Hydrangea
”I won’t have to look at or smell another sodding hydrangea for a whole two weeks.” 😏

Kaledo Art
he wasn't even looking at me and he found me
One Nice Bug Per Day
Cosmic Funnies
"I'm Dorothy Gale from Kansas"
noise dept.
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JBB: An Artblog!

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blake kathryn
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we're not kids anymore.

titsay

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taylor price
dirt enthusiast
i don't do bad sauce passes
AnasAbdin

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@caeruleusaether
Hydrangea
”I won’t have to look at or smell another sodding hydrangea for a whole two weeks.” 😏
just saw a 'comments' tab on someones blog you know where the following and likes tabs would be if enabled and it was just showing all the replies theyve made on peoples posts. this is fascinating when did this feature come out
EMERGENCY - ITS AUTO ENABLED!
if you've made replies on posts there is now a tab on your blog showing every post youve replied to and your reply.
if this is not what you want, either go to your blog and click comments and disable it from there or just go to your individual blogs setting pages. just change it from blue to grey if you dont want everyone to see your replies AND the post you're replying to
PLEASE BE ADVISED that it is set to disabled for blogs that have not made any replies but it will turn ON if you reply with that blog in the future.! i just tested it with my main, which was greyed out but it turned on the moment i left a test reply
figured i'd get the word out bc i have not seen a single mention of this and i'm sure there are plenty of people who maybe comment on things they don't want on display for everyone to see on their blog lol. you can still look at your replies with it toggled off just no one else can, like locking the following and likes list
so for some reason this feature was actually announced on the tumblr engineering blog. interesting choice not to reblog it to the staff or tumblr blog, esp considering they asked for user input on how to implement it, but i suppose considering the response to the last update maybe the replies would be too overwhelming...
so couple of clarifications. comments are disabled as default for primary blogs that have their likes disabled. they are seemingly enabled for all other blogs that have replied to posts
posts you comment on may show on your followers 'for you' page if you leave your replies publically available. they may, in the future, show in on your followers dashboard if your follower goes to their dash settings and enables this. apparently, if your likes are enabled, your followers can already see those on the dash if they've gone into preferences and selected to do so, which I was unaware of, and that seems to be disabled at default, but it's possible i disabled it previously and forgot about it ig
You said something in “Smith” which I hope I grasped, and there was a feeling almost of recognition. An odd feeling of grief overcame me when I read it. I cannot explain my feelings any clearer. It was like hearing a piece of music from way back, except that it was nearer poetry by Graves’ definition. Thank you very much for writing it.
Terry Pratchett, in a letter to J. R. R. Tolkien, 22 November 1967
Thank you very much for your letter. The first one that I have received with regard to Smith of Wootton Major. You evidently feel about the story very much as I do myself. I can hardly say more.
J. R. R. Tolkien, in reply to Pratchett’s letter, 24 November 1967
This is the first I've ever seen this and it makes me wonder if it's why Pratchett was always so conscientious about responding to letters from kids.
If you were wondering: in November 1967, Terry Pratchett was 19 years old.
And he did in fact say on at least one occasion that it was this that pushed him to always engage with his own fans in the same kind and conscientious manner.
The book I’m reading has a sword fight toward the end that’s between two fencing masters and I loved it because it was over in a flash. 30-60 seconds between fencing masters ❤️
I don’t know how to explain to people that two experienced fencing masters with intent to kill is literally that fast without sounding like “well, ackshully”
In the Perfect Innate Understanding of Internet Book Marketing dep’t…
“Please buy and review my hot guy rescues cat book so I can write more about this ridiculous himbo paladin.”
I mean, FOR GOD'S SAKE. :)
(His link: mybook.to/SK1SpiritBlade)
this messed up vintage cat sewing pattern has tormented me since i saw it & like some other folks have done in that post - i tried my hand at tweaking the pattern to resemble the illustration (and my personal tastes) a little more. i've ended up with this, which i have only tested at a small scale and not this final version exactly (where i have done such things as further widening the cheeks and finalizing the leg shapes.) i bestow it upon you nice folks now 👐
go forth and make weird little beanbag kittens! pls show me if you do!
woah this got big!! and after another try i have another untested tweak for yall. this should help the weird pinchy side seams out. yey
My first attempt! I made the pattern a bit smaller as I wanted it to be able to fit in a pocket, but then (accidentally but perhaps unavoidably) sewed it with a wider seam allowance than the resized pattern indicated, so the face is proportionally a bit too big and I lost some detail in the ear shape. I'm pleased with it though! It was fun to make something and to do some handsewing.
