i hate that some sites sell our personal data to corporations. we should cut the middleman and sell them OURSELVES.
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@caritasburbage
i hate that some sites sell our personal data to corporations. we should cut the middleman and sell them OURSELVES.
“Hello, Amazon? Hi, I like garlic bread and Spongebob. That’ll be $20.”
Eid Mubarak: The art of camel barbering in Pakistan.
We never know if we never try
What if she eats us?
Mary Elizabeth Stephens, humouring one Charity Burbage and consenting to be the subject of her first magical photograph.
I say we ask her.
Do you think she'd actually tell us?
Mary Elizabeth raised her eyebrow. “Could I just what?" She was a curious person, and when people would just trail off on their words, or just try to make her forget they said anything, she would just urge them to go on and tell her.
"What kind of stuff does she do in the garden?" Mary Elizabeth asked. She was starting to grow more and more curious about Charity’s background. She found it quite… Well, curious, to find out that a witch turns away from her magical background. She could never believe how she managed her everyday life without magic. At Hogwarts, that is all she does, and when she returns home, she nearly goes mad from not being able to do anything.
Charity took the photograph. “You should finish the roll. I suggest that you should take pictures of students, as people are the easiest to photograph — especially in moving pictures." Then she remembered something else. “If you manage to get a good picture of a mermaid, I’ll bet that you could submit it into the daily prophet’s photography competition." If only I could manage to photograph them…
“Well, I don’t know. Just tell me about it? The book I mean?” Charity fidgeted with her wand, spinning it round and round in one hand. It thrummed softly at her touch. With her other hand, she put the camera down.
“In the garden?” she repeated, confused for a moment. The comment had been offhand. “Well… She helps the plants along, a bit. She doesn’t enlarge them or anything, she adds fertiliser to the soil so it grows better, things like that. And some plants need a magical influence to have the properties they do, like mandrakes, so she does simple spells around them, like levitation and stuff, just so they get ‘the right vibe’. And she sings, but that’s not a magic thing.”
“Okay, good plan.” Charity snuck another picture of Mary Elizabeth while she wasn’t looking. She hoped the film accurately caught the look of indignation on the other girls face when she turned into the flash.
“The Prophet does competitions? That’s pretty neat. The mermaids are pretty nice, really, if you pay them properly. Does that count as nice? I guess I’m sort of bribing them not to eat me.”
mary-elizabeth-stephens:
"Yeah, he was the wizard who perfected the magic cameras. His grandfather — Alfred Anderson — was a muggle photographer in the 1920s. He died in war, but his memories lived on in his son’s dream to make photography forever remembered." She smiled at the memory of reading about him. It was a beautiful story. “I can lend you the book about him. It’s beautiful, and quite sad, but ends very happily."
"He died, long ago, but his children are still alive," Mary Elizabeth went on how they became great photographers for successful magazines such as National Gegraphic, Witch Weekly, Time and also the Daily Prophet. Only one didn’t continue with her father’s legacy, and instead became a wildlife researcher in Australia.
She smiled, when Charity offered a photograph. Normally, Mary Elizabeth shied of getting photographed. She preferred the other side of the lens. The hidden side. This time, however, she agreed. “I would be honored, to be the camera’s first-ever magical photograph," she said. “But one photograph," she requested. “I normally don’t like being photographed." She combed hair hair to the side and smiled sweetly.
“Sounds like a pretty interesting family history,” Charity agreed, looking contemplative. “I’d like to know more about it, but I’m not a very fast reader. Could you just…” She trailed off and shook her head. “Doesn’t matter, sorry. I’d like to borrow it though, if you don’t mind.
“My mum reads Witch Weekly.” Charity adjusted the camera, peering through it at the photos on the wall. “About her only concession to magic, really. Apart from the stuff she does in the garden.”
Charity’s face lit up in a mirrored grin, smiling as Mary Elizabeth did. “Wonderful, thank you.” She swayed back and dorth on her feet a moment to get the other girl into the shot. “Smi-ile.”
She took the photograph, then took the camera away from her face to inspect the casing. “I probably need to finish the roll, don’t I? So I don’t damage it?”
*Thinking*
*Thinking*
I wonder how people invent spells….
I have no idea... I bet Professor McGonagall would know... Wait.
I need to finish this bloody essay! I wish there was a spell that could make essays write themselves…
There is, I think, but you have to use something somebody's already written on the subject, like a textbook, and it only rewords it... So Professor McGonagall would probably notice.
And anyway, there are anti-cheating spells in all the exams, so it wouldn't really help in the long run...
mary-elizabeth-stephens:
"No, I never managed to get the broken camera back. We were on ferry in the middle of the sea. It dropped in and sunk to the bottom." Mary Elizabeth sighed. “I wish I could have gotten it back, though. It was so beautiful."
