off with your head.”

“It’s funny how you’re such a softie in the streets but love it rough in the sheets, huh?”

“That was a bit too intimate for my liking.” “Yeah, same, let’s never do that again.” (They proceed to do [too intimate action] again many times after that.) 

“Let me just remind you — I’m not love fucking you. I’m hate fucking you.” “Okay, cool.” “So don’t go falling for me or else we’re going to have problems.” “I promise I won’t. Why the fuck would I fall for someone like you, anyway, just because you like to stick it up me every now and again?”

Character A accidentally laughing/smiling against Character B’s lips after a particularly rough make out session while Character B’s fucking into them. 

Character B being unable to get Character A’s accidental smile/laughter against their lips out of their head and thinking I must be going fucking crazy. 

“Did you just let slip that you love me or am I hearing things?” “…You’re definitely hearing things. You should go get your ears checked.” 

“This is for stress relief only,” Character A grits out as they drive into Character B again, hands pinning their hips to the mattress and revelling in the way Character B whimpers at the roughness they’re exhibiting. “No other reason.” 

“F-fuck, how— how the fuck are you so good at this?” “Because I’ve familiarised myself with how you want it and how you like it.” 

“Fuck me like you mean it just this once. That’s all I’m asking for, and then we can— we can pretend this time never happened.” 

Character A and Character B are embroiled in a heated argument when Character A spits out, “How about instead of using that pretty mouth of yours to argue with me over something you’re clearly fucking wrong about, you put it to better use?” (or, alternatively: “You sounded so much better when you were moaning my name last night, so how about we get back to that instead so I don’t have to hear you barking at me about something you’re clearly wrong about?”)

Character B calling Character A a term of endearment while they’re messing around and Character A freezes, heart thudding loudly in their chest. “What the hell did you just call me?” they ask, and Character B proceeds to call them that again, saccharine sweet, with a shit-eating grin gracing their lips. 

“Let’s— let’s make this quick. We can’t have anyone walk in on us.” “Mm, don’t worry, you always come undone so easily by my touch so I don’t think that will be any trouble.”

“Fuck you.” “That’s what you did last night, no? Or have you forgotten already?” 

[dumplingsjinson]

List of “we’re supposed to be friends with benefits but what the hell happened?” prompts

“Kiss me like that again and I’m going to think you’re in love with me.” “…But what if I am in love with you?” “I’m going to need to stop you right there. Don’t bullshit me with that.” 

“It was about the sex at first but now it’s… It’s not. It’s more than that. And I think that’s what scares me the most.”

“Do you have to leave? Can’t you stay?” “…If I don’t leave now then I’m afraid I won’t ever want to leave. I can’t do that to myself, so please don’t tell me to stay.” 

“I don’t think I can do this anymore.” “Why not?” “Because I think— I think I’m starting to get greedy. I think I’m starting to want more with you.”

“Are you guys sure you’re not like… Y’know?” “Absolutely not. The sex is great but we’d never… Not with each other.” 

“Look, I know we promised each other we wouldn’t lose our footing during this whole thing, but I… I think I’ve lost mine? I don’t know how or when or why but I just… I’m sorry.” 

“I’m going to be blunt with you: I don’t want to be just friends who fool around with each other.” 

“My God, stop fucking me like you actually mean it because now I’m starting to read into things wrong.” 

“We promised each other that this wouldn’t happen.” “Yeah, but it’s happened. What do you want me to do about it? I can’t just un-love you.” 

“Is it so wrong that I want to be yours? That I want us to be more than whatever the fuck this is? Because I can’t keep doing this. I can’t keep lying to myself that I don’t want more with you, because it’s fucking me up so badly.” 

“Just because I let you stick it up me a few dozen of times doesn’t mean we’re in love.” “I think I can prove you wrong on that.” 

“I want you to fuck me like you mean it.” “…That’s going to be so easy.” 

“Why won’t you just admit that we could be so good together if you’d just give us a chance?” 

“So where does this leave us?” “I wish I had an answer for that because I wouldn’t be in this turmoil if I did.” 

“This is why I said I didn’t want to do this with you in the first place!” 

“We could be more than this if you wanted.” “Who the hell said I’d want that?” “Actions speak louder than words, sweetheart.” 

“I mean, it’s not like I want to hold their hand in public or anything. Like, that’s a little too intimate for the both of us, you know?” “…Didn’t you guys literally have sex last night?” “Sex doesn’t always have to be intimate, you dunce.” “You sounded pretty unsure about that.” 

“We promised each other we would stop this the moment either of us caught feelings, so why didn’t you tell me and let it get this bad?” “Because I knew this was the only way I could have you, even if it meant nothing more than just an arrangement to you.” 

“Why did you do that?” “Why did I do what?” “Why did you make me fall in love with you?”

“My bad for thinking we could have been something more. My bad for thinking that everything we’ve done up until now feels way too fucking real and has crossed too many lines for us to be just friends with benefits.” 