SOO CUTE AND TINIE 😭
I tried this pattern a while back to try out some minky and I get no points for making the pattern well but looook at my boyyy
His name is Tofu. Thank you for sharing the pattern I will love him forever
“Any luck?”
Dáire looks up to see Aurana peering down at the text he’s deciphering. Her hair is only half up, the rest trailing over her shoulders. She’s wearing a pale green chiton with wildflowers embroidered on it and a dark green himation pinned at her right shoulder. He somehow feels underdressed in his long light wool outer tunic and chausses and leather shoes. He feels odd, almost out of place, out of armour. He wonders if she feels the same. The bruises on her arms and wrists make him wince. Those are most likely his fault. “Not yet,” he tells her. Darion keeps his eyes on her wrists. “I can heal those.”
Aurana is already shaking her head. “No need.”
“Please.” It’s not quite a beg, but there’s a pleading lilt to his voice that makes Aurana reconsider. She takes a seat next to him at the table and pushes the sleeves of her chiton up, offering him her arms. He notices for the first time faint angular lines on her upper arms. They look old, with the scars on her left arm disappearing further up. He wants to ask about them, but closes his eyes and focuses on calling upon the Light of his god. Her skin is warm under his hands, and he tries to be gentle as he heals. He’s only ever used the Light in the middle of a battlefield or in a field hospital, but he can feel bruising ease. He chases after the other injuries he feels, older ones that didn’t quite heal right-
“No.” Aurana firmly lifts one of his hands away, Dáire’s eyes flying open at the contact. “I want to keep those.” There’s sorrow in her eyes that he doesn’t quite understand, but stops at her request.
He clears his throat and sits back, reluctantly pulling his hands away. “Not much of what we’ve found talks about how to destroy a runeblade, or at least turn it inert.”
“We?”
“Einion.” Dáire jerks his head in the direction of the other Ci Annwn is in amidst the winding corridors of the sunken library. “When I realized that it’s likely one of the runeblades that are part of my tynged, he was the first to help. He knows a bit about them.”
“Really?” Aurana glances in the direction Einion is in. Raised by druids and knows about runeblades. Curious. “I thought they were rare.”
“Your world knows about them,” Dáire reminds her. She makes a sign of concession before he asks, “How do the Illyrii make rune blades?”
“Similar process as yours,” Aurana says with a shrug. “Although, the souls used were from volunteers. Soldiers, mercenaries, paladins. People who wanted to serve even in death.”
“…souls weren’t pulled?”
“No,” she says with certainty.
“Did any of the blades ever break?”
Aurana thinks for a moment, recalling what she can. There were always volunteers, but in all the chaos she’s not sure if any of them broke. “I don’t know, but there’s a common belief that the soul is released once the vessel is broken, allowing it to rejoin the cycle of the universe.”
A sense of unease settles in Dáire’s chest. He always thought of souls in the abstract when he was alive. They just exist, the lives lived forgotten. The reality of Anwfynn is vastly different, as is the whole of the afterlife. When he made the runeblade, where was he pulling the souls from? Anwfynn? The Blessed Isles? The Asphodel Fields? Kur? The Cedar Forest? The Abyssal Plane?
Dáire stares down at the texts on the table in front of him, horrified. Pulling a soul from its plane of existence and forcing it into a rune vessel, shaped into a weapon. Pulling them from their rest. He was torturing those souls. Of course they fought back. “I never should’ve made those blades,” he whispers in horror.
“Dáire?”
He looks up at the sound of his name and sees Aurana sway in her chair before starting to slump forward. He catches her before she tilts too far forward and eases her onto the table. No injuries and no sign that she’s on the verge of a second death. If it’s a magical ailment, he has no way of telling. He barely has time to assess the situation when Einion emerges from one of the nearby aisles.
“You asking a nature spirit for help surprised me.” Einion stays well out of range as Dáire slowly rises from his seat. “I had to change my plan.”
Plan? For what? What does Aurana have to do with anything? She’s the only other person he knows that made a blade of equal or greater value that the Tylwyth Teg would consider- “I was supposed to talk to Lord Lutin.” Einion inclines his head. “You didn’t gamble away your sword.” Dáire keeps pace with Einion, blindly feeling for anything that he can use without being obvious about it. Swords and other weapons are banned in the library. All he has is his dagger, and he’ll need to get close to use it.
“No, I didn’t,” Einion admits. “You were supposed to be trapped by the Tylwyth Teg. And instead she offered Lord Lutin something far more tantalizing: a star touched blade made by her own hand. But you know what’s even more frustrating?”
