Channel Z

Named after a kickass B-52's song, Channel Z is home to the art and culture writings of Louie Pearlman: Comedian, Songwriter and Staff Writer for Rebeat Magazine and ToughPigs.com.

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Dear Covy

I lost my brilliant friend and collaborator Covy Holland this week. I’m trying to work through a strange and difficult grief process that’s only beginning, so I’ve decided to write him a letter. If you knew Covy, I hope reading it can help you a bit out too. If you didn’t know Covy, I’m really sorry that you didn’t get to meet him, because he was the absolute best, and I hope you get to know him a bit through this letter. Trigger Warning: allusion to suicide.

Hello my friend,

I want to start this letter by telling you that I am so unbelievably sad that you have left us. You were such a joy to so many and were so, so loved. You leave this Earth with all of us proud of you and so much better to have known you.

I remember meeting you for the first time. When was that? 8, 9, even 10 years ago?? You were so excited that Shannon and I had come to Calgary to run workshops and have fun with all of you. You struck me immediately as such an engaged learner. You were so excited to pick up what Shannon and I were laying down. You had a youthful energy about you and a puckish spryness. I only remembered this week after hearing of your death that we're the same age. You always struck me as a bit younger because you always had so much energy.

What followed was one of the truly great pleasures of my life: getting to see you grow as an improviser and find your voice. You were always playful, but it was amazing to see your work get deeper, sometimes serious, sometimes wonderfully surreal.

You truly did the work, Covy, and we are all so much better for it. I'll miss your willingness to help me develop new shows, like APT 33, and your desire to "go there" whenever I was in town to try new things. I'll miss the weird onstage bits: the ones that didn't go so well and those that killed, like when you wore what felt like infinite shirts onstage to take them off one by one only to have the last shirt be one with holes for the nipples. I don't know if I'll ever really understand why that bit worked as well as it did, but it had something to do with your execution, for sure.

It was wonderful to see you grow so much during the time I knew you, Covy. I am so honored you and Stephen asked me to direct you for those several days in the summer of 2017. Now that you're gone, I cherish the time I spent with you and Stephen in that small rehearsal room, thinking of new ideas and ways to play together.

You were so generous with your time, input, energy, and love for us. We all know this. You were one of my biggest financial supporters when I used to fundraise for Story Pirates. Because of you, so many kids got to experience our creative writing and performance programs who otherwise would not have. This is part of your legacy, and I don't want it to be forgotten.

Remember that wonderful day when you and Cassie came to see me do a Story Pirates show in NYC? After, we walked several miles down Manhattan, laughing and chattering the entire way. It is such a happy memory for me. You just made so many people happy. It's so much about how you chose to live your life. We ended that day getting ice cream and Chinatown Ice Cream Factory. I went there yesterday and ate some ice cream and thought about you. I am in no way surprised that ice cream made its way into some of the stories that your family and friends told at your memorial today.

The day before I heard the terrible that you left us, a bird flew into the bakery where I work. At first, it casually flew in when I was at the front of the store, perched on our front counter, gave me a look, and flew right out. But it came back several hours later and caused a big fuss, which felt very much like you heightening an improv scene in a funny and strange way, and it took a lot of effort for us to shoo it out of the store. There was an element to it that was a little risky and part of it that was fun. Sort of like being on stage with you. Knowing what I know now about the connection that you had to nature, I'd like to believe that was you coming to visit me one last time and say goodbye.

I'm heartbroken that you're gone, Covy. Of course, there's no way to truly understand why you had to leave all of us now. I hope there's an aspect of you that's lighter now and free of what was ailing you. You have left all of us to carry the weight of your absence. It's a challenge that we are up for, but one that I don't look forward to. There are heart-shaped holes in all of the lapels of our jackets where there once were fanciful felt hearts instead. We're all going to have to learn how to keep going, day by day, in this new reality where the holes in our lapels are always there.

I will try to think of you and celebrate your spirit in small and big ways. You made such a huge impact, Covy. I truly believe that one day we'll meet again and there we'll be: in a room, with a stage and some folding chairs, and there will be much laughter and play. But until then, I'll miss you, my friend. And I'll remember you.

