Rode 7 rides and spent a ridiculous amount of money on chocolate in the span of 3.5 hours life is good
taylor price
Xuebing Du

titsay

#extradirty
RMH

gracie abrams

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Game of Thrones Daily
PUT YOUR BEARD IN MY MOUTH
trying on a metaphor
Jules of Nature
cherry valley forever
d e v o n
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will byers stan first human second
One Nice Bug Per Day
Aqua Utopia|海の底で記憶を紡ぐ

bliss lane
almost home
EXPECTATIONS
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@cardsharksplayingames
Rode 7 rides and spent a ridiculous amount of money on chocolate in the span of 3.5 hours life is good
More info about the wedding and vows 🥹
https://x.com/holltoleratesit/status/2078285582845784103?s=46
this is so lovely (x)
"First of all, Adam Sandler officiated it. He came down, everybody laughed and thought it was a joke at first, but he actually did. He probably spoke for 20 or 30 minutes, vascillated between funny, very sincere, sang a few things, but you know—he sang during his officiating process. But if there was a key theme to his thing, there were two things I remember really distinctly. One is you know, in your typical vows, the officiator says, 'For rich or for poorer,' Adam said, 'You know, you're not going to have to worry about that.' And the second thing is, his key message was, 'Kiss each other. Every day, in the morning, at night, after dinner. Just kiss often.' And then Travis went first with his vows. He probably spoke for 30 minutes, and I don't want to violate his privacy, but I was crying, which I was trying to hold back, I mean, he made himself unbelievably vulnerable. I was sitting there crying and I was trying to hold it back until I look around and there's all these 300-pound men from the football business crying as well, and so I felt really comfortable, just kind of let go on it. It was very, very powerful. And then Taylor went, and she also wrote her own vows. She probably spoke for 30 minutes. And it was poetic. It was really well done. And then the last thing I'll tell you about the wedding, or two things that were really incredible. One was, you know, the vows and the ceremony were very solemn, very sincere, very emotional. Then they opened up, you kind of walked through this massive castle that they built, and by the way, you would never guess you're in Madison Square Garden, the way they did it. It was incredible. But you walk through this castle that they built, and behind it, they had all sorts of games, amazing giveaways to people, and then the stage, initially, Taylor and Paul McCartney sang, and then Taylor and Stevie Nicks sang, and then for the rest of the night, everybody, the whole entertainment industry is—I kept saying, 'If something happens to this building, the entertainment industry in the US is gone—they just popped up onstage and sang songs. So at one point, I was dancing with my wife, and without any exaggeration, I had Paul McCartney to my left, Brad Pitt in front of me, Cindy Crawford on this side, and I can't remember who was behind me. We're just surrounded by legends. [Going to a normal wedding after this] is going to be a letdown, that's for sure. But it was, they really calibrated the second part of it to their guests. I've never seen a wedding that was so designed to delight the guest and make sure they have a lot of fun. Usually, there's always this ongoing theme about the bride and groom. For them, the ceremony was very much about them. Once you went through that castle, it was all about the guests, and they went over the top to make sure everybody had a great time."
Greetings from Hershey, PA🍫🎢
Good morning✈️
mrsbriannamama: Smith-Schuster, Party of 2 🤍 (x)
you can tell me when it’s over, if the high was worth the pain.
Are you an early bird or night owl?
Early bird
Night owl
Love love love it when people talk about taylor’s genius
“That one's interesting. It's actually, what you hear when that song starts, you hear the air conditioning in the backstage of an arena in Germany where The National was playing, where I wrote it, because it was really.cold. It was like a hockey arena in Germany or something, and it was an awful, awful situation, but then that's me patting my leg, like playing drums on my leg, which I often do, which I kind of learned over time that if you record yourself like, playing surfaces or your body, and record it with an iPhone, it just sounds cool. I wrote the music first and Taylor wrote to it. I think she said that when she heard that sound of the, what is me like, playing my thigh essentially, that it reminded her of someone walking on cobblestones in high heels, like, unevenly, and that gave her an image in her mind which sort of like, led her into the narrative that she wrote.”
— Aaron Dessner on Switched On Pop about the Cardigan introduction (x)
“I’m going to debunk that [idea that those vocals are designed to sound like The System Only Dreams In Total Darkness]. It's a good story how this happened. Taylor was, she actually. arranged those vocals to go at the end of the song, so she was doing those choral, like these angelic, choral parts over the end of the last chorus of the song that you hear-when you listen to the song, you'll hear her doing that. But then she actually said, 'What if that went at the beginning of the song?' Taylor is interesting when she records, because she has kind of mapped it out in her head. Part of it like, comes naturally to her. It's also because she's been thinking about it. But she'11 come in and kind of have a whole architecture in her head that she's going to chase down, and that was one of those things. But then we were like, 'Oh, wow, That's so beautiful. What if it comes at the beginning?' And then she kind of sang more to it.”
— Aaron Dessner on Switched On Pop about the vocalizations in So Long, London (x)
amsterdam n3
Good morning!!!!
jayda.hawkinsss: @laura_kruk & @juju forever !! ❤️📸 (x)