joining the war on pigeons on the side of pigeons
Every time I see pigeons in my city it makes my heart break for the poor babies. </3
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joining the war on pigeons on the side of pigeons
Every time I see pigeons in my city it makes my heart break for the poor babies. </3
Kassel 1920s
1924 Christine Cartwright's grandparents, Ida and Anton Hirschbeck. From Christine Cartwright, FB.
1930 A Swedish girl and her teddy bear visit a Rune stone. It states "Sibbe and Tjarve had the stone raised in memory of Torkel, their father". From Awesome Attic, FB.
1918 c. Daddy got a new Overland car! From Jazz Age Vehicle Archives, FB.
If your 'ally' believes they have divine sanction to murder feminists, LGBTQ+ people, and anyone who doesn't share their religious beliefs...maybe that's not an ally.
Happy Pride!
חודש גאווה שמח
Maybe I'm not an ally?
Kangaroo claws. Canberra, Australian Capital Territory. X
Ball gowns, 1912-1916
Lilac satin brocade; silk over-dress with silver bugle beads and tiny silver sequins in floral and lattice motifs.
Ivory silk charmeuse; white chiffon with gold lame brocade and Brussels lace over-skirt; white bugle beads; rhinestone band trim; hot pink chiffon insertion.
via augusta auctions
Olympic (115) — On May 29, 1911, Olympic left Belfast for the first time to undergo her sea trials. Her basin trials had been completed 27 days earlier and had been satisfactory.
Olympic had been spun around in the channel for the first time the night before, and finally on the morning of the 29th steamed into Belfast Lough, had her compasses adjusted and then began her sea trials which were to last two days.
Over the course of her trials, Olympic reached a top speed of 21.75 knots which exceeded the builder’s expectations of 21 knots.
European red deer Cervus elaphus elaphus
Observed by coolnewbugs, CC BY-NC
Karakalpak woman's clothes, Uzbekistan, by UNDP Eurasia
Elizabeth Cochran was born on May 5, 1864 in Cochran’s Mills, Pennsylvania. The town was founded by her father, Judge Michael Cochran. Elizabeth had fourteen siblings. Her father had ten children from his first marriage and five children from his second marriage to Elizabeth’s mother, Mary Jane Kennedy.
Michael Cochran’s rise from mill worker to mill owner to judge meant his family lived very comfortably. Unfortunately, he died when Elizabeth was only six years old and his fortune was divided among his many children, leaving Elizabeth’s mother and her children with a small fraction of the wealth they once enjoyed. Elizabeth’s mother soon remarried, but quickly divorced her second husband because of abuse, and relocated the family to Pittsburgh.
Elizabeth knew that she would need to support herself financially. At the age of 15, she enrolled in the State Normal School in Indiana, Pennsylvania, and an added an “e” to her last name to sound more distinguished. Her plan was to graduate and find a position as a teacher. However, after only a year and a half, Elizabeth ran out of money and could no longer afford the tuition. She moved back to Pittsburgh to help her mother run a boarding house.
In 1885, Elizabeth read an article in the Pittsburgh Dispatch that argued a woman’s place was in the home, “to be a helpmate to a man.” She strongly disagreed with this opinion and sent an angry letter to the editor anonymously signed “Lonely Orphan Girl.”
The newspaper’s editor, George A. Madden, was so impressed with the letter that he published a note asking the “Lonely Orphan Girl” to reveal her name. Elizabeth marched into the Dispatch offices and introduced herself. Madden immediately offered her a job as a columnist. Shortly after her first article was published, Elizabeth changed her pseudonym from “Lonely Orphan Girl” to “Nellie Bly,” after a popular song.
Elizabeth positioned herself as an investigative reporter. She went undercover at a factory where she experienced unsafe working conditions, poor wages, and long hours. Her honest reporting about the horrors of workers’ lives attracted negative attention from local factory owners. Elizabeth’s boss did not want to anger Pittsburgh’s elite and quickly reassigned her as a society columnist.
To escape writing about women’s issues on the society page, Elizabeth volunteered to travel to Mexico. She lived there as an international correspondent for the Dispatch for six months. When she returned, she was again assigned to the society page and promptly quit in protest.
Elizabeth hoped the massive newspaper industry of New York City would be more open-minded to a female journalist and left Pittsburgh. Although several newspapers turned down her application because she was a woman, she was eventually given the opportunity to write for Joseph Pulitzer’s New York World.
In her first act of “stunt” journalism for the World, Elizabeth pretended to be mentally ill and arranged to be a patient at New York’s insane asylum for the poor, Blackwell’s Island. For ten days Elizabeth experienced the physical and mental abuses suffered by patients.
