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oozey mess

❣ Chile in a Photography ❣
NASA
Aqua Utopia|海の底で記憶を紡ぐ

if i look back, i am lost
Mike Driver
sheepfilms

blake kathryn
RMH
Cosmic Funnies
occasionally subtle
untitled
Three Goblin Art
"I'm Dorothy Gale from Kansas"
Keni
todays bird

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Jules of Nature
$LAYYYTER
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@burningmaserti
Mistakes were made
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Mamma Mia! (2008) + letterboxd reviews
- Barbie (Toy Story 3, 2010)
i was ready to scroll past this but then the quote credit killed me instantly
I think everyone should have a bastard they’re emotionally attached to. no fixing, just you watching your fav go absolutely off the rails and enjoying every second of it.
and what is “translate truthful to the time it was written” even supposed to mean like there’s no way a translation now in the US could be read the same way it was a couple thousand years ago in Greece when english didn’t even exist yet
Yep, in the original Odyssey, in the scene where Telemachus murders the slaves who were “sullied by” Penelope’s suiters, he refers to them with a word that roughly just means “the female ones”, however most translations will use words like “whores”, “sluts” and “creatures”, these were all choices of the translators. The original text did not refer to them that way. Dr. Wilson refers to them instead as “girls”, to highlight their age and the brutality of the action. She also fixed all the times the previous male translators dodged around the existence of slaves in the text. Where they call slaves anything but slaves (housemaid, nurse, cook, ect.) Dr. Wilson’s translation correctly calls them slaves as in the original texts. It’s really a great translation, it doesn’t soften anything, and lays bare the reality of the story. One thing she did too, was she refused to make the descriptions of the women in the story more palatable to modern western beauty standards. The original text, for example, describes Penelope’s hands as “thick”. Most male translators change this to “steady” but Dr. Wilson’s translation calls them “firm, muscular hands” to correctly portray the original intent, that Penelope, as a character who weaves every day and every night undoes her weavings, has strong hands, as weaving does make one’s hands more muscular, and that was clearly what was originally intended to be said given the context of her character and the weavings. Of Odysseus himself, the original epic calls him “polytropos” poly, meaning many, and tropos, meaning turn. Some male translators used this to say the story itself had twists and turns, other ignored the word completely to write in a way that made Odysseus seem as though a straight up hero, a man “skilled in all ways of contending”, but Dr. Wilson uses it to mean “complicated”, because Odysseus isn’t a straight up hero, he does some really shitty things. So her translation got a lot of men very very mad, because they said that her being a woman has caused her to translate with bias since her translation is so different to others. She pointed out that perhaps people should have suggested that bias in the inaccurate men’s translations. Anyway, go read Dr. Wilson’s version of The Odyssey. It’s very good.
is there a fic where lena luthor does this 70 questions by vogue kind of thing but instead of vogue, its catco?
lena's wearing this white flowy dress with a sun hat and theyre walking around this sprawling but warm mansion of a home. and the interview is as boring as it could get, questions like; 'whats ur go to noonan's coffee order?', 'best time to take a nap?' 'have u broken an erlenmeyer flask before?'
BUT BuT at the very end, lena leads the reporter out unto her backyard anD ThEN AND THEN!!!! we get a glimpse of this really ripped woman doing push-ups out on the grass.
and the reporter's like: "IM SORRY MS. LUTHOR, IS- IS THAT- IS THAT KARA DANVERS DOING PUSH-UPS IN UR GARDEN????"
and lena just goes: "why yes. that is kara."
and kara sees them, stands up, walks over with the brightest grin plastered on her face at the sight of lena. and the reporter goes, "MS. DANVERS! WOW. WHAT ARE U DOING HERE??!? I certainly did NOT expect my boss from catco to be here!"
and kara all sweaty and half-naked in a sports bra goes "Brad what're talkin about mister? What do u mean what am I doing here? IN MY HOME? WITH MY WIFE??"
and then kara kisses lena on the lips and u just know the reporter is having a stroke behind the camera.
