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Niclas Gillis - Gifs
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Hi. I am still waiting for your answer to your previous question about what kind of power the Shitennou have and if they have to transform in order to get their powers. Always amazed by your ideas and analysis. Hope you liked my idea about the Shitennou's power and trasformation. :-)
Oh, yes. RL essay writing meant this completely slipped my mind. :P
I said I would provide you with my penny’s worth on this question, so here it is.
Overview
There is no doubt that the Shitennou have powers to begin with. Given that Metalia feeds off power, she and Beryl would have never bothered to take the four Shitennou in the first place. If they were just normal men charged with the protection of their Master then it would have made more sense for Beryl to leave the Shitennou alone to try and regain their memories, find Mamoru and then ultimately lead her to the Senshi, the Princess and the Silver Crystal. That she opted instead to kidnap, brainwash and maybe even kill the physical human bodies to remake new ones around the Shitennou Stones, if their powers were not valuable.
As guardians to Endymion, we came presume that they had the powers to protect him. People can sometimes be a little reluctant to allow male characters to have powers in their own right simply because it potentially puts the Shitennou on par with the Senshi and “only girls can be Senshi” according to Naoko Takeuchi.
Having said that, the Shitennou were conceived before Naoko had really thought of any Pretty Guardians beyond the bounds of Jupiter and may very well have thought of them a genuine, male-variations of the Senshi.
Note that she named them after the Four Heavenly Kings who rule the Cardinal Directions (i.e. North, East, South and West). While the Shitennou do not match any of the Hindu/Buddhist versions of the Heavenly Kings exactly, the loose connections are there. Naoko does this chiefly by setting the boys up in certain continents: Zoisite is Europe (North), Jadeite is East Asia (East), Kunzite is the Middle East (South, sorta) and Nephrite is the Americas (West). We do not know the location of Elysion but it is possible Endymion is the Taishakuten (Centre), the God of the Four Kings themselves (Note that Tamonten, the King in the North, is the leader of the other three with them acting as vassels - showing again that the connection is loose as, obviously Kunzite is the leader of our boys.)
From this we can perhaps infer that the Four Heavenly Kings combined as the Collective Guardians of Planet Earth. Think about the better known of the two unicode planetary symbols for Earth, the “Cross of Odin” or Sun Cross:
In Sailor Moon, the Earth and Sun are consolidated into one power on Earth so this symbol is the best fit for Earth rather than the Gaia symbol (♁), which would suit a single senshi better. Presented in the traditional Earth symbol is a condensed representation the equator and a meridian, creating a cross that represents the four “corners of Earth” - dare I say, cardinal directions? - with a centre point. From this, I have always deduced that together the five men are the “Pretty Guardian of Life and Hope, Sailor Earth” … or are the combined Earth Guardian.
Thus, they naturally can be expected to have special powers like that of a Senshi (though different from being a Pretty Guardian).
Powers
While under Beryl’s command they have a connection to ice attacks that can be associated with D-point. Nonetheless each of the boys also have powers unique specifically to them that the others do not seem to replicate (at least, not with the same methods).
Here they are in a nutshell:
- Jadeite uses clay to create complex “Youma”.- Nephrite uses the power of shadows.- Zoisite relies completely on psychic powers, chiefly hypnosis and reflecting others attacks back on them.- Kunzite appears to use energy manipulation overall, focusing it into powerfully focused blasts.
There incidences where the powers overlap but ultimately what is listed above is still overall a dominion of the Shitennou as none of them seem to share exactly the same abilities.
Even though they all have psychic powers to an extent none of them come close to pulling off what Zoisite shows he can do with his. Jadeite knocks out Rei and a couple of children with his mind while Nephrite knocks out Matoki, some other blokes and Makoto in a similar manner. In comparison, Zoisite is able to command the whole city to follow his orders by creating hypnotic trances via television, radio and music, and maintain it.
It is also true that Nephrite’s shadows and Jadeite’s clay creatures serve the same function. However they are very different when looked at in detail. Jadeite’s creations are more complex and act independently from him, allowing him to give them orders and watch from a distance. The one time he decides not to do this, very likely through the influence of Neph and Zoi, it costs him his life. Nephrite on the other hand makes a point of his shadows being an extension of himself, able to do damage to others while being virtually impossible to hit physically. In this incidence he is in complete control at all times and thus they do not have minds on their own - they are literal shadows.