[leneemusing]

STAYING THE NIGHT PROMPTS

❝  don’t be ridiculous,  there’s enough room on this bed for both of us. ❞ 

❝  please stay.  i don’t think i can be alone tonight.  ❞

❝  i’m staying,  okay?  you don’t have to be alone tonight. ❞

❝  you shouldn’t be alone right now.  i’ll take the couch,  it’ll be fine.  ❞

❝  will you sleep with me?  i know how that sounds i just mean—  i feel safe when you’re there.  ❞

❝  i’ll be here the whole night okay?  nothing will get to you while i’m here.  ❞

❝  wait— have you been here all night?  ❞

❝  i thought you went home after i went to bed.  you didn’t have to do that— you could’ve at least joined me in bed that couch is shit for sleeping on.  ❞

❝  can i stay with you tonight?  i don’t wanna go home yet.  ❞

❝  it’s late,  you might as well just stay here.  ❞

❝  can you just…stay here?  and hold me.  ❞

❝  i know this might sound weird but,  do you wanna stay over?  i guess ‘sleepover’ sounds kind of childish but.  i think it’d be nice.  ❞

❝  i’m not expecting anything,  i just,  thought it’d be nice to keep you company tonight. ❞

❝  i don’t have nightmares when you’re there.  ❞

❝  i get you’re doing the whole protective thing— and i appreciate it.  i do,  but there’s no reason for you to stay awake all night.  might as well come to bed.  ❞

❝  thank you for staying.  it just gets so lonely at night sometimes.  ❞

❝  i don’t want you to be alone tonight and honestly,  i don’t really wanna be alone either.  ❞

❝  do you wanna stay with me tonight?  ❞

❝  stay,  please.  ❞

❝  i’ll stay.  ❞

❝  i’m staying.  ❞

❝  i’m staying.  end of discussion.  you gotta learn to let people take care of you.  ❞

❝  i’m not ready to say goodbye yet.  ❞

❝  i don’t wanna have to say goodnight.  ❞

❝  honestly i can’t sleep,  so if you wanna stay up with me?  ❞

❝  i don’t sleep a lot either these days.  we can be insomniacs together.  ❞

❝  well,  i can think of some ways to wear you out.  ❞

❝  if you can’t sleep,  there are other things we could do.  ❞

❝  i’d rather fuck than stare at the ceiling counting sheep to be honest.  ❞

❝  it doesn’t have to mean anything,  i just don’t wanna feel lonely tonight.  and i want to feel good for once.  ❞

❝  please don’t go—  i need.  i need someone—  i need you.  ❞

❝  the night doesn’t have to end here,  you know.  ❞

❝  i like it when you’re here.  so stay.  please?  ❞

❝  you’re just as lonely as i am.  might as well be lonely together.  ❞

❝  you can stay but i’m not letting you sleep on that couch.  ❞

❝  chivalry is overrated,  get in my bed.  ❞

❝  you’re clearly exhausted.  you can go in the morning.  ❞

❝  you don’t have to pretend to be fine,  if you need me to stay i will.  ❞

❝  when i said i wanted everyone to leave me alone i didn’t mean you.  i can’t handle everyone else right now but you…you’re different.  ❞

❝  you need someone right now.  and i’m the one that’s here.  let me be what you need.  ❞

SCENARIOS

[ GUARDED ]  sender insists on staying the night to keep watch over receiver who has been in some kind of danger. 

[ GUARDING ]  receiver insists on staying the night to keep watch over sender who has been in some kind of danger. 

[ UNEXPECTED ]  one muse stays the night to keep an eye on the other after something traumatic and they end up having comfort sex.

[ CONSOLE ]  sender asks receiver to stay the night because they don’t want to be alone and they end up cuddling.  

[ CONSOLED ]  receiver asks sender to stay the night because they don’t want to be alone and they end up cuddling. 

[ ACCIDENT ]  sender winds up staying at receiver’s house all night because receiver fell asleep against them/in their lap and they didn’t have the heart to wake them. 

[ UNPLANNED ]  receiver winds up staying at sender’s house all night because sender fell asleep against them/in their lap and they didn’t have the heart to wake them. 

[ STAY ]  sender is carrying receiver to bed because they fell asleep somewhere else but when they start to walk away,  receiver grabs their hand so sender joins them in bed. 

[ STAYING ]  receiver is carrying sender to bed because they fell asleep somewhere else but when they start to walk away,  sender grabs their hand so receiver joins them in bed. 

[ APPROACHED ]  sender is staying with receiver for safety and asks if they can sleep in their bed with them. 

[ APPROACH ]  receiver is staying with sender for safety and asks if they can sleep in their bed with them. 

[ SHARE ]  sender is unexpectedly staying with receiver overnight,  receiver insisted sender sleep on the bed while they take the floor but sender winds up insisting they join them in bed. 

[ SHARED ]  receiver is unexpectedly staying with sender overnight,  sender insisted receiver sleep on the bed while they take the floor but receiver winds up insisting they join them in bed. 

[ FOUND ]  sender is staying with receiver who had them take the bed while receiver takes the couch.  in the middle of the night,  sender goes out to join receiver on the couch because they don’t want to sleep alone. 