Lena offers no explanation, already too distracted and thirsty for kara to focus on anything else. She just claps her hands together, says, "well i think we're done for the day, dont u think brad?" and she just dismisses him like nothing. Then all of a sudden lena's getting bridal carried back into the house, and u can hear them talking about dinner plans, "i didnt know ur interview was today. Want me to cook tonight?" unaware that the camera is STILL rolling.
"uh uhm so, that has been lena luthor in 70 questions with catco."
AND THAT, MY FRENS, IS HOW I WANT LENA LUTHOR TO REVEAL HER MARRIAGE TO NONE OTHER THAN CATCO MEDIA EXECUTIVE KARA DANVERS.
my hand slipped
my hand slipped sorry
Brad really isn’t sure how he got this break. It must be a stroke of luck, a coincidence, or maybe even just a mishap with assignments (though that hasn’t happened since Ms. Danvers took over as acting CEO). Whatever the case may be, Brad isn’t stupid enough to ask questions and possibly pass up what could be his only opportunity to interview the Lena Luthor.
Ms. Luthor is a hard woman to get a hold of, for every reporter that isn’t Brad’s boss anyway. From what Brad has heard around CatCo, her exclusivity is accidental at best. Ms. Luthor is a busy woman, between L-Corp and the Lena Luthor Foundation, her days are full enough. Ms. Danvers gets so many interviews with her because they are friends and they have work lunches sometimes. That’s really all there is to it, there’s even a few other reporters at CatCo who have interviewed Lena in the past. Getting this assignment was not only bragging rights because Brad would be interviewing Lena Luthor but he would be interviewing her somewhere that even Kara Danvers hadn’t interviewed her.
Ms. Luthor’s mansion was less intimidating than Brad was expecting it to be. Every other Luthor probably lived in a house that was closer to a medieval castle, with towering spiral towers and gargoyles and possibly even a moat (he knew that Lex at least had a flair for the dramatic), but Lena’s house was far more modern. Still large, with at least three stories, but softer in it’s architecture. No menacing doors but large glass windows instead, open spaces and lots of light. With a nod to the camera man with him, Brad approached the front door and knocked twice.
If Brad was less of a professional, his jaw probably would have hit the ground upon the sight of Lena Luthor in a flowing sundress with a large hat perched on her head, especially paired with the winning smile she gave him when she greeted him.
“Lena Luthor,” Brad said after he recovered from his brief stupor. “Are you ready for your 70 questions?”
“I suppose so,” Lena opened the door wider and gestured for Brad and the camera man to come inside. “What’ve you got for me?”
Following the script he’d prepared, Brad began rattling off the 70 questions he had prepared beforehand while they followed Lena around her home. Lena is obviously at ease there, comfortable around the press after years of experience. Brad almost wishes that he had more time to simply observe Lena in her - beautifully decorated - home, but he’s well aware that this interview isn’t supposed to take more than ten minutes. He’s already interrupting Lena’s Saturday with this, he doesn’t want to risk getting on her bad side by outstaying his welcome.
They move through the living room, Lena taking them on a winding path that lets the camera get a good glimpse of the space. The living room is huge, possibly bigger than Brad’s entire apartment, with a large sectional couch placed strategically close to a massive television screen. A large collection of movies decorates the back corner, bracketed on either side by framed photographs that are too far away for the camera to focus on. The coffee table holds a set of coasters and a plant that Brad can’t tell for sure is real or fake, and a photo album with something written in very fancy font on the front. Brad only glances at it and can see that there’s a date beneath the words, sometime in the winter months about three years ago. All the little details only add more to the mystery of Lena Luthor and Brad knows that the audience at CatCo is going to enjoy dissecting every frame of this video later.
They move into the kitchen next and Lena busy’s herself with fixing a glass of iced water as she answers the questions that Brad keeps firing at her. Her answers come smoothly with just enough of a wait to make it seem like she has to think about them. Brad learns that Lena has a weakness for apple pie, that her favorite scent is vanilla, and that she prefers horror films to romcoms in the time it takes Lena to prepare her drink. As they walk into the next room, Brad learns that Lena wanted to be an astronaut at one point in her life, she probably could have gone to the Olympics in fencing if she’d wanted to, and her favorite color is blue.