Going on from this, Jadeite doesn’t seem to be able to possess other living creatures with his power. His Clay creatures either replace a living person or act as people on their own. Nephrite, however, uses his shadows to possess other living people as with Princess D and Matoki. They lose autonomy and become his shadows. It is easy to argue that this is like what Zoisite does with the city but their methods are very different. Zoisite is clearly using his mind to control others whereas Nephrite’s powers have a distinctly magical, shadowy power. Nephrite creates monsters out of living things, Zoisite uses auto-suggestion to make them obey.
Kunzite is in Naoko Takeuchi’s own words the most power. This appears to be in the sense of destructive, magical clout. His powers are relatively unique as he is able to knock out the power in Tokyo with the wave of a hand. Powers being ramped up by Metalia aside, that the other Shitennou do not seem to have this ability suggests Kunzite’s powers lie in pure energy manipulation. Some might argue this is similar to Zoisite’s ability to bounce the Senshi’s attacks back at them but I disagree: one re-channels energy, the other simply bounces attacks back at enemies. Kunzite does have the ability to create a force field to protect himself, which is more similar to what Zoisite does (and to a lesser extent Nephrite’s shadows seem impervious to physical attacks). However Kunzite’s force field is more of an expression of his power: that puny attacks will not take him out. Zoisite and Nephrite both ultimately are killed by the Senshi simply by getting stabbed in the back (literally) or stupidly goading the Senshi on respectfully,
Physicality
The boys generally do not rely on their physical fighting abilities much. In the Silver Millennium they appear to have carried swords, though, so this must have been a part of their abilities. It could also be that the swords were used for magic also but we have no evidence of this.
Of the four, Jadeite avoids confrontation and physical violence almost completely, which is not surprising considering his use of Youma. Surprisingly, Zoisite - the one often characterised by the fandom as physically weakest of the guys - is the only one to physically restrain a Senshi with intent to kill her if necessary. Compare to Jadeite when Rei lunged at him; he could have struck or pushed her away but instead holds her back with his arm, telling her to stop and opting to use an inoffensive magical attack to try and restrain her rather than threaten her with harm. Zoisite’s use of physicality is not brutish though but a strategic move. He only attacks Sailor Moon once she thinks she has won, and cleverly sidelines her during a Moon Twilight in one of the best tongue-in-cheek “villain not taking your crap” moment Naoko could have slipped into her manga (Crystal replicated this scene brilliantly too and the 90′s anime has a great variation of this with Tuxedo Mask.) So, Zoisite might be willing to use physical strength - but not at his own risk.
Kunzite is completely above physicality it seems as hardly anyone can get close enough to him for it to matter. Nephrite also - often characterised as the bruiser of the group - also avoids physicality. However we can safely assume they are stronger than normal humans.
Transformations or “Poofing” into Uniform
So, the Shitennou have powers to wield. However the question remains: are they magical deities than need to transform or extraordinary humans who can command their powers on cue?
First, let’s look at the character who is the closest likeness to the Shitennou we have: Tuxedo Kamen. Mamoru Chiba, while relatively weak magically, does of course have natural psychic abilities he can access whenever he needs to. This lends wait to what I said before about the Shitennou and their psychic abilities. They maybe have all had some form of psychomancy, astral projection and healing powers. They all lament on their state of being in Dream, stating that they cannot help Mamoru any more (in healing him), indicating that were they still alive, they could have healed him or at least stabilised his condition.
Again, this leads us to Zoisite: we’ll use him as a case in point. His abilities seem very strongly based on psychic phenomena - so, if he had to transform in order to access it, would he be able to use any level of those powers in day to day life as a civilian? With Mamoru, he eventually gains the ability to “poof” into his tuxedo whenever he needs it rather than having to put it on. The divide between Kamen/Civilian comes down to having a disguise and being able to use “Tuxedo La Smoking Bomber”. In Zoisite’s case, I would call the divide at his general psychic ability and his ability to summon his force fields and reflective barriers, or more power mind-based attacks.
Thus we can conclude that transformation is the divide between Special and Magical powers; if the Shitennou had incantations to chant in order to summon their powers, e.g. instead of just willing his shadows into being, Nephrite had to say a spell to get it to happen, then transformation is a must.