[ FIND ]  receiver is staying with sender who had them take the bed while sender takes the couch.  in the middle of the night,  receiver goes out to join sender on the couch because they don’t want to sleep alone. 

[ DISCOVERED ]  receiver wakes up in the morning to find sender asleep on their couch because sender was watching over them. 

[ HAVEN ]  receiver wakes up in the morning to find sender asleep on their couch because sender felt safer with them. 

[ WEARY ]  sender cries themselves to sleep in receiver’s arms. 

[ TIRED ]  receiver cries themselves to sleep in sender’s arms. 

[ PROPOSITION ]  one or both muse(s) are having trouble sleeping so they have sex to pass the time. 

[ PURPOSE ]  one muse can’t sleep so the other initiates sex to wear them out. 

[ TRAPPED ]  one muse ends up staying the night with the other due to a storm. 

[ KEEP ]  sender fell asleep on receiver and when receiver tries to get up,  sender whines so they stay put.  

[annarts05]

Fun Ways to Meet Characters

Thieves stealing important objects from the main characters and then being forced somehow into a found family situation

Saving a character’s life by doing something like taking an arrow/bullet

By losing a bet with a stranger and then teaming up

Gambling with a shifty character and getting really mad at them, only for them to later end up saving the other character’s life

Meeting the other in an arranged marriage and actually liking them (or really, really hating them)

Or having a chaotic dynamic where they irritate each other but they’re equally chaotic, so they become the mischievous duo in the found family

By bickering over the last piece of food at a banquet

Getting hired as a servant or maid, or some other serving position

By accidentally almost killing a character, only for them to join the found family and literally never stop bringing up that first meeting

[deepwaterfiction]

Text: The ballroom is the manor’s beating heart, but only when it is full of dancers. Only then does the house breathe, floorboards shivering, locked doors clicking open in unexpected places.

[write-it-motherfuckers]

Person A: “One of these days, I’m going to kill you.”

Person B: “Well could you hurry up about it? You’ve been saying that for years! At this rate the anticipation will kill me before you do.”

[soulrph]

𝐓𝐇𝐈𝐍𝐆𝐒 𝐃𝐎𝐍𝐄 𝐖𝐇𝐈𝐋𝐄 𝐒𝐏𝐀𝐑𝐑𝐈𝐍𝐆/𝐅𝐈𝐆𝐇𝐓𝐈𝐍𝐆.

you long-suffering, endlessly patient angels get two memes today bc i deleted everything in my inbox on my rp blog and i made these memes to top off a solidly productive day! also, if you ever feel guilty about “not being productive” or having to delete drafts and memes in your tumblr life, DON’T! you’re wonderful and valid and your personal comfort and peace of mind is far more important than an overwhelming inbox or draft count! anyway, these are also self-serving, but also i feel no shame bc there’s an extreme lack of this very good vibe in my line of work, so here u go besties. DO NOT ADD ANYTHING TO THIS LIST!!

DATE UPDATED: 19/10/22

[ PIN ]:     sender pins the receiver to the ground and straddles them while training together.

[ SWORD ]:    sender invites the receiver to engage in sword fighting practice with them.

[ AIM ]:    sender and receiver go to target practice together (using any weapon of choice).

[ GUIDE ]:    sender readjusts the receiver’s stance and posture with their hands while training together.

[ STRIKE ]:    sender aims a blow (via either their fists or their weapon) at the receiver.

[ BLOCK ]:    sender blocks an on-coming attack from the receiver.

[ ARMOR ]:     sender helps to show the receiver how to wear and take care of their armor.

[ PREPARE ]:     sender guides the receiver through some pre-battle stretching exercises.

[ CHALLENGE ]:    sender challenges the receiver to a sparring match/actual fight.

[ TEND ]:    sender and receiver tend to one another’s wounds in the aftermath of a fight.

[ RESTRAIN ]:    sender physically restrains the receiver from attacking someone else.

[ FEND ]:    sender adopts a defensive position that stops the receiver from launching an attack on them.

[ PUNCH ]:    sender punches the receiver (to an unknown degree of success or failure).

[ KICK ]:     sender launches a kick at the receiver (to an unknown degree of success or failure).

[ TACKLE ]:    sender physically tackles the receiver during a fight.

[ DRAG ]:     sender physically drags or carries the receiver away from a fight.

[ UP ]:     sender extends a hand to the fallen receiver to help them to their feet after a fight/sparring match.

[ BACK ]:    sender stands behind the receiver while in the midst of battle in order to help them fight off their enemies.

[ ARRIVE ]:     just as the receiver is about to lose hope and become defeated, the sender arrives at the last minute to help them fight their enemies.

[ EXTRA ]:    sender hands the receiver a spare weapon during a fight to give them a better chance after they break or lose their own.

[ WALL ]:     sender slams the receiver against a wall during a fight/sparring match.

[ COVER ]:    sender lunges forward to throw their body over the receiver and shield them from harm during a fight.

[ POWER ]: sender and/or receiver use their powers during a sparring match in order to develop and enhance their abilities.

[ UNLEASH ]: sender, while fighting with the receiver during a physical confrontation, uses their powers in an effort to gain the upper hand.