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Reblog if it's okay to invade your ask box

Always

the pause between ex & best friend. she really wanted to get under billy's skin so bad she was a few snarky comments away from saying “yeah well, i probably would have fucked your mom”

msharkness

CRANK IT HAHN

legacies-safari

"I did this show called Agatha and there's a lot of like incredible young, very young, queer women and queer boys that are were really, really touched by that show, like meant a lot to them"

inmyvampireempire

I love tumblr because somehow I can end up being mutuals with a celebrity (someone that wrote a fic that I loved)

lettuce-tv

don't go into the humanities because they're unprofitable and don't go into stem cuz its getting torn apart right now and don't go into buisness because it's competetive and speculative and don't go into education because it pays like shit. Just lay on thr ground. Just lay on the ground.

goldduststevie

@awholelottastevie requested a photoset of Stevie and Christine from the Tango in The Night era.

its-sweet-like-cinnamon

AMERICAN HORROR STORY: COVEN Head || 03.09

janethewanderingwitch

go to the ends of the earth for you

to make you feel my love

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This edit is based on a beautiful fic that I recently read by @deathbylesbianwitches called I Need Someone Older (this will take you to ao3)

It’s the first Eve Fletcher x Wanda Maximoff fic I’ve read, and I thoroughly enjoyed it. I can’t wait to read the sequel (yes there’s a sequel already posted!! and I was told another continuation is in the works🙂‍↕️) I fell in love with this pairing, and I’m sure if you love Wagatha, you will too!!

Thank you Ellen for this beautifully written fic, and I really hope you enjoy the edit🖤

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(Kathryn’s scenes were from Mrs. Fletcher, and Lizzie’s scenes were from Sorry for your Loss season 1 and 2)

fforsythiaaa

Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”

So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”

Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.

Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.

garrywantspasta

And then, Agatha reached her prize at the end of the Witch's road... (Her sitcom wife and her magic [that's currently inside her sitcom wife].)

rogers-carter

"This male character's choices absolutely demolished this female character and she would be way more likable if it never happened in the first place" is not the flex you think it is.