If Mamoru can transform into Tuxedo Kamen and use a spell to summon powers, it stands to reason the boys would be similar. They would have some access to the powers outside of their uniforms but would have most control over them while in uniform. Basically, they should be treated as I said at the beginning - as the collective Guardians of Earth with Mamoru.
There are two types of writers…
Writer A: “I’ve fleshed this character out to the point where they’re more real then I am. I know everything about them, including their blood type, their thirty-first favorite song, what they did for their sixth birthday, and which brand of apples they prefer.”
Writer B: “This character exists as a full person in my head, but I know absolutely nothing about them. Once I forced them to talk about themselves, and they simultaneous lied about their past and told me accurate trivia facts I don’t remember learning.”
a series : sanctus [part 2]
part 1
prints are available!
The most important writing lesson I ever learned was not in a screenwriting class, but a fiction class.
This was senior year of college. Most of us had already been accepted into grad school of some sort. We felt powerful, we felt talented, and most of all, we felt artistic.
It was the advanced fiction workshop, and we did an entire round of workshops with everyone’s best stories, their most advanced work, their most polished pieces. It was very technical and, most of all, very artistic.
IE: They were boring pieces of pretentious crap.
Now the teacher was either a genius OR was tired of our shit, and decided to give us a challenge. Flash fiction, he said. Write something as quickly as possible. Make it stupid. Make it not mean a thing, just be a quick little blast of words.
And, of course, we all got stupid. Little one and two pages of prose without the barriers that it must be good. Little flashes of characters, little bits of scenarios.
And they were electric. All of them. So interesting, so vivid, not held back by the need to write important things or artistic things.
One sticks in my mind even today. The guys original piece was a thinky, thoughtful piece relating the breaking up of threesomes to volcanoes and uncontrolled eruptions that was just annoying to read. But his flash fiction was this three page bit about a homeless man who stole a truck full of coca cola and had to bribe people to drink the soda so he could return the cans to recycling so he could afford one night with the prostitute he loved.
It was funny, it was heartfelt, and it was so, so, so well written.
And just that one little bit of advice, the write something short and stupid, changed a ton of people’s writing styles for the better.
It was amazing. So go. Go write something small. Go write something that’s not artistic. Go write something stupid. Go have fun.
and what a gift it is
to earn the trust of people
who have given it to too many
me at 14: “None of my characters are self-inserts! I’ve worked really hard to make them unique and interesting. I hate Mary Sues.”
me now: “they’re all self-inserts. every single one of them. a hundred various versions of me. I’m gonna rub my grubby hands all over every property I enjoy. are you going to stop me? no. you can’t”
Things you should know about each of your characters
These are what I would consider to be the most basic, bare-bones questions of character creation.
What would completely break your character?
What was the best thing in your character’s life?
What was the worst thing in your character’s life?
What seemingly insignificant memories stuck with your character?
Does your character work so that they can support their hobbies or use their hobbies as a way of filling up the time they aren’t working?
What is your character reluctant to tell people?
How does your character feel about sex?
How many friends does your character have?
How many friends does your character want?
What would your character make a scene in public about?
What would your character give their life for?
What are your character’s major flaws?
What does your character pretend or try to care about?
How does the image your character tries to project differ from the image they actually project?
What is your character afraid of?
What is something most people in your setting do that your character things is dumb?
Where would your character fall on a politeness/rudeness scale?
One thing I always bring up that straight writers obviously don’t understand but every gay person ever can attest to is that queer people stick together. Like, every queer person knows like 15 other ones and those 15 know even more.
Like, having only One in your story completely misses the point of how we organize and stay safe, in addition to completely missing the point on being progressive (ie, having A Single Gay in your story isn’t special anymore and hasn’t been for decades now)
It is a fundamental misunderstanding of how marginalized people act bc straight people are allowed to be solitary and they don’t understand any other way of Being
Hijacking this post to talk about something interesting! There’s a lot of criticism in fanfiction circles of yaoi or yuri fanfiction where ‘everybody is gay’, and it’s almost always by folks who haven’t been involved in queer communities. If you’re queer, you really do surround yourself with queer people - so ‘everybody is gay’ in a character’s social circle actually makes perfect sense!
this exhibits itself in other ways too, for example, when there’s one queer sibling there’s usually more - often because one sibling will bring the definitions home and the other will use that to explore their own identity!