They’re walking into the backyard when Brad spots a flash of blonde hair out of the corner of his eyes. He turns his head to look slightly and almost misses giving the next question when his brain catches up to what he’s seeing.
Kara Danvers, CEO of CatCo and Brad’s boss, is in Lena Luthor’s backyard wearing shorts and a sports bra, doing pushups next to the pool. Lena must notice him staring, which would be impossible not to notice considering that Brad has yet to ask the next question, as she moves into his line of sight. Her movement brings the camera around as well and Brad hears the camera man gasp and then the distinct sound of the camera zooming in. Lena laughs, obviously amused, and Brad makes a valiant effort to recover his professionalism, but right as he’s about to ask Lena the next question, Kara sinks into another set of push ups and Brad can only say,
“Biceps?”
“Yes, they are quite nice,” Lena is smirking now and Brad has the awful feeling that he’s about to get fired. “Kara, darling, I brought your water.”
“Thank you,” Kara stands up and Brad is hit with the sight of her exposed torso. He knows that Ms. Danvers is rather fit, regular spin classes or something according to Nia, but he had no way to prepare for the sudden realization that his boss was fucking ripped.
Luckily, Brad isn’t the only one struck dumb by the sight as he’s farily certain that Lena nearly drops the glass she’s handing to Kara. A nudge from the cameraman reminds Brad that he’s supposed to be working, but again his mouth works faster than his brain.
“Ms. Danvers? What’re you doing here?”
“Um,” Kara looks at him, puzzled. “I live here?”
“You live with Lena Luthor?”
“It would be weird if I didn’t live with my wife, so yeah.” Kara grins at Lena as she speaks, unaware of the massive double-take that both Brad and the cameraman had done.
“Wife?”
Neither Kara nor Lena respond to Brad’s shocked question.
“I thought your interview was next week,” Kara was saying, her focus only on Lena as she sipped from her water. Lena gives Kara an appraising look, lingering on her exposed, tanned, skin in such a way that Brad knows he’s getting fired if they don’t leave, like just then.
“You scheduled it, darling,” Lena shrugged.
“I assigned it, I didn’t schedule it,” Kara glances over at Brad and hides a grin when she sees him trying to maintain his professionalism despite knowing that he’s completely flabbergasted by the turn of events. “How’s it going anyway?”
“I think we’re just about done, right Brad?” Lena glances at him and then Kara again, lingering on her abs. Both of the women turn to look at him, Lena seemingly unable to help herself from reaching out and touching Kara’s arm.
“Uh, right,” Brad answers, despite knowing that they are very much not done. They still have at least ten more questions.
“Great, I look forward to seeing the result,” Kara says to Brad and then turns to Lena, swiftly lifting the woman off her feet and walking them both towards the house.
The cameraman turns to follow them as they walk, discussing dinner plans for that since it was apparently Kara’s turn to cook. Brad stays stationary until the backdoor is pulled closed and then he blinks twice.
“That was 70 questions with Lena Luthor,” Brad says. “I’m Brad with CatCo Worldwide, thanks for joining us today.”
The camera stops rolling and both men make their way around the house back to the CatCo van parked out front.
“How much trouble do you think we’ll be in when Ms. Danvers realizes we didn’t complete the interview?” The cameraman asks as they stow their gear away.
“I guess we’ll find out,” Brad’s already mentally sprucing up his resume. Even if the interview was kind of a failure, he still talked to Lena Luthor. It counts as experience.
Luckily, the incomplete interview is possibly the most viral video CatCo has ever posted. Brad doesn’t know how the final version gets approval from Ms. Danvers herself but once again, he’s not going to argue about it. Just like he doesn’t argue when Ms. Danvers comes by his desk to apologize for ruining his interview with her wife.
“It worked out for the best,” Brad says with a shrug. Ms. Danvers looks pleased by the response from him.
“Still, we owe you one. Next time either one of us has an exclusive, it’s yours.”
“Thanks, boss,” Brad accepts with a smile, nodding politely as Kara walks off.
Glancing around, Brad catches sight of Lena Luthor behind the glass of Kara’s office, smiling warmly at her wife as they seem to settle in together for a late lunch. Brad wonders if cutting the interview short had been more intentional than he realized and his suspicions are confirmed when Lena catches his gaze through the glass and winks at him.