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Echos of Stonewall: The NYPD Still Hate LGBTQ+ and Black People 51 Years Later

(source: Scott Lynch/Gothamist)

I know a lot of friends and family are concerned about what I witnessed last week at the Queer Liberation March for Black Lives Against Police Brutality. First of all, I am fine. It did take me a while to write this all down because the entire incident was very frightening. I also want to acknowledge that the decisions that I made at the moment come from my distinct place of privilege as a cis, white gay man in support of the movement for Black Liberation. I was not directly affected by the police's actions at the march, and my heart, energy, and resources go out to those who were more affected by them.

From all accounts, the QLM drew tens of thousands of people and was entirely peaceful. I marched with several friends, up from the city hall area, though Tribeca to the West Village, and finished southbound through the Washington Square Park arch in the village's center. This is important because just north of the arch, about 15 minutes after I finished marching, the NYPD perpetrated their violence against the protesters who were ending their march. I would have been caught in a dangerous situation perpetrated by the police if my party had just been slightly behind.

As I left the park southbound with a friend, a horde of about 20 cops ran past us. We decided to follow them as they ran back north through the park. There was a crowd of protestors just north of the arch who were getting very audibly agitated. However, it was hard to see what was going on even as we propped ourselves up on concrete park benches to see what was happening more clearly. However, we could eventually see the chaos meer feet away from us and smell the pepper spray the police were using on what had been protestors who were peaceful for the rest of the day previous.

I wanted to enter the fray and use my white body and privilege to try to protect people. However, I had neglected to write a bail fund on my arm before heading out for the march, and I was wearing my contact lenses, which would have been really bad for my eyes if I had been teargassed or pepper-sprayed. I felt very ill-prepared at the moment about these mistakes. I'm an accomplished protestor, and usually, I prepare more appropriately. This being a pride event, I naively assumed that this march would not suffer from police brutality. This is a mistake I will not make again when I'm protesting for Black Lives Matter.

What I saw was needlessly escalated and violent as I left the park, and what I learned later confirmed what I saw. Apparently, two protestors were using a sharpie to deface a police van. However, because the police have no training to de-escalate violence, they sent hordes of officers to the scene. Many were wearing riot gear, and many were on bicycles, there were multiple squad cars (which I saw speeding up to the park as I was leaving), all being deployed to shove these protestors with their nightsticks, pepper spray them and push them down onto the ground.

This is, unfortunately, not an isolated incident in NYC during the current wave of protests. The NYPD is so poorly trained to deal with... anything really. What I saw on Sunday was helpful for me to witness, because it made me understand why the Black Lives Matter movement is looking for the complete abolishment of the NYPD ASAP. It was like the NYPD was an occupying militarized force dealing with violent insurgents: It was that bad. The police that I saw during the march looked tired and angry. They were basically chomping at the bit to insight some violence and bust some heads. When the cops were running past me on the way to the north end of the park, they almost had a gleeful and excited look in their eyes.

These actions are shameful, especially on the 51st anniversary of The Stonewall Uprising and the 50th anniversary of the first Pride March to commemorate the uprising. All the police accomplished was to radicalize another group of protesters who witnessed firsthand the violence perpetrated on Black Lives Matter protesters over the last month. I know that the whole incident galvanized me to further use my time and energy to fight for a more just and equitable world for the Black people in my city and country.

For more info about what happened, I'm including some helpful articles that cover the incident in more detail, and the news report from very mainstream NBC news, that doesn’t make the police look like the good guys here. A lot of friends are asking "why aren't I hearing more about this?" Well, here's your chance to read up on what happened and hopefully get more involved:

The Nation:  51 Years After Stonewall, New York’s Queer Liberation March Faces Police Violence

NBC: NYC's Queer Liberation March draws thousands, clashes with NYPD

Gothamist:  Queer Liberation March Draws Massive Crowd: “No Barricades, No Cops, And Keeping Black Trans People Safe

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We Need to Talk About Luke

[warning: spoliers for Star Wars: The Last Jedi below]

There's something we're not getting right about Luke Skywalker.  We've all been thinking a lot about him lately, due to his grand cinematic reappearance in Star Wars: The Last Jedi. This film unsurprisingly seized our collective imaginations over this holiday season, as Star Wars has for the past forty years and will continue to as long as Disney makes good movies (fingers crossed).