Dáire wants to keep him talking as he places himself between Einion and Aurana. “What is?”
“You won’t suffer like I did. Be trapped in a vessel with no way to free yourself for centuries. Existing in torment for an unknown Age. Forgotten. Discarded.”
“Discarded? I’ve never-“
“Yes, you did!” Einion snarls, pointing his dagger at Dáire accusatorily. “You pulled me from my rest! Shoved me into that blade! And when the vessel shattered you swept me aside without releasing me!”
It hits him all at once. “You’re the blade,” Dáire breathes. He barely has time to react as Einion lunges for him, barely grabbing one of the tomes on the table to deflect the dagger. They crash into the table, papers and textbooks scattering and spilling to the floor. Aurana doesn’t react, still under the influence of whatever Einion did.
“I was trapped for an eternity, unable to move or free myself.” Einion bares his teeth as Dáire scrambles away and pulls his own dagger free. “I did, eventually. But by then you were dead.”
Dáire puts distance between them and Aurana. Even as he watches Einion for his next move, he can’t help but ask, “Why weren’t you released when the dagger shattered?” There must’ve been something he missed. Some part of the ritual or rune he skipped.
“Because it was still a vessel. You never used the nullification rune. Pieces of my soul were still attached.” Einion lunges forward, Dáire barely catching the dagger with his own. They struggle to gain the upper hand until Dáire grabs Einion’s tunic. He yanks him forward and headbutts him.
They stagger for a moment, Einion dazed as Dáire realizes he didn’t land the blow quite right. He recovers just enough to tighten his grip on Einion’s tunic and shove him as hard as he can into a nearby bookcase. The case shudders from the force of the impact, books shivering as others fall to the floor.
The pain of being shoved into one of the towering bookcase brings Einion clarity. He kicks Dáire away with a snarl and charges after the staggering man. “You were supposed to be chained! A pet of the Tylwyth Teg so you know how it feels to be trapped!”
Dáire darts away, running to a lectern with Einion close on his heels. He tips it over as Einion nears, hoping to slow him down as Dáire tries to figure a way out of this. He wants to tell Einion that he didn’t know, that he regrets making the rune blades. But it’s too late for that. His tynged caught up to him. Dáire moves to an open aisle as Einion moves around the lectern. He knows Einion is intent on taking him down, but what will he do to Aurana afterward?
He knows what he’s going to do and takes a stand. Dáire makes the first move as soon as Einion is in striking distance, closing quickly. They strike at each other in a flurry of cuts, none of them quite hitting their mark. It’s bloody and frenetic, too many wounds to count. And as suddenly as it began the fight stops.
Dáire exhales in surprise just as his own dagger finds its mark in Einion’s chest. Just left of the sternum, between the third and fourth rib. Einion’s blade is under his ribs, angling toward his heart.
“I’m sorry.” The apology doesn’t mean anything now. They’re just words, but it feels right to say them aloud.
Einion stares at him and utters, “Words mean nothing.” He collapses where he stands, bleeding out.
Dáire sits down hard on the floor, careful not to bother the blade. Breathing hurts, and as much as he wants to take the dagger out, he refrains. It wouldn’t matter. His limbs feel too heavy, and he’s going to bleed out anyway. Of all the things he wants in his final moments, he wants a little more time with Aurana.
narnia has actually way too many completely devastating concepts in it that are not explored At All
We talk a lot about how in The Lion, the Witch and the Wardrobe, the Pevensie children live full adult lives as kings and queens of narnia before stumbling out of the wardrobe by accident and being children again after like 15+ years. But I’ve never seen the same level of analysis devoted to how in Prince Caspian they return to Narnia and discover that over 1,000 years have passed in Narnia since their last visit.
Imagine undergoing the grief of losing an entire life you lived in another world, being forced back into the body of a child and to grow up all over again without the ability to even talk about what happened in the decades you lost. Every person you knew and loved, vanished, leaving no indication they were ever real and no guide for how to move on.
But returning to that world where you were a King or Queen and discovering that centuries have passed without you and that the people you lost are not only dead, but mostly aren’t even remembered? That’s almost worse.
That series is really something for “worldbuilding threads picked up and never touched again” too like
in the silver chair it’s confirmed that deep underneath the earth in narnia there’s a molten, fiery abyss world called Bism that is apparently populated and also apparently gemstones are living creatures that live there, and what we understand as diamonds, emeralds, rubies etc. are just the discarded husks of once living creatures
Jadis is actually not originally from Narnia, but accidentally gets sent there at its creation (making her one of the oldest beings in narnia) and she annihilated all life in her world of origin. she also very much does go to literal actual London and terrorize people. she is like 7 feet tall and can tear iron with her bare hands like it’s taffy.
