if i look back, i am lost
PR's Tumblrdome
roma★
we're not kids anymore.
No title available
Mike Driver
⁂
h
YOU ARE THE REASON
sheepfilms
titsay
Today's Document
★
Stranger Things
NASA
Monterey Bay Aquarium
izzy's playlists!
Discoholic 🪩
$LAYYYTER
No title available
seen from United States
seen from France
seen from United States
seen from United States
seen from T1
seen from Malaysia
seen from China
seen from United States
seen from Vietnam
seen from United Kingdom
seen from United Kingdom
seen from Belarus
seen from India
seen from Germany
seen from United States
seen from United States
seen from United States
seen from Türkiye
seen from Brazil
seen from Australia
@bugboy-behaviour
goodnight everyone (:
do your daily click
spreadsheet of families in Gaza you can help today
donate to:
Buy an e-sim
Help diabetics in Gaza
The PCRF
Anera
UNRWA
Taawon
Help Gaza Children
Sudan Tarada Initiative
Help a Sudanese family escape conflict
Darfur Women Action
Ramadan for Sudan
Period products in Sudan
Sudan Emergency Appeal
i get that americans love their cultural imperialism, but it really does piss me off that june is “international” pride month just because something happened in the united states.
in aotearoa, june isn’t our pride, it’s theirs. marsha p johnson and sylvia rivera are their historical figures, not ours. the phrase that “you owe your rights to Black trans women” is true there, but here we owe our rights to (mostly) Māori historical figures. i have the freedoms i do because of the legacy of an entirely different set of people operating in an entirely different context at entirely different times.
But because of american cultural imperialism, most queer people in Aotearoa don’t even know our own queer history. Carmen Rupe, Ngahuia Te Awekotuku, the Dorian Society, Gillian Laundon, Georgina Beyer, and the Wolfenden Association are some of our queer history. We should know their names! we should know what they did for us! but because of the power of the american imperial machine, we don’t.
our national pride month should be july, the month that the Homosexual Law Reform Act passed in 1986. our two largest cities hold their pride festivals in february and march, respectively. american queer history has very little (or nothing, depending on who you ask) to do with our queer history. anecdotally, from my own queries, queer youth in aotearoa know more about american queer history than our own.
anyway, happy pride, americans. i’m truly sorry that most of you don’t see the negative impact your nation’s culture has on the rest of the world. and to the rest of the world reading this, try searching for your own country and culture’s queer history, don’t accept the american narratives as your own. we deserve our own histories divorced from the cultural hegemony of the USA.
i get that americans love their cultural imperialism, but it really does piss me off that june is “international” pride month just because something happened in the united states.
in aotearoa, june isn’t our pride, it’s theirs. marsha p johnson and sylvia rivera are their historical figures, not ours. the phrase that “you owe your rights to Black trans women” is true there, but here we owe our rights to (mostly) Māori historical figures. i have the freedoms i do because of the legacy of an entirely different set of people operating in an entirely different context at entirely different times.
But because of american cultural imperialism, most queer people in Aotearoa don’t even know our own queer history. Carmen Rupe, Ngahuia Te Awekotuku, the Dorian Society, Gillian Laundon, Georgina Beyer, and the Wolfenden Association are some of our queer history. We should know their names! we should know what they did for us! but because of the power of the american imperial machine, we don’t.
our national pride month should be july, the month that the Homosexual Law Reform Act passed in 1986. our two largest cities hold their pride festivals in february and march, respectively. american queer history has very little (or nothing, depending on who you ask) to do with our queer history. anecdotally, from my own queries, queer youth in aotearoa know more about american queer history than our own.
anyway, happy pride, americans. i’m truly sorry that most of you don’t see the negative impact your nation’s culture has on the rest of the world. and to the rest of the world reading this, try searching for your own country and culture’s queer history, don’t accept the american narratives as your own. we deserve our own histories divorced from the cultural hegemony of the USA.
i get that americans love their cultural imperialism, but it really does piss me off that june is “international” pride month just because something happened in the united states.
in aotearoa, june isn’t our pride, it’s theirs. marsha p johnson and sylvia rivera are their historical figures, not ours. the phrase that “you owe your rights to Black trans women” is true there, but here we owe our rights to (mostly) Māori historical figures. i have the freedoms i do because of the legacy of an entirely different set of people operating in an entirely different context at entirely different times.