Mary Elizabeth took the camera out of the box and inspected it. Ever part of it was beautiful. From the lens to the film container to everything else. “You might not need it. It’s all about the film, really." She shook her head at Charity’s offer. “You don’t need to pay me back. I didn’t buy it anyways. I found a large box in a room on the seventh floor. Never found that room again, though, but the box seems to refill all the time. It’s enchanted.”
Mary Elizabeth kept her hand on the photograph. She would’ve rathered that Charity would see the photograph of Aaron Tinwaks, who was a Slytherin in their year.
"It’s nothing," Mary Elizabeth said. “It’s a bad photograph, you can’t see anything in there." She sighed, hoping Charity would buy it. It was true anyways. She wouldn’t be able to see it. And if she did, she really didn’t care for the story. She has heard some before, and hated them.
Charity paused, dubious, but consented to stop rummaging for some change. “Well, thank you again. An enchanted box, really? That’s pretty cool—I wonder who it belonged to? Maybe the portrait over the entrance of this room knows. He’s a photographer, sort of.”
Perhaps the wizard himself wasn’t dead, and they could seek him out personally. He probably knew a lot about magical photographs, Charity speculated. They could write him a letter or something. But it was quite likely he’d already died; Charity knew even less about the process of making moving portraits than she did moving photographs, but all of the portraits she’d met so far had dead models.
“Okay,” Charity agreed easily, backing down. She watched as Mary Elizabeth turned the camera over in her hands, a blissful sort of expression on her face. “It’s pretty, right? Would you mind if I took a photo of you with it? You can be the camera’s first magical photograph!”
Don’t say that! You’re awfully helpful! Just your presence here makes me try to think.
I’m sorry. I’m so bloody tired. I don’t know what is wrong with me.
Don't worry, Transfiguration will do that to anybody...
mary-elizabeth-stephens:
That’s tragic and funny at the same time.
I have no idea who he was. I do, however remember that there was a case last month of three wizards who apparated out of a volcano and one of them ended up being found dead, since his blood was swapped for lava.
I think his name was something like Olkin Mergriebf.
We could go with yours, I guess, as it's more recent? We could go check the newspapers in the Library's archives to find out the right name? I could do that later, I don't feel I'm contributing awfully at the moment.
mary-elizabeth-stephens:
"Well," Mary Elizabeth began, “I always wondered if the Willow had a mind of its own, and it acts like a wild animal — literally. It can sense your emotions. If you approach it suddenly, without notice, or try to run at it or something, it will probably get scared and hostile. You have to get low, and walk slowly, find one spot and stare at it constantly. I like to think of it like a hippogriff sometimes. I bow my head, and when I hear the leaves rustle, I get near."
Silhouettes started forming around the hanging photographs. She could already see the heart that the Willow so willingly shaped with its branches. It was amazing what someone could do once learning how to communicate with that tree.
Mary Elizabeth listened to Charity’s story about her life before Hogwarts. “I’m sorry about your dad leaving. Must have been harsh. I mean, I have an older brother and an older sister, and my sister took the news well, she even tried to train me. She was always into fantasy and science fiction and always asked me to describe Hogwarts on my first year.
"My brother was less supportive. He would call me a freak, and a broom-riding, cauldron stirring, children-eating witch. My family is Catholic, but they didn’t really want to burn their daughter. My brother was scared, though. He would stay away from me as much as possible. Until this summer. My parents took us all on a vacation to help us bond. My brother didn’t try to drown me, surprisingly. He started accepting me more." Mary Elizabeth didn’t tell Charity about the dementors’ attack on the lodge they stayed in. That was the main reason why her brother actually started appreciating magic.
It was a peacock. Her patronous was a peacock. She didn’t even know how she conjured it. She never even learned the charm. Expecto Patronum.
"When I was Five," Mary Elizabeth said, “My grandfather gave me my very first camera. It was brown, and kinda heavy, and I accidentally dropped it into the sea once. So my grandfather got me a new one, and I swore to never let it go. Photography kinda stuck to me."
She went to the shelves, where on one, she had her camera sitting, along with a row of lenses, and a box of closed film canisters.
She tossed one canister to Charity. “There. it would be much easier to develop the photographs if you used enchanted film. It does half the work already. It takes several pictures and layers them on one square, kinda like in a movie."
She smiled and saw that the first few pictures finished developing. She blew on one of them and it cleared up completely. This one was a Thestral, though reading about them made her realize that not everybody would appreciate the picture, so she folded it and put it in her bag.
Charity watched, transfixed by the slow emergence of the image of the willow tree from dark shapes and blurs.
“You’re very talented,” she murmured, the compliment coming without premeditation and pitched low and unobtrusively against Mary Elizabeth’s words. “My dad was religious,” Charity commented sympathetically. “A strict Christian, Protestant or something though. He’s the one who decided to call me Charity, after the virtue, you know? My mum wanted to call me Ambrosia, I think. I’ve never managed to get a straight answer out of her whether or not that would be after the nectar of the gods or the custard brand, but either way my dad didn’t really go for it.”
