Valaská, Slovakia 1932
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@c-s-f-c
Valaská, Slovakia 1932
Hi! Let me introduce myself first. My name is Bettina and I'm from Hungary. I can't tell you how happy I am to find you. I am obsessed with folklore and it is great to see that I am not alone. Thank you for showing these beautiful outfits and different pieces of folkore from both Slovakia and the Czech Republic. Sending you warm hugs from Hungary. Bettina
Hello Bettina!
I'm really glad you like this little blog! Since this blog was originally just for myself for things that I like, so it’s such a huge honor for me when people like this blog as well!
Also thanks so much for your kind message, and have a nice day!
Woman from Važec, 1928, Slovakia
Karol Plicka
Czech Easter = Velikonoce
The Days Before Easter Sunday
Children finish school on Ugly Wednesday (Škaredá středa), which is a good idea because they need to spend some serious time on making Easter what it should be. In the evening of Green Thursday (Zelený čtvrtek), every boy in the village equips himself with a wooden rattle (řehtačka), which is specially made for the purpose, the boys form a group and walk through the village, rattling their rattles vigorously, so the noise can be heard from afar. The meaning of the rattling is to chase away Judas.
Easter is rather enjoyable holiday for children.
The same procedure repeats on Good Friday (Velký pátek) and one more time on White Saturday (Bílá sobota) when the boys don’t only walk through the village but stop at every house in the morning and rattle until they’re given money, which they then split between themselves. However, this custom is not as popular as it used to be in past and practised only in some villages.
Easter Sunday
Easter Sunday (Neděle velikonoční) is a day of preparations for Easter Monday. Girls paint, color and decorate eggs if they haven’t done so already, and boys prepare their pomlázkas!
Children in kindergarten learning how to paint eggs.
Easter Monday
Easter Monday (Pondělí velikonoční) is a day off, the day of the pomlázka.
The origin of the pomlázka tradition (pomlázka meaning both the whip and the tradition itself) dates back to pagan times. Its original purpose and symbolic meaning is to chase away illness and bad spirits and to bring health and youth for the rest of the year. Boys would whip girls lightly on the legs and possibly douse them with water, which had a similar symbolic meaning. An Easter carol, usually asking for an egg or two, would be recited by the boy while whipping. The girl would then reward the boy with a painted egg or candy and tie a ribbon around his pomlázka. As the boys progressed through the village, their bags filled up with eggs and their pomlázkas were adorned with more and more colorful ribbons.
traditional pomlázka
…how it looks in most cases
This tradition is still largely upheld, especially in villages and small towns, although it may have lost its symbolism and romance and is now performed mainly for fun. Some boys and men seem to have forgotten that the whipping is supposed to be only symbolic and girls don’t always like that. The reward has also changed - money and shots of plum brandy (slivovice) are often given instead (to adults) of or in addition to painted eggs and candy. So by early afternoon, groups of happy men can be seen staggering along the roads…
There is also custom called “oblévačka” when men pour water on women. In the Czech Republic its mostly practised in Eastern Moravia although you can sometimes find it in other regions, for example there is even reversed version of this custom when women pour water on men.
In past we used to have “Revengeful Tuesday” when the roles get switched completely. This custom is still held in some places but otherwise it’s widely unknown. A pity - it looks fun.
All that aside, Easter remains one of the most joyful holidays on the Czech calendar.
Happy Easter! - Veselé Velikonoce!
Girls carrying traditional Easter dishes - mazanec and beránek. The weather is sadly very accurate for Velikonoce this year…(I wrote this in 2013 and sadly it’s still actual in 2015)
Kraslice: Czech folk craft of painting on the egg. Reflection on matchbooks.
Kraslice - translated from the Czech means “egg”.
The harmonious combination of colors and patterns that exist in the traditional hand-painted Easter eggs can be seen on the old Czechoslovak labels for matchboxes.
Labels are printed at a match factory Solo Lipnik.
Folk craft of painting eggs is considered a national treasure that has been reflected in the inscriptions of images painted eggs “Lidov Umni” and “Pokladnice Nroda” - “Folk Art” and “National Treasure.”
Slovak man standing alongside three fujara’s. Photographed by Winfried Skrobek.
“Fujara is a beautiful musical instrument of folk culture, also referred to as “the queen among folk instruments”. Fujara can be found only in Slovakia, particularly in its central part, and is one of our national symbols since the 18th century. Fujara is a long wooden pipe with three tactual holes. It is decorated by various ornaments. The creation of such an instrument takes several years. Each instrument is unique and reflects the personality of its “creator” as well as the personality of the person, who plays it.“
- Unesco Slovakia
Embroidered apron, Moravia
50 rare and amazing vintage photos that capture everyday life in Slovakia in the late 19th and early 20th centuries.
Gamekeeper from Hanakia
Parta headdress from Veľký Lom, Slovakia.
“This unique “parta” from Veľký Lom has been worn for approximately 300 years until the 60s. In that period only 14-15 year old girls, which were usually brides wore it. It was made from 40 centimeter long, multi-colored embroidered ribbons, shiny decorations called “blyskáče” and pearls. The base of the “parta” consisted of wood coated canvas. The hairstyle worn under the “parta” was allegedly called “na mazničke” which meant the path to the sides. The “parta” from Veľký Lom is distinctive from the others in Slovakia.”
Content Source: https://www.celesteprize.com/artwork/ido:424507/
Folk costume from region of Šariš, Slovakia.
Mysľava, 1940
Josef Mánes
Hanačka
Various forms of Slovak folk art depicted in the book: Ludove Umenie na Slovensku by Frantisek Kalesny
Hello pocarovna! I was looking at your posts and I find those costumes beautiful but what do you thinnk, wasn´t it just so boring and monotonous to wear the same thing whole life?
Hello anon!That´s a good question you´re asking. Yes, in the past, people were basically wearing the same costume type with little variations for their whole life. Other thing is, we tend to look at this fact through modern people optics.First of all, let´s try to think about it in the manner of a person who owned two or three complete sets of clothing, whether they wore a costume or not. Point one: In fact, the traditional costume was more than “just clothes”. It was a symbol of belonging to certain community and certain social group. There are some remains of this sense of belonging in some cultures that are preserved until today - imagine kilt, a cross pendant or a simple turban. Some of the symbols do not carry their original meaning, but help you link the person to a certain community anyway. In this sense, the costume was a way to declare that you belong somewhere. (Of course, the background of this fact is rather rational - one area costumes usually depended on local supplier of certain fabrics).
Point two: yes, people did wear one type of costume for the whole life. However, old pictures may confuse you. The variety throughout the life could be rather wide. Let me show you an example of a costume of a village in western Slovakia.First of all, this was a festive clothing for unmarried woman:
This could be worn for religious festivals, weddings and similar occasions. Of course, the everyday costume was different. Unfortunately, the working costumes were usually not preserved so well, and I don´t have the appropriate picture for it.
Then, there was a wedding dress. This does not mean it was worn only on the wedding day - usually also up to few weeks / months after the wedding, depending on the region:
After this period, the woman switched to a different costume, the one for married ladies:
The older the woman was, the more the colors differed, gradually getting darker. For some areas, the embroidered ornaments also changed according to the age of the person.
Last of all, there is a costume for the widowed woman:
Now imagine, each of these costumes could have different embroidery, different colors, different ribbons to decorate. After all, it´s not so monotonous, is it?
(Note: I used the pictures of Ms. Hela Miklova, which she proudly presented on Facebook. I find it so I amazing that I had to share)
Winter wear of Slovak peasant by Jaroslav Augusta.