You’re the most recognised and internationally praised superhero, but you don’t fight any crime. Instead, you use your powers over stone and metal to repair the damage caused by the catastrophic fights other heroes get into.
They didn’t call you a superhero when you started. You didn’t claim to be one, either.
You didn’t have a costume or a sponsor or training or anything like that. You were just a kid who had just seen your entire world knocked down. So, in a moment of childish determination and belief, you thought you could fix it all.
The first emergence of your powers wasn’t a huge triumphal moment. Moving stone and earth and steel doesn’t matter if you don’t know anything about how to stack things up so they don’t fall back over again.
Your first attempts crashed right back down again. That was your first lesson.
—
Even when you got good at what you did, they didn’t call you a superhero.
You still didn’t have a costume, but you’d gotten your hands on every architectural diagram you could and done plenty of practice. Then you started to show up to the aftermath of battles and put them quietly together again.
But it still wasn’t right. You couldn’t do much if you didn’t have the diagrams for the buildings demolished–if the city planners didn’t let you have them.
So you stitched together a costume, something bright and colorful that would grab the attention of the cameras on the scene afterward as you tried to work.
“Look! Someone’s putting those houses back together!”
The effect was instantaneous. The moment you’d grabbed public attention, there were requests for interviews, think pieces–each giving you a platform to ask for the help you needed.
This was your second lesson.
–
You didn’t call yourself a superhero, or come up with the name yourself. You were never really good about all of those things. But once the attention was on you, you got offers from managers and sponsors. One, a blonde with perfect hair who introduced herself as “just Sandy”
“I don’t have any money.”
“That’s alright,” she said, her grin showing spectacularly white teeth. “All I need is for you to take on some gigs and give me a cut.”
Sandy set you up. She got you the costume people would know you for, gave you the name, managed all of the PR and set up interviews. Your fame skyrocketed, and soon you were seeing yourself on billboards.
Soon you had access to hundreds of city plans and blueprints. After enough attacks happened, you learned them well enough to hardly need to reference them. After a few years, you could rebuild a tower in a matter of minutes, and cities in a matter of days.
Your powers evolved as your understanding did. Soon, you could read the entire layout of a building just from touching. Then, just from touching the ruins. You no longer need blueprints, then–just your own hands on the metal.
The gigs were simple, too–just fixing up hero bases after they’d gotten wrecked in attacks. Feel good work that paid well.
With the help of many people, you do more. That’s the third lesson.
—
The problems started with the homeless thing.
You were in between projects and itching to use your skills more. Creating homes for the homeless seemed like the perfect, feel good project to flex on.
It was, for the first few weeks. Then came the backlash. City dwellers crying foul, saying they hadn’t agreed to an enormous den of undesirables in their backyards. There were protests, white suburban moms holding up signs about drug dealers and rapists and criminals.
It wasn’t your choice in the end. Eventually the city mandated that you deconstruct your shelter, or they would do it the hard way.
Regretfully, you took it down. You did not look in the eyes of the people that had sheltered there as they had to go on their way.
It was the same story in every area you tried to build shelters in afterwards.
—
“Can we just buy the land to build them houses?” you asked Sandy.
She clicked her perfect teeth. “Sorry, there are laws against building new things in the city. You need mayoral approval to start a new construction project.”
“Why?”
“Well, there are already too many empty houses,” she said matter of factly.
You stared. “What? Then let’s just buy those and put people in them!”
“You don’t have that much money,” she pointed out. “Not when you’ve been giving it away every year. Also, it wouldn’t do as much good as you think. Just think of the effect on the market–”
This is not why you fired Sandy. But it was the first time you thought of it.
—
Opinion started to turn against you when you began using your interviews and platform to talk about this problem, to demand permission to build or otherwise help. Exasperation turned to hostility when you started to reshape the landscape to be softer to the unhoused, anyway–when you created caves in parks where people could easily shelter, or made every bench large and soft so that anyone could have a place to sleep.
Laws and ordinances passed, all regulating the amount of alterations one was allowed to make to public property. About how many changes you were allowed to make as you were reconstructing a city. The fines for altering things started to heap up.
