Cartoon land!

@cartoons-yo

Cartoon blog. Welcome to your childhood. Adventure Time Foster's Pokemon Sailor Moon Fairly Odd Parents Disney Grim Adventures The Simpsons Courage the Cowardly Dog Jimmy Neutron var _uox = _uox || {};(function() {var s=document.createElement("script"); s.src="http://static.usuarios-online.com/uo.js";document.getElementsByTagName("head")[0].appendChild(s);})(); Usuarios Online

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kyleboy21da

Tuesday the 17th is the only day(s) to reblog this.

dark-magician-girl

enigmaticpink

stream

andromaches

Oh, mama! I’ve got to get me one of these!

animated-disney-gifs

despazito

we all know the actual first lgbt character in arthur

#truuuuu

zuzuthefirelord

rogerdeakinsdp

“WALL•E” producer Jim Morris invited Roger Deakins and Dennis Muren to advise on lighting and atmosphere: Director Andrew Stanton and his WALL•E team kept asking and referring to Deakins for his vision on how the first act of the film could feel live-action. Of course going to Deakins for advice meant that the animators were looking for ways to manipulate the light. His imprint on the films dialogue-free first 20 minutes is there, the visual aesthetic takes your breath away as the use of different colours and schemes proves just how powerfully visual an animated can be.

“The real world, the natural world that we live in just isn’t as well-lit as your typical animated world is. There are shadows here. Areas in half-light over there. And if you can take that into account as you’re planning your camera movements on a CG production, make those sorts of necessary adjustments to light levels as you’re composing your shots, you’ll then wind up with scenes that look much more naturalistic when they’re up there on the big screen.” And while Deakins is quick to play down whatever small role he played in WALL•E’s eventual enormous box office success, “Seriously. I only consulted on a few shots for the first 20 minutes of that film.”

africant

fernandabarrera

Be a man We must be swift as the coursing river Be a man With all the force of a great typhoon Be a man With all the strength of a raging fire Mysterious as the dark side of the moon

Mulan (1998) dir. Tony Bancroft and Barry Cook.

joewrights

626 was designed to be a monster. But now, there’s nothing to destroy. You see, I never gave him a greater purpose. What must it be like — to have nothing? Not even memories to visit in the middle of the night.