You can't address Luke's role in the film without at first approaching The Last Jedi as a whole. It was surprisingly divisive, and the fan backlash has been relatively sharp and vehement. On the other side, there's already been a lot of film criticism written about this movie that states in better terms that I could about why I dug it so much: it's incredibly inclusive, the casting is remarkably diverse, and the film is woke AF.

I know the structure of The Last Jedi didn't sit well with people. That wasn't the case for me. I liked the movie on first viewing and loved it on second. All the beats worked for me, even the overly didactic ones! I like that the franchise is moving towards a direction of dealing with more ambiguously moral issues. The Star Wars movies have had a tumultuous adolescence (yup... those prequels) and are now finally growing up and coming into their own as modern and sustainable myth.

And then there's a major focus: Luke. Many friends of mine hated Luke's arc in this movie. HATED. I'm pretty fascinated by the strong reactions to his portrayal in this film. Some argue that there's no way Luke would have lived in isolation for so long after his fall from grace (uh... shades of Obi-Wan and Yoda, hello?). And there were those that could not stand that pesky Luke force-projection.

I think these readings of Luke are somewhat valid, but I think that these friends are making the same mistakes that most of the characters are making in the movie as well. Although Luke was always meant to be the hero that would bring the Jedi back and restore order to the galaxy, in reality, his journey was fraught with as much failure and hardship as successes.

Much like his nephew Kylo Ren, Luke is constantly caught between the dark and light sides. The main difference between them is that young Luke leans towards the light, while Kylo Ren leans towards the dark. However, I think they very intentionally mirror each other, maybe even more so than Luke and his father. 

Luke is always putting in a lot of work to not fall to the Dark Side. He's sometimes quite successful and heroic, and sometimes... not as much as we remember. Darth Vader tries to turn him during their confrontation on Bespin, in what's arguably the best scene in the entire series, and Emperor Palpatine comes even closer to succeeding in Return of the Jedi, and probably would have, without the third-act surprise redemption of Darth Vader/Anakin Skywalker, saving his son from the Darkside and redeeming himself in the process.

I'd argue that Luke and Leia go through the most emotional pain in the original trilogy. Leia witnesses the destruction of her adopted homeworld learns she has a twin brother and father, who she then loses. How does she cope? The new trilogy teaches us that she moves on, starts a family and becomes a leader in the galactic senate and later a general in the resistance. Although her marriage to Han falls apart (probably more his fault than hers, I mean, really), the rest of her newfound roles sit well on her.

Luke has to carry the trauma of losing his aunt and uncle, his new mentor Obi-Wan, learning that the worst dick in the galaxy is his father, losing another mentor, Yoda, and then losing his father after they finally have a nice moment together! How does Luke cope? He tries to become a leader like his sister, by training a new slew of Jedi. But his own inner-conflict and nagging self-doubt lead to a deadly incident with his nephew. 

Luke triggers much of the conflict of the new trilogy because, like in the original trilogy, he does not trust his intuition or his own ability to lean towards the light and loving side of the Force. Luke is terribly conflicted. He always has been. It's what makes his hero's journey so compelling and what has made him a more complex and vibrant cinematic hero than we often give him credit for.

And that's just it: Luke Skywalker is first-and-foremost a legendary cinema hero. The Last Jedi meta-textually deals with this fact so, so well, and I think it's the part that's been missing from the discussion around the film. As viewers, we have always wanted Luke to succeed. We cheer his victories but his struggles and losses are equally painful. In the world of Star Wars, Luke is ultimately unable to be the Jedi hero that his friends and proteges need him to be: Luke's always been more heroic in theory than in practice.

That is why, in Luke's final moments as a character (well, at least one who's alive... I wouldn't be surprised if future films trot out Mark Hamil to play a force ghost) we finally get to see the Luke Skywalker we've always wanted to see. When he appears in the cave that the Rebels are hiding out in, he's drastically altered from his earlier appearances on the island. His beard is trimmed close to his face, his hair less gray, and he's wearing the battle garb of the Jedi. He's cool and collected with his old friends like Leia and C3PO and then he steps out to do battle with Kylo Ren, having given the Rebels time to escape.