Another weird phenomenon I noticed is this happens a lot even before people realize they’re Not Straight ™. Out of my close friends in high school, most of us turned out some form of LGBTQA, and I’ve heard other people say the same is true for them. So people saying it’s “unrealistic” that everyone in the same social circle would gradually discover they’re Not Straight ™- yeah, it is totally reasonable and even likely.
#we know our own #sometimes before we know ourselves (tags via @anneapocalypse )
I have to wonder if maybe THIS is where straight people got the term “catching the gay”… You know?
My mother was so concerned when I moved to CA for college that I would “catch the gay”, and I was just like “???????? pretty sure it’s not something you catch like a cold, mom.” And ignored her.
It wasn’t until I started making friends in the LGBT community and spending time with them and loving them as people that I slowly became aware of the fact that I might not be straight. And after years of talking to LGBT youth and living in a city that embraces that culture, I found myself realizing that I was ALWAYS like this, but never realized it.
It’s like… you could go your ENTIRE life having the choice of eating raisin bran, bran flakes, or plain cheerios for breakfast. And that’s pretty much the only choices you’re offered. But then. THEN! You walk into a supermarket and see an ENTIRE AISLE of a billion cereal choices, and you realize “wait, I…are…are you telling me that I could have had LUCKY CHARMS for breakfast?!”
And OOOOHHHHHH BOI lemme tell you a thing, when you see your buddies eating captain crunch and lucky charms, and you realize you can ALSO have that?
Well, then - if “the gay” is contagious, then you’d better lock me in quarantine.
So far I haven’t been able to turn lead into gold in my alchemy experiments but I have been able to convert lead into a case of slight lead poisoning!
by Thomas Bavington
today I’m sitting beside the questions of my self worth wondering why one piece missing from my hands full of good and beautiful things makes me feel so empty
Playlists for Writing & Roleplay
Listen on Spotify or Spotify Web Player
Music to write, roleplay, or study to! These playlists are works in progress and are continuously growing and improving. Titled after like-themed action movie and game music, the playlists each have their own personality, and encourage different moods or activity levels. Most music is from soundtracks. The calmest playlists, Temple Ruins and Party Camp, are useful for getting into the mood. This music is less distracting. Once your pace is set, or if you want to get in the mood for an action scene, Underworld or Boss Fight are the playlists for you. Tavern Nights is what it sounds like, full of highs and lows but can be distracting. Field Music is right in the middle, with lots of color.
All playlists are available to follow on Spotify, and can also be accessed via the web player with a free Spotify account. Just click on the [listen] for the link. Please do not hesitate to suggest music/changes to me, either here or on Spotify.
Title: Temple Ruins Mood: tense, eerie, dark and scary Volume: quiet, few musical swells Action: creeping through a dark ruin and avoiding spiders Instruments: minimal orchestral Lyrics: few (non-English)
[listen]
Title: Party Camp Mood: calm, mysterious, romantic Volume: soft, somewhat dynamic Action: resting after a long day of travel Instruments: minimal orchestral Lyrics: few (mostly non-English)
[listen]
Title: Field Music Mood: cheerful, adventurous, vigilant Volume: low to medium, dynamic Action: adventuring with your companions Instruments: orchestral Lyrics: few (non-English)
[listen]
Title: Tavern Nights Mood: cheerful as well as sombre Volume: medium to high, dynamic Action: eating and drinking with the locals Instruments: mainly guitar and fiddle, some harp Lyrics: yes (including English)
[listen]
Title: Underworld Mood: terra incognita, on the hunt, betrayal Volume: mid-low with many dynamic moments Action: venturing into the land of demons and the undead Instruments: orchestral Lyrics: yes (non-English)
[listen]
Title: Boss Fight Mood: angry, dangerous, violent Volume: mainly loud, dynamic Action: slaying armies and dragons Instruments: full orchestral Lyrics: few (non-English)
[listen]
Things I’m trying out in writing this month:
non-romance based characters
using new music for inspiration
children of previous characters
gathering material for a novel
writers resources for opiate addiction
Things I will probably write this month:
romanced characters
people who love oldies
children of previous characters acting like their parents
not a novel
so if generic wizards use wands and staffs to cast spells I’m gonna bring up the idea of modern era magicians using what they can find with a wooden body, like teens picking up baseball bats and 2x4s imagine just running out of mana or whatever and instead of slinking back you just crack your rune laden bat over a particularly punkish goblin
yall mind if i