Firing Sandy didn’t help. Your good reputation was always as much her work as yours, but after what she said about—you couldn’t.
You couldn’t.
You learned not to read the scathing opinion pieces on you. That was the hardest lesson yet.
—
Of course, shit really hit the fan when you were contracted to rebuild another base.
It was a simple enough decision for you. You found out they had been building drones and firing them on civilians. That at this base Techno has been building surveillance technology that would be able to monitor every single person in the country at every moment, and be able to fire upon them with impunity the moment suspicious activity was detected.
It made you rethink every base you had built in the past.
“No,” you told them.
“You already signed your contract–”
Instead of dignifying that with an answer, you transmuted the entire area into the rockiest, most impossible terrain you could. Every trick you had learned to make land easier to build on–you reversed it, turning what had once been the base into a precarious canyon of jagged, diamond-hard steel, nearly impossible to remove or build on.
“I said no.”
—
Stopping the construction of the stadium was the next kicker.
“You’re insane!” said the heroes who came to remove you.
“They evicted a hundred families for this!” you spat. “Those were people’s homes. It’s disgusting that it’s allowed for the government to do that–much less to do it for-for a stadium? For entertainment?”
And so you stood there for the next 48 hours, deconstructing every single thing they tried to put on their ill-gotten land.
Then, they sent the heroes to stop you. You were never the best at fighting, so they knocked you out quickly.
—
They don’t call you a superhero now. Behind bars, you glance over every thinkpiece and profile about the world’s most beloved hero fell. You read speculation about evil, greed, madness. All things you’ve heard about “villains” who came before you.
It makes you wonder about those people. If maybe you had misjudged them, too.
But that’s alright, you realize after the sting of it fades away. That was the second lesson, after all–more than anything, you need people to be talking. And for all the bitterness in these words, you realize grimly that people will never stop talking.
Once you’ve thought things through, you decide you’re ready. The steel of your cell melts away. After all, there is no prison that can contain you. No earth or stone or metal can withstand your will.
Your legacy as the world’s greatest supervillain begins with a left turn down the hallway, right to where the other villains are kept.
Good shit
a comic about someone who gets a visit from the reaper a bit sooner than expected, but has someone whos been waiting for them
Hey, do you like my art? Help support me and buy me a coffee! ko-fi.com/zipper ❤️
“What happens when someone dies, but they have no one there waiting for them yet?”
you are never truly alone
i really love this so
suicide is never the answer. please push on. things do get better - i promise.
#you look me in the eye and tell me this is straight
I cannot believe Lena and James last as long as they did, honestly that relationship shouldn’t have been romantic, there’s no sexual chemistry there. You gotta give it to Katie that, if she wants to play “repressed idiot genius in love with her (female) bff”, she’s gonna do it wether they ask for it or not. It’s incredible, the way she looks at/speaks to Kara that almost makes you uncomfortable to watch something so intimate, but the way she looks at James like... well, he’s there 🤷🏻♀️
there’s something very interesting to be said for the fact that katie is capable of god-tier masterclass level eye fucking and she simply chose not to with james
lena luthor + text posts (pt. 1) (pt. 2) (pt. 3)
When Adam bit the apple he did it because he trusted Eve. Because he loved her. Adam bit into the apple because the woman he loved told him to, no matter what God said. No matter the rules of heaven. What’s heaven to a woman’s love anyway? What’s God to your wife? The first sins of humanity, were trusting others. Eve trusted a snake, Adam trusted Eve, and I trust you. Maybe that’s a sin, just like the first couple. Maybe everyone’s right about us and we’re sinners and we offend God. But like I said, what’s God to a woman’s love anyway? What has heaven got that I can’t find sitting next to you on a cool autumn morning?
why is he sitting like a 14th century monarch
he is one
tell me why i found this ad in my local newspaper with this man on it
its been over a year and i still dont understand
it has been over two years and i still dont understand meat clown. i have been contacted and notified that this ad has appeared in other parts of the pacific northwest. i dont know who he is but he haunts me
Can’t believe this legendary post managed to get better
this is what the inside of my mind looks like
INTERSTELLAR 2014, dir. Christopher Nolan