(x) Poker date 🎲✨️
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@buckaronis
(x) Poker date 🎲✨️
Oliver and Ryan last weekend via Creation.
hurting myself and keeping myself alive by thinking about platonically married buddie rommates raising their two kids together. camped out at the dining table discussing the meal plan for the week. them trying to figure out who’s going to drive theo to soccer practice on wednesday and who’s picking chris up from his robotics workshop on thursday. very seriously wondering if they should adopt a cat or a dog in-between sips of lukewarm coffee. eddie’s hand high up on buck’s thigh and buck playing with eddie’s fingers instead of filling out their whiteboard weekly planner. just platonic stuff like that
"tell me in person" is kinda one of my favorite lines on the show. the absolute certainty bobby has in athena to do something that seems impossible even in-universe. no doubt in his mind she'll make it back to him. one of the most romantic scenes, and it's thanks to. a beenado.
me when i have a baseball game at 5, a shift at the strip club at 6:30, a tractor to fix at 8:15, and a locomotive to drive at 9:25
me when i have concrete to lay at 6:30, a timber lorry to drive to kansas at 8:15, a british boyfriend to bend over at 9:30, and an episode of euphoria to guest star in at 10:40
can I request 1, 3, & 20 for buddie please? separate prompts or together, whichever floats your boat!
1) knuckles brushing across a cheek + 3) lips pressed against a brow-bone + 20) fingertips tracing the notches of a spine (mwah ty sarah <33 i chose to do them separately AND together, because i am always Like This. this one got kind of long so under a cut!) (touch prompts!)
Eddie is used to being the early riser in a relationship. Eldest son time. Military time. Single father time. Any number of reasons for the way his body has become accustomed to jostling him awake at the brink of dawn, clear-headed and efficient, any traces of irritation tucked into the spaces deep inside of him reserved for feelings that he doesn't have the luxury of indulging in.
He would wake up before Shannon, in the quicksilver moments that they were together after Chris was born, rolling out of bed to rock their son to sleep and being rewarded by the softness in her eyes when she woke up after, exhaustion clinging less fervently to the edges of her eyes. He would wake up before Ana, watching her face still and silent in the dawn light, startling himself with her presence like she was a guest that he never quite came to expect. He would wake up before Marisol, untucking himself from her to do his morning chores, her jokingly complaining about her not doing her fair share of work and it never occurring to him to share any of it with her. It's just what he does. He's the one that gets up. He's the one who does it all.
With Buck, though, it's different.
Buck isn't like Eddie, with the clock embedded into him by necessity and force of habit. He's just a morning person, in the truest sense of the word. Though to call him that perhaps belies the point, which is that Buck throws himself into living as much as he can, as fully as he can. He throws himself into mornings and lingers into nights and even when he's sleep-worn or heavy with exhaustion there's a feeling of satisfaction there, like he takes pride in wringing out every moment he can from a day.
Between the two of them, even before-- all of this, which is to say the kissing and the cuddling and the bodies pressed into each other under the sheets, it was always a little bit of a guessing game on who was going to wake up first. Sometimes it would be Buck, the smell of breakfast and soft humming and the clunking noise of living that Buck can never quite contain. Sometimes it's Eddie, who quietly prepares for the day ahead of them, packing Buck's duffel alongside his own with the ease of love worn smooth at the edges.
With this, though--
(which is to say: the startling joy found in crevasses of Eddie's life that he'd thought were gathering dust. The ordinary moments suddenly refracted in color like light through a prism or waterfall or some other metaphor for the inherent transmutation properties of love. The kissing. So much kissing.)
-- with this, everything shifts, ever so slightly.
(1)
Ryan and Aisha via Ryan’s story.