Elizabeth’s report about Blackwell’s Island earned her a permanent position as an investigative journalist for the World. She published her articles in a book titled 10 Days in A Mad House. In it, she explained that New York City invested more money into care for the mentally ill after her articles were published. She was satisfied to know that her work led to change.
Activist journalists like Elizabeth—commonly known as muckrakers—were an important part of reform movements. Elizabeth’s investigations brought attention to inequalities and often motivated others to take action. She uncovered the abuse of women by male police officers, identified an employment agency that was stealing from immigrants, and exposed corrupt politicians. She also interviewed influential and controversial figures, including Emma Goldman in 1893.
The most famous of Elizabeth’s stunts was her successful seventy-two-day trip around the world in 1889, for which she had two goals. First, she wanted to beat the record set in the popular fictional world tour from Jules Verne’s Around the World in Eighty Days. Second, she wanted to prove that women were capable of traveling just as well as—if not better than—men. Elizabeth traveled light, taking only the dress she wore, a cape, and a small traveler’s bag. She challenged the stereotypical assumption that women could not travel without many suitcases, outfit changes, and vanity items. Her world tour made her a celebrity. After her return, she toured the country as a lecturer. Her image was used on everything from playing cards to board games. She recounted her adventures in her final book, Around the World in 72 Days.
In 1895, Elizabeth retired from writing and married Robert Livingston Seaman. Robert was a millionaire who owned the Iron Clad Manufacturing Company and the American Steel Barrel Company. When Robert died in 1904, Elizabeth briefly took over as president of his companies.
In 1911, she returned to journalism as a reporter for the New York Evening Journal. She covered a number of national news stories, including the Woman Suffrage Parade of 1913 in Washington, D.C. Elizabeth often referred to suffrage in her articles, arguing that women were as capable as men in all things. During World War I, she traveled to Europe as the first woman to report from the trenches on the front line.
Although Elizabeth never regained the level of stardom she experienced after her trip around the world, she continued to use her writing to shed light on issues of the day. She died of pneumonia on January 27, 1922.
Wernigerode, Germany 1900/10
just in case anyone forgot how wildly colorful Georgian interiors could be, even among the working class to the wealthy:
and EVEN WHEN things were more muted/neutral, the neutrality was OFFSET by ACCENT COLORS and HIGH CONTRAST between the wood tones and everything ELSE
ALSO AMERICAN COLONIAL INTERIORS POPPED OFF, Y'ALL (IN TERMS OF COLOR/COZINESS)
PEOPLE USED WHITEWASH AND COLORFUL TRIM OR EVEN JUST COLORFUL FURNITURE IF THEY COULD AFFORD TO DO SO
AND DON'T GET ME STARTED ON FRENCH AND BRITISH AND AMERICAN WALLPAPERS
"ELIZABETH" YOU CRY, "WHY ARE YOU BEING SO EXTRA THIS MORNING?! IT'S MONDAY"
Because, my friend, my war on GREIGE will NEVER end.
Historic interiors were filled with LIFE and LIGHT and COLOR. ALWAYS HAVE BEEN.
Part of the reason we don't see a lot of textile art is because, frankly, textiles tend to degrade over time - especially ones that had utility! And yes, pigments and weaving and dying all boosted the expense of things, when we were finally reliably block-printing fabrics and broad reams of paper, it was no longer just the wealthy who could afford pretty patterns!
In the Americas, a far wider variety of pigments also became available because of the abundance of... well, a shitton of flora and minerals, some of which weren't as common in Europe.
WHY THE HIGHLIGHTER COLORS? you ask.
CANDLES.
Those colors reflect candlelight and natural sunlight REALLY WELL.
Humans LOVE bright colors, it's NOT just a thing for kids. We live in a brilliant, vibrant, multifaceted world. We ALWAYS have.
(STOP MAKING YOUR HISTORIC SIMS 4 BUILDS BE BLAND. STOP IT.)
On the subject of Colonial America: don't forget, even if you couldn't afford wallpaper, wall stenciling might still be in reach!
(If ever you have the opportunity to visit the Stencil House at the Shelburne Museum in Vermont (pictured above at 3, 4, and 5), I highly recommend.)
And that's before you get into American painted murals:
Embrace the decorative arts, folks!
タマシギ(Greater painted-snipe)
Curved dash having a problem.
Ritamäki nature reserve in Värmland, Sweden (2 June 2022).
Birds pictured: Red-backed Shrike/törnskata, Mallard/gräsand, Chaffinch/bofink, and European Pied Flycatcher/svartvit flugsnappare.