Lioness Devouring a Man, Phoenician Ivory Panel, c. 9th-8th century BCE. From the palace of Ashurnasirpal II, Nimrud, northern Mesopotamia, Iraq.
$LAYYYTER
he wasn't even looking at me and he found me
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Monterey Bay Aquarium
Lint Roller? I Barely Know Her

Kiana Khansmith

PR's Tumblrdome
Not today Justin
KIROKAZE
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oozey mess
Today's Document

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Keni
RMH

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JBB: An Artblog!

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Lioness Devouring a Man, Phoenician Ivory Panel, c. 9th-8th century BCE. From the palace of Ashurnasirpal II, Nimrud, northern Mesopotamia, Iraq.
SPIRITED AWAY 千と千尋の神隠し 2001, dir. Hayao Miyazaki
Berry Berenson - Vogue (Jan. 1972)
'Who Are You, Polly Maggoo?' (dir. by William Klein) [1966]
A tatoo said to be popular with gay criminals. L'homme criminel: Atlas. 1888.
Frank J. MacHovec - Hypnosis: Its Parctice and its Promise - Peter Pauper Press - 1975
“Suspiria” (1977)
964 Pinocchio, ピノキオ√964 by Shozin Fukui.
Fred Stein Little Italy, New York City 1943
[…] Più c'è vita, più si aggrava lo spettro dell'altro, più esso appesantisce la sua imposizione. E più il vivente deve risponderne. […]. Niente di più serio e di più vero, niente di più giusto di questa fantasmagoria. Lo spettro pesa, pensa, s'intensifica, si condensa all'interno stesso della vita.
Jacques Derrida, Spettri di Marx
Cher clowns around on The Sonny & Cher Comedy Hour, originally broadcast by CBS on February 14th, 1972.
Wade Nichols
Luiz Sacilotto [Brazil] (1924-2003) ~ ‘Study’, 1974. Gouache and graphite on paper (48 x 66 cm).
Skeleton ("Emergo") hanging from the movie theater ceiling during an early screening of House on Haunted Hill (1959)