fuck yeah !!!!!!!!!
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d e v o n
let's talk about Bridgerton tea, my ask is open

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hello vonnie
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@cellardorian
fuck yeah !!!!!!!!!
I look way gloomier than I actually was here
God Bless people who dress wild and go out in public. I love seeing a woman in all pink with pink hair and pink nails, with a tiny dog in a pink outfit in her bag. Or a massively goth dude covered in piercings sporting a giant green mohawk. Cosplayers. SCA reenactors. Ren Faire people. There’s nothing I love more than a pair of handsome young men walking around in Revolutionary War outfits. Just please keep dressing wild and freaky. You bring color to life, and it never fails to put a big smile on my face.
Moss agate
are you rockin with my victorian swag
‘White Cat with Gemstones’ by Joseph Jones Oil and acrylic on linen, 2026
Details of mourning dress, silk
c. 1902-04
The Met
I love when people ask "how did you learn this skill?" I just started, there's no secret. that's it. a vast majority of the time the only thing holding you back is your trepidation to start.
sunrise, parabellum. sunrise, prepare-for-war.
interest check for a print? 👀 speshul thanks to @sourearth because honses are rly hard
made a phone wallpaper version at the request of my dearest @lolthwoven <3
Can I say something about Tiarah Tucker?
Mark Rothko Untitled, 1969 signed (on the reverse) acrylic and ink on paper mounted on canvas 78 ½ by 58 ½ in. 198.8 by 148.6 cm. Collection of Jean & Terry de Gunzburg
© 1998 Kate Rothko Prizel & Christopher Rothko/Artists Rights Society (ARS)
(Happy World Goth Day)
Mark Rothko, Untitled, 1969
Acrylic, ink on wove paper 53 15/16 x 42 ¼ in. (137 x 107.3 cm) Inscription Verso in black crayon: MARK ROTHKO Estate/Inventory Number2040.69 Collection National Gallery of Art, Gift of The Mark Rothko Foundation, Inc., 1986.43.274. © Kate Rothko Prizel and Christopher Rothko
"Just because I'm right, doesn't mean I'm being helpful" is a vastly underrated thought process that I strongly encourage others to get comfortable with
Hey op thanks for fundamentally rearranging my molecules in some helpful way this fine evening
Okay, I gotta say this nuance aloud, though maybe everyone already understood it.
When people discuss the importance of using things, such as special plates, candles, special clothes- they will say that it's best to use them all the time, and that this makes each day special or something like that.
Which is only part of the picture if you ask me.
It's good not to hoard things forever, but if you use everything all the time, it also leaves certain special times as kind of indistinct from anything else. Like having a Christmas tree up all year kind of takes something away from it.
So here's my rephrasing: special things should have a concrete time of use, not an abstract one.
If you have an outfit you love but have it dedicated to only wear once a year on a specific day? Totally fine! You are using it, and it is contributing something to your life.
If you have plates that you'll only use 'for a special occasion' but haven't touched them in years? Evidently you don't know how to recognize a special occasion and should try and think of more specific qualifiers.
Some nice things make every day special, and others make certain times unique. It doesn't have to be one or the other, there's also joy in restraint. You just have to make sure perfectionism isn't slipping into how you use the ones that are only for some of the time.
In case this is useful to anyone, I have a bad habit of relegating every cool new outfit I buy to Special Occasion status and as a result got to a point where I barely wore like a third of the clothes in my wardrobe and those were my favourite ones, which was kind of a bummer and not really sustainable.
So now I compromise this way: when I get a cool outfit, I'll "debut" it on a special occasion. Like I'll wear it for the first time at a party or a trip I've been looking forward to or something, and after that it becomes part of my regular rotation. That way I feel like I'm honouring the desire to be all ceremonious about it, and then afterwards still get to have a nice thing that I actually wear.
"Sweeping Off the Male Gaze" by Japanese illustrator Yuko Shimizu.
Vorace by Pauline Mauvière & Charles Ouvrard