But because of american cultural imperialism, most queer people in Aotearoa don’t even know our own queer history. Carmen Rupe, Ngahuia Te Awekotuku, the Dorian Society, Gillian Laundon, Georgina Beyer, and the Wolfenden Association are some of our queer history. We should know their names! we should know what they did for us! but because of the power of the american imperial machine, we don’t.
our national pride month should be july, the month that the Homosexual Law Reform Act passed in 1986. our two largest cities hold their pride festivals in february and march, respectively. american queer history has very little (or nothing, depending on who you ask) to do with our queer history. anecdotally, from my own queries, queer youth in aotearoa know more about american queer history than our own.
anyway, happy pride, americans. i’m truly sorry that most of you don’t see the negative impact your nation’s culture has on the rest of the world. and to the rest of the world reading this, try searching for your own country and culture’s queer history, don’t accept the american narratives as your own. we deserve our own histories divorced from the cultural hegemony of the USA.
Little Nas Are You Working On Your Raps
what the fuck is the statistics office planning
Cover artwork for Ork by the late British artist Richard Clifton-Dey. Psygnosis released Ork in 1991 for the Amiga and Atari ST.
The artwork, entitled Behemoth's World, was flipped and zoomed in a bit when it was originally used a decade earlier for Blue Öyster Cult's 7th album Cultösaurus Erectus.
this sleeper tweet
Would your Blorbo do drag?
Yes, for their own enjoyment
Yes, but only if they were asked. They would do it for free though
Yes, but only as a job, for money (or when they gained something in return)
No, but they would enjoy watching a drag show
No, they weren’t interested in drag at all
Every poll on this blog is about fictional characters only. This request was sent to us and we made a poll in response to it. Send any Blorbo-related question you want to our inbox and we’ll make a poll on which people can vote with their own Blorbos in minds
The way that most of Conan Doyle’s Sherlock Holmes stories’ most horrible villains are rich dudes that are abusive to women, in a time such as the 1880’s, compels me.
There’s a whole subset of Sherlock Holmes stories that could be labeled Asshole Guys Try to Control Women’s Money.
Yup, there’s a huge number of times where Sherlock Holmes is the ONLY person to take a young woman’s complaint or worry seriously and finds out someone is up to some serious evil. Holmes also shows a lot of compassion and empathy with the victims over and over again. (This is why I find “Secretly a woman” or “Trans” Holmes headcanons much more convincing than “sociopath” Holmes.)
I am never going to shut up about how much I specifically love The Adventure of The Copper Beeches because it is literally Sherlock Holmes listening to a young lady he does not know except as a potential client, agreeing with her that a potential job she has interviewed for that she thinks is SUPER SKETCHY is, indeed, sketchy as fuck and when she says she’s probably gonna take the job anyways because the money is good and she needs it going “OKAY I GUESS but for the love of god please write to us so we know you’re okay we will literally drop everything and jump on a train if you want us to”.
The job turns out to indeed be sketchy as fuck, she writes to them, Holmes and Watson drop everything and jump on a train when she asks them to. I read this story for the first time when I was twelve and it made a HUGE impression.
This is also the basis for a lot of speculation about Holmes’ family life. The idea that he has been a victim of abuse, or his mother was abused (or even murdered by his father.) There’s definitely SOMETHING that makes him very aware of how dangerous isolated families can be, and the dark things that can happen behind closed doors. Plus, of course, the motivation to devote himself to stopping crime. And yes, so much of it is of the personal type.
dude see this is one aspect of the original books i NEVER understand why modern remakes (cough cough) don’t go all in on. Like, in the 21th c we HAVE all the dumb forensic shit that made Victorian Holmes stand out, but we STILL DON’T HAVE uh….you know, compassion for women and minorities, or the willingness to believe them, adequate community support for domestic violence or hate crimes, etc. etc. which you’d think is exactly where a renegade consulting detective would come in handy. A good modern day Sherlock Holmes remake, instead of trying to convince us that Holmes is some super genius for being better than fingerprint analysis or whatever, could have him just be…a good person who helps out people the police can’t and won’t help. There you go. That’s how to write a relevant modern Holmes.
One thing that annoys me is how much the BBC version of Sherlock (and the fandom around it) focus on police cases or cold cases. In the stories, Holmes’ bread and butter cases had fuck-all to do with the police and in a few stories, he actively works around/against them, or outright lies to them. Of the many, many things I wish that show had done differently, this is one is particularly obnoxious since it’s such a gimme.
There were very few actual murder cases in the Canon, and Holmes handled them either one of two ways:
Option one: The murder victim was innocent while the killer was an abusive bastard, see Speckled Band. Conclusion, arrest and have the killer charged (Or in the case of Speckled Band, indirectly murder him yourself then shrug and go home)
Option two: The victim was murdered to protect someone that the victim was abusing, or for vengeance, see Boscombe Valley, Devil’s Foot, Abbey Grange. Conclusion, Oops, I don’t know who the killer is, I am suddenly incompetent, oh look a pheasant.
#my favorite murder in holmes canon#is when they straight up witness a lady murder her blackmailer#do nothing except destroy his other blackmail material#and then straight up lie to lestrade about it#sherlock holmes#more of this in modern adaptations pls (via @cactusspatz )
Let’s not forget the time Holmes helps a young woman who’s being catfished by her own stepfather to steal her inheritance, and when the villain sneers that the law can’t touch him, Holmes grabs a horsewhip out of sheerest chivalry.
So, the most canon-accurate iteration of Sherlock Holmes in the last few decades is actually Benoit Blanc….
I think it’s also important to note, and complicates our ideas about what the highly patriarchal/misogynistic society of 19th century England looked like, that these stories SOLD
they were POPULAR
the Victorians LIKED reading about women who won out over shitty men in their lives, even when that plotline reaffirmed a woman’s power and agency or put an active sexist in his place (ie Irene Adler besting Holmes)
which is fascinating in light of. you know. [gestures broadly at all of Victorian gender dynamics, laws, etc.]
So yes, Benoit Blanc is the best modern Sherlock.
a party of adventurers that are all equally convinced that they are in completely different forms of media
the mage keeps giving smug glances in the direction they assume a camera is in. the fighter keeps getting indignant about missing attacks because of "bad dice rolls." the rogue is doubtful that a villain is gone for good because "nobody ever stays dead in comics." the paladin attributes fortune to "good rng." none of them have even considered that "tumblr post" was an option
I know this is a page that is intended for the purpose of discussing Black characters, however I have seen discussion of race and racism in general so I hope this is fine to ask on this blog specifically:
So I was driving with my dad earlier and he was discussing a house he used to live in (we are both white) and said that it was in a "bad part of town" and referred to this part as "the hood". Now I know these are terms with a lot of racial history and often are meant to refer to the amount of Black people in an area, but he wasn't incorrect that it is an underprivileged and often more dangerous area. How should I handle a situation like this? What should he have said if he still wanted to convey that it was a dangerous area? Or is there no reason to emphasize the specific danger of these places as compared to others?
Thank you for your time
Ask him "what makes it the bad part of town? WHY?" "Why do you call it the hood?" This my friend, is what we call a dog whistle!
Make him SAY the quiet part out loud! Because the reason those neighborhoods are impoverished and full of Black people and Latinos is very purposeful and systemic! There's a REASON that we got pushed into ghettos and projects! There's a reason it's called "the hood"!
He could have just said "this area is underprivileged and has a higher rate of crime". You know, like you did. Because if he's calling it run down, poverty begets poverty. People who are cared for and have what they need socioeconomically tend to commit less crime. He specifically used racially charged (yet color-blind!) words to describe the area. It also doesn't help that Black and Brown neighborhoods are more policed- so there could be the same amount of crime happening (if not more so!) in the white trash section of town, but will be addressed less because of less policing.
I would recommend The New Jim Crow, personally. For you and your Dad. I also enjoyed Rise of the Warrior Cop;, though it can be very centrist at times, more than I like, the numbers are undeniable.
they took away his corpse again guys sorry party’s over #pjackkhasfallen2
Why did i almost get killed yesterday
Vincenzo Castella
Monitor, Circa 1980