Oliver talking in an English, British, Scottish, Scouse, Welsh, German, French, and South African accent.
baking, or at least trying to🌈🍪💕
I think it’s funny how whenever they ask ryliver questions about the characters Oliver is like “oh the writers are in charge, I’m just following them😊” and Ryan is like “☝️let me tell you 🫵 what should’ve happened”
Eddie in S9 + Favourite outfits/looks 9-1-1
happy pride to oliver stark and eddie diaz
and buck buckley and ryan guzman but we already knew that
Favourite May Looks from S9 9-1-1
happy pride to the person who asked the question about bodyswap. oliver says i’d strip down and dance around in my underwear. everyone laughs and he says no genuinely, that’s the first thing i would do. okay. sure. gets flustered and stands up. immediately kicks over a water bottle. gets flustered again and sits back down. ryan looks at him, says hmmmm what would i do with your body? oliver says you’d be so lucky. like; you wish. ryan laughs. oliver laughs. repeats what would I do with your body and ryan (bright red) reaches over and sticks a hand in his armpit and gives him a secret little pinch. ryan says hmmm i guess I’d slut it up. like you used to, i’d be a slut. in your body. :) they say thank you very much for the question and move right along like that was the most normal they’ve ever been.
eddie wakes up in the middle of the night to his phone ringing and his stomach is already sinking before he sees the name on the screen because it's not buck's ringtone. because the only person who could make a phone call in the middle of the night not terribly wrong is buck. buck forgetting that eddie isn't on the same 24-hour shifts with him anymore and calling him in the locker room to tell him about how crazy their last call was. buck remembering last minute about some wikipedia fact that he wants to make sure eddie told chris about, even though he already texted the article to chris. buck calling just because, just for, just a voice on the other end of the line who eddie uses to remember how to breathe, sometimes.
but it's not buck calling him, it's maddie, and there are no baseball bats in his room in el paso but he can feel the holes crumbling open in his walls anyways. he doesn't want to pick up the phone. he picks up the phone.
"eddie," maddie says, her voice strange and uncanny through hundreds of miles. he doesn't hear maddie's voice over the phone, unless he's facetiming with buck and she's in the background and buck tells her to say hi and she does, with a roll of her eyes and a smile caught in her voice shared between the two of them, the one that says hi, hello, what a ridiculous person it is that we love, what a wonderful thing it is to be loved by him.
her voice doesn't sound like that now. it's trembling, a little, shaky at the edges. the first responder worn down into something like a fissure in a shard of glass, and eddie is already prepared for the sharp edge to bleed him dry.
"maddie?" he says, because that's what you're supposed to say when you don't know already that the world is breaking in some way. because eddie is good at pressing the blindfold over his eyes and pretending he hasn't already tripped off a ledge into a long, long fall.
maddie inhales shakily over the line. "i-- i didn't want you to find out from the news," she says, then falls silent for a moment. "there was a call, and--"
and maddie is calling eddie now. in the middle of the night. maddie's face appeared on his phone screen, instead of the picture of buck smiling in his apron and glowing in the kitchen light. eddie knows. eddie doesn't want to know. he doesn't want to know.
"no," he says, and maddie's words falter, stop. the silence hangs between them, a blade hovering above his throat, the executioner's axe for every one of his sins. "no, maddie, don't--"
don't do this to me. not now, not here, not while my body is alive and breathing and his isn't. don't do this when my son is sleeping down the hall and has to wake up in a world where half of the world beneath his feet will suddenly be gone. don't do this when i can't crawl beneath his corpse. don't. don't. don't.
"eddie," maddie says again, and eddie wants to throw his phone at the wall like a child, make a world where the words won't come true if he never hears them.
"i can't," he gasps, and every breath is hitched, because the person who reminded him of how to breathe is not on the other end of the line.
"i'm sorry," maddie says, and there are real tears in her voice now, a sort of helplessness. she doesn't know how to help him through this. the person who does is not here. eddie has to do it himself, the way he's almost forgotten how to.
eddie closes his eyes, presses his hand over his mouth. maddie lets him shake for a moment, two.
"tell me," he says.
her voice is gentle. "i'm sorry, eddie. bobby's gone."
and for a long, terrible second, all eddie can feel is the air rushing back into his lungs.
9-1-1 | Bobby Nash