Jadis makes it “Always winter and never Christmas”…what the FUCK is her beef with Father Christmas. I know it’s supposed to be like a metaphor or some shit but I’m imagining what exactly the fuck must have happened between them for jadis to specifically want to prevent him from coming to narnia to the extent that her powerful seasonal-change-stopping magic also includes a “fuck that guy in particular” clause.
like think about it, Jesus is not a thing in narnia, he’s just aslan. and aslan did not get born. ergo, the origin of such a concept as Christmas is the entity Father Christmas. Christmas is not a religious holiday to Narnians it has no symbolic meaning it is just specifically the time of year when Father Christmas fucks around across the landscape giving children gifts, such as very deadly real weapons. There’s no reason for him to do this. It’s just what he does. And Jadis fucking hates it.
another thing from the magicians nephew that is never brought up again is that Polly and Digory don’t go directly to Narnia, they end up in this intermediate place between the worlds that’s like a forest full of pools leading to other worlds, potentially infinite other worlds, and they end up in Narnia pretty much at random.
I think it’s also confirmed that Archenlanders were originally from Earth, and are the descendants of a small group of people who traveled to Narnia by accident and got stuck. One wonders why Aslan didn’t whisk them back out. Or why being too old wasn’t a problem for them.
I think this is early installment weirdness but there are Roman gods in narnia. ?????
stars are sentient???
narnia is flat. this is not actually an unresolved thread but I don’t think it’s common knowledge even though in one of the books they literally sail to the edge of the world. caspian specifically thinks it’s super cool that the earth is round
I LOVE the whole concept of Bism. Like Lewis really just said oh yeah there’s a whole world under Narnia where people live and jewels are alive too actually you wear dead ones in your jewellery and then no one ever spoke about it again, not even the fandom
No wonder this series infuriated Tolkien so much. Lewis just threw paint at a wall and jokingly asked the man who’d spent a decade on a single painting if he liked it.
Holy shit there is a lot about Narnia I don’t know.
Writer’s block? Why not try peppering panpsychism into your atheist-turned-christian young adult literature and never addressing it again?
So many fics, so little time.
Fun fact about the woods between worlds thing and what the inspiration behind it was:
This is an illustration of it from the book.
And THIS is a forest full of shell craters from WW1. Which C.S Lewis fought in as a teenager.
I’m sorry @stargirl-and-potts I couldn’t leave your tags there 🥹
Thissssssss
not to be a downer, but I just found out one of my oldest friends died
so I'll probably do what I tend to do and write to process it all. I feel like I should apologize for writing so much about grief [“Thousand Decisions”, “Shooting Stars” come to mind], but I can’t keep it all inside. There’s too much, and it needs to go somewhere. I appreciate your patience
Oops! You accidentally forgot about your tea for too long 🐥🌸
Villa Scarpariello Relais, Ravello, Amalfi Coast, Italy | Alessandra Falcone
I mentioned in the post before this one that I'm having a "bad brain day" and ironically, the thing that triggered it--aside from my impending hormonal shift into hell--was because people were nice to me.
It's hard being a professional creative and trying to colab with people and meet deadlines when you also live in a body that is unreliable.
I never know day to day what I'm going to wake up and be capable of. Is my immune system going to set itself on fire? Am I going to be bedridden from a migraine? Is my heart rate going to be so bad I can't even sit up in bed?
That combined with the unmedicated ADHD, I've learned not to give myself hard deadlines, because if I miss too many of them, I'll crash out and spiral into depression and become incapable of doing anything.
It makes me a flake, is what I'm saying. Or rather, it makes other people think I'm a flake and I'm just making excuses. And yes, I have been told this in the past, so I know I'm not just projecting. So whenever I do start trying to work with others, I brace myself for letting them down and try to preempt the RSD by by putting myself down first.
I was already feeling a bit fragile after last week when I had a fellow creative friend assure me not to worry about dropping off the map. They understood the limitations I am dealing with and would be there waiting for me when I got back. And that by itself made me feel a weird mixture of guilt and relief.
Guilt because I wish they didn't have to say that, but also relief because they're willing to work with me as I am and don't expect me to kill myself to keep up with them.
And then earlier this week, after I missed sending a message, I followed up with "sorry for being a flake!" and said person metaphorically took me aside in the DMs and said, "You're not a flake, you're ill. We knew that when we agreed to work with you. We're here for you."
What a relief it is, to be seen.
I am not a flake. I am ill. And I am still worth working with.
me when my disabilities disable me: