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MLK/FBI, di Sam Pollard. La recensione del doc su Martin Luther King

Vero highlight di questa edizione del FESCAAAL, il documentario di Pollard ri-problematizza la figura di MLK in attesa del futuro

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(via https://open.spotify.com/artist/5OK8j1JnhoBlivN32G7yOO?si=2XJme5BHQ_Ov_jFl_9H63A)

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(via https://open.spotify.com/album/10c97X3beLEDlzFvyeUR7s?si=qXKWTX68TCOS20HdBsHqRA)

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(via https://open.spotify.com/playlist/24B8VncHrWjYXZGPHFgBZV?si=36fCqSSrRRWaZO3CjPN9ng)

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(via https://open.spotify.com/playlist/5WtjRnWStqlEQYUm8nvQZd?si=e9vdPxYQSP2aksVjnmNAQQ)

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[oncanvas]

Thangka Depicting the Mandala of Hevajra, Tibet, 16th century

Painting 40 x 37 cm (15 ¾ x 14 ⅝ in.)

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[oncanvas]

Subway Hands 2, Jordan Casteel, 2017

Oil on canvas 34 x 24 in. (86.36 x 60.96 cm)

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https://open.spotify.com/album/57w1SESuIDXHfJDhqNxOGv?si=x7SubV60T_69zAtspgVYzA

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The Queen’s Gambit Is a Merciless Takedown of Hollywood Anti-Communism

Netflix’s The Queen’s Gambitshows a Cold War world far from the usual Hollywood tropes: the villains in this piece aren’t our heroine’s Sovi

[lilacsinthedooryard]

Tsuchiya Koitsu (Japan, 1870-1949)

Sengakuji Temple at Takanawa in Tokyo  1933

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William Hays ( United States b 1956)

Twilight

colour woodcut

[classicarte]

Dressing Hu Jundi

[letzternachtzug]

Rebecca Jessee: Self portrait.