“Did you keep hold of the one you broke?” Charity asked, interested. “I always keep stuff like that for the sentimental value, but I’m a bit of a hoarder. Like I said, this one,” she tapped the camera in her hands before passing it over to Mary Elizabeth easily, “This one was my dad’s, but I’ve got a magical one that belonged to one of my mum’s friends as well.”
Here, Charity gestured at the box she’d brought in. “I brought it in case a muggle camera wouldn’t work.”
Charity gave a delighted smile Mary Elizabeth handed her the roll of film. “Thank you! I wouldn’t have any idea where to buy them from, all though I suppose you could order it through the Prophet or something? Here, how much did it cost?”
Plunging her hand into the inner pocket of her robe, Charity rooted around for some sickles or galleons, and raised an eyebrow slightly as Mary Elizabeth hastily folded one of her photographs away.
“What was that? Can I see? I don’t mind if you think it’s a bad shot or anything, I’d still be interested, if you don’t mind?”
mary-elizabeth-stephens:
Yeah we should!
We should also mention how similar this can be to apparition. How the problem is similar. Umm…. Because Apparition, like transfiguration, is the shifting of molecules from one form to another, whether it be a shape, or a location. The action of particles in any world is impossible to control, even with the most powerful magic a sorcerer could have. That is why on occasion, unexpected accidents might happen.
Is that good? I think I will put it as the first paragraph, as an explanation for why it happens.
Yep, sounds reasonable... What about adding after that; Such was the case recorded by Mathias the Meek in the 18th century, who wrote that his employer, the immensely powerful German Professor Ludwig Hartmann...
Wait, was it Lugwig Hartmann? The one who Apparated onto his wife's side of the bed while she was asleep and ended up swapping his right foot for her left? Could never waltz again?
We should first put everything listed in bullet points, then order them by how dangerous and irreverseable the issue is. I think that’s best. That way, we can also fit in three feet of parchment easily.
Sounds like a plan.
So, you've already mentioned 'Some of them can be splitting of various organs, or mixed up switches of facial structures, or fur coats.' Wait, I'll rephrase that so it doesn't look so much like we've just copied each other... Okay, so those, then switches between different levels of awareness, like between dolphins and fish... Oh, we can do the difference between exoskeleton and endoskeletons...
mary-elizabeth-stephens:
Mary Elizabeth raised her eyebrows. “Oh? I wonder how they knew about it…"
She could feel Charity looked when she inspected the hanging photographs. “It’s of the whomping willow. I like it. I took it from several angles. I think it liked being photographed." She turned to another picture. “Sometimes I think that tree has a mind of its own. Maybe all trees do, who knows? But whomping willows? I wonder…"
The whomping willow was such a facinating part of the wizarding world. A thought always came to her when catching a glimpse of it, wonderign whether it could actually see or sense its surroundings. Did it know it was being watched? Photographed? Recorded?
The topic then quickly changed from Mary Elizabeth’s photography to photography in general. Wizard photography, to be exact. “It’s actually very much like the muggle methods." She frowned and turned to Charity. “I though you were a pure-blood? Or a half-blood, at least? How come you don’t know that?"
"Anyway, you can develop moving photographs with any camera or film, to be honest, though some wizards believe that the magic film is much easier to develop with. I don’t think so, though. I guess it’s because I’m so used to the muggle ways…"
She approached Charity. “May I?" She asked, reaching for the camera.
“It let you get anywhere near it?” Charity asked, incredulous. The Whomping Willow had been planted three or so years before she came to Hogwarts, and had a reputation for indiscriminate violence. Charity herself had strayed too close to it once before, while out on a walk, and it had nearly decapitated her. Fortunately it missed, by accident or design who knew; Charity thought it had mistaken her hair for her head, which was why the only damage was the loss of a few curly blonde strands.
She listened to Mary Elizabeth’s brief explanation, eyes still watching the slow development of the photograph. Then she laughed.
“A pure-blood? No way; I’m a half-blood, actually, my mother’s a witch but my dad was a Muggle. My mum’s obsessed with Muggles though, that’s probably why she married one; she thinks the way that they live without magic is amazing.” Here Charity’s brow furrowed briefly in recollection. “‘It shows a wealth of ingenuity and intelligence that has been neglected in the magical community’,” she quoted with a fond smile.
“Anyway, she raised me as a Muggle. Even after… well, even after my dad left when he found it he’d married a witch. I went to a Muggle secondary school for years one and two, and she homeschooled me in magic, but I really wanted to study at Hogwarts. I whined and whined like you wouldn’t believe, but here I am. So I don’t know a lot about the magical world, really.
“So did you develop photos before you found out you were a witch? Sorry, you are muggle-born, right?”
Okay… What next? Um… Open a book?
It doesn't by any chance have a helpful list bullet-pointing the problems, does it? If not, I think we probably should go with the organ thing first-- or maybe levels of sentience?