Gay Cave

[ch3s1re]

i don’t like being negative on here but RWBY focusing more on the racism victims being ‘too violent’ instead of the actual racism is….weird.

Like they never explore the topic beyond small remarks that feel like they just exist to remind you they’re there

[starri-cosmikat]

extremely funny thing to me about the uptick in tapey hate is that its because of starfruit. None of you cared about him until now

[ch3s1re]

Ranking Stp princesses by how scary i think they are

[muuugi]

[inanimateinsanitywiki]

suitcase and knife are such a good duo because one of them thinks that they're a bad person because they dared to not be completely subservient to their peers and the other thinks they're a bad person because they used to put people in the higurashi fingernail contraption for fun

[ch3s1re]

Getting into RWBY late is really weird because I’m seeing these new terms that I’ve never seen in any other fandom. Like..RWDE??? Your haterbase has a name??? Not even Hazbin Hotel has that and people criticise that show to death

[8ft]

cuddleslop

[ch3s1re]

Rwby tags are so funny cuz its like "Mute Neopolitan" "Flawed but Good Ozpin" dude why are tagging that that's CANON

[12-of-zero-deactivated20260219]

Ozpin set up a global system of actual child sacrifice. He's a literal, medical-definition, actual psychopath.

[ch3s1re]

We've all had those days

[ch3s1re]

Rwby tags are so funny cuz its like "Mute Neopolitan" "Flawed but Good Ozpin" dude why are tagging that that's CANON

[totalstupidityaddict]

does anyone else think StP Fury is really hot from this angle? haha. um. yeah me neither

[ch3s1re]

Tier list on what ending every BFDI character would get in FNAF 6

[litttleprincess-deactivated2017]

When you see it, REBLOG IT.

[32-kgs]

Depression Hotline: [phone]

Suicide Hotline: [phone]

LifeLine: 1-800-273-8255

Trevor Project: 1-866-488-7386

Sexuality Support: 1-800-246-7743

Eating Disorders Hotline: [phone]

Rape and Sexual Assault: 1-800-656-4673

Grief Support: 1-650-321-5272

Runaway: 1-800-843-5200, 1-800-843-5678, 1-800-621-4000

Exhale: After Abortion Hotline/Pro-Voice: 1-866-4394253

If you ever want to talk: My Tumblr ask is always open.

[mowestruc]

trans suicide prevention hotline: [phone]

[graphicdumped]

THIS IS A VERY IMPORTANT POST. REBLOG IT IF YOU CAN.

[ravensdescent36]

Do it, no matter your ‘blog type’ because you never know who might need it

[justawasteoftime1122]

Wow. I wonder if there are numbers to call about anxiety and just chit chat.

[nixie-offical]

DHSUSHAVANSHJA

(idk man just reblogging)

[quill-n]

I've been thinking about how, even in this one episode, I feel like Suitcase is the one pushing the hardest to maintain the faux-peaceful state they're at. Not that the other two aren't right there with her but like, her starting line in the song is literally, "We're all as happy as can be!" when that is clearly not the case. I've also hooked onto her line about making sacrifices to keep it drama-free, like. To me that gives a little bit of paranoid that things are going to spiral out of control like they have before if I don't maintain this energy vibes. wonder where that's gonna take them

[ch3s1re]

A bad summary of the Slay The Princess cast

The Narrator: The first character you ever meet. Came up with a really elaborate plan to get rid of death which only works in 3/6 in the endings because Slay The Princess is a multiple choice game and everyone that plays multiple choice games loves to be a contrarian. He’s an ass to the Princess and not much nicer to you so it’s really easy to hate him.

The Princesses: I would’ve described every Princess but I don’t have time for that and I don’t wanna make this post super long. Basically different forms of the Princess that depend on your actions and perspective of her. You can make her love you or want to grind you into bird-dragon paste and you’ll still have some sort of connection with her (mainly rooted in the fact you’re the only thing she knows). Every Princess is scary as hell in their own way and justifiably so; if I was stuck in a cabin constantly telling me that this is what I deserve and a weird dragon thing was sent down to kill me I should have the right to send shivers up a spine.

The Voices: Basically pieces of you: you get one every time you die that depends on how you die. They can be helpful and funny or annoying as hell depending on route you’re on (the pristine cut takes this to crazier extents), either way they’ll not like the narrator. Unsurprisingly. I have more to say about them individually but for the sake of time you’re getting what is probably the shortest paragraph

The Shifting Mound: The true form of the Princess, The God of Change. Wants to be reunited as a God with you but needs you to give her perspectives so you two can be complete, she also analyses the Princesses we get for us which thank god for since some people in this fandom have zero media literacy (…I am apart of ‘some people’). When she awakens into Godhood she goes overboard to the point where you have to go to her heart to let her come to her senses and realise that mortality is awesome actually. She loves all the gifts you give her…except the ones she’s already gotten. In that case you need to get new ones.

The Long Quiet: The true form of the player character/Hero, the God of Stagnation. Is literally the cage the narrator puts you and the Princess in, and is probably the one who gives you dialogue options in the first place. It’s hard to describe his personality since he’s literally supposed to be you but given our dialogue options I’d imagine he’s a chill guy.

[sorry-not-feeling-it-right-now]

All of the Princesses from the Blind Devotion branches just hurts me in a very specific way.

Cause. Think about it. Imagine being all alone in a cabin, chained up onto a wall. You’re scared and there is a voice in your head telling you that you deserve everything that has happened to you. And all of a sudden, a being has come down here. They were kind and gentle with you. They had attempted to save you from your chains. It all ends in tragedy. You don’t want to lose the only person that has ever been nice to you. And so you cling onto them, hoping to please them just so they wouldn’t leave you behind.

In Damsel, specifically in the unravelled Damsel route, you became a cardboard cutout of who you once were. You were so eager to please the other that the other had stopped seeing you as a full person entirely.

In Burned Grey, despite the fact that the other has killed you, and of course you are angry about that. But you still cling on to the kindness they had once showed you. You refuse to believe that someone who was once so kind to you would suddenly kill you without a second thought. And so you believe that it must be the cabin, right? All the cabin has done to you was to hurt you. To make you believe that you deserved all of this. And so you held onto that hope that the actions you had done has to be the cabin’s fault.

In HEA, you want to please the other so much that you had decided to give up your own desires just to make them happy. After all, they were kind to you. You don’t want to lose them. And at the end, despite having a voice in your ear being replaced by a voice that loves you, who adores you and cherish you, it’s all meaningless. You are still in your prison. You still like them, you think. Even though that feeling is long and distant. A coldness washes over you. You feel nothing. Until, that meaningless nothing has come to a stop, and you turned to the kind stranger and asked: “Do you still care about me?” Perhaps a part of you still had some hope. Perhaps you still wasn’t ready to let them go.

And then, you danced with them, underneath the stars you had longed for. This will be your final goodbye. You are ready.

[redfoxraccoon]

[kolnincor]

Don't know what bro is so surprised about, the sword was clearly longer than the bucket was deep