And there's Luke in his final cinematic face-off: face-to-face with his fallen apprentice, dark vs light, old vs young. Same as it ever was, but not really, because Luke is not even physically there. By projecting himself to appear on Crait, he has become to the Star Wars universe what he's always been to us: a flickering, heroic illusion that gives us identifiable feelings of aspiration and hope. This is the ultimate version of Luke Skywalker: finally removed of his doubt and flaws to be the hero that we've always wanted and desperately needed him to be. We get one glorious fight sequence with Luke in his ultimate form, but this illusion is unsustainable.

Then, watching the sunset, as his character is iconically known to do, Luke becomes one with the Force. But it's not the last we see of Luke in the film. In the movie's stunning coda, Luke's ultimate fate is revealed: he has become a story within the narrative of the Star Wars movies, just like he is within our greater popular culture. The slave kids in the movie are playing with a homemade Luke action figure, so similar to the way my generation spent our childhoods, and they are telling his story.  Luke's always been better in the vivid imaginations of kids than he's even been onscreen. The Last Jedi acknowledges that fact brilliantly. That is Luke's narrative moving forward: a myth, a legend, a story, a new hope. For generations of Rebels in the Star Wars galaxy, and for generations of moviegoers in ours, to come.

[louie4711]

E1: Rocket To Russia

It's here! Kyle Gordon and Louie Pearlman's new music podcast Kick the Jukebox! In this episode, Kyle and Louie share their love for The Ramones' Rocket To Russia, hep you to an old 80's NYC disco tra

Guys guys guys!!!! It’s my new music podcast with fellow music geek, my friend Kyle Gordon: Kick The Jukebox! Listen to us discuss Madonna, Nona Hendrix, and mostly THE RAMONES! We get to pretend to be Dee Dee and Joey, we talk, laugh and pretend we’re the coolest kids in school!

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If you like my articles, you’ll LOVE my new podcast!

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I Believe in Miracles: The Epic Comic Meeting of Archie and the Ramones

Archie Meets Ramones is a surprising and remarkable project for the 77-year-old comics publisher. I remember attending the Archie Comics panel last year at New York Comic…

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This is one of my favorite pieces I've ever written. Archie+Ramones forever.

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Every ‘Monkees’ Episode: “I Was A Teenage Monster” (S1E18)

This past summer, we celebrated the 50th anniversary of the Monkees as a band by counting down our top 50 Monkees songs. Now, we’re celebrating The…

“Sometimes you need to leave your day job acting out unfunny misadventures wading through a retread of old horror flicks to push towards the future of your band and change the pop music landscape for the better.” A LESSON FOR US ALL.

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LIVE: Grandmaster Flash (Brooklyn, NY)

I'll admit, being an Eighties baby, I missed the Seventies the first time around, much to my chagrin. But lately, between catching local shows by Giorgio Moroder and Nile Rodgers from Chic, I've felt transported back to that lush, disco-fied era. That concept was hammered home when I got to catch a Grandmaster Flash DJ…

Covering Grandmaster Flash’s House of Yes Show was one of the most fun experiences I’ve had so far writing for Rebeat. I hope that fact shines through in this review. Get your hands up for Flash!

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The Minus 5’s Scott McCaughey on the Monkees and What Makes Men Into Myths

It feels like Scott McCaughey has been part of every notable band in the past 20 years. He was a member of Young Fresh Fellows and played consistently with R.E.M, Tired Pony, and Robin Hitchcock, among others. His latest project is Of Monkees And Men: an album with the entire first half devoted to songs about…

I loved interviewing Scott McCaughey about his new Monkees themed album for Rebeat. He’s a really interesting and insightful musician and a big Monkees geek as well!

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In our review of the Ruth Buzzi episode of The Muppet Show, we notice that Ruth can't keep her hands off the merchandise.

Writing a review of Ruth Buzzi’s Muppet Show episode is a TOUCHY subject, so I HANDled it with care.

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The relationship between Jim Henson and Jerry Juhl is a really interesting one. It’s also one that can end up being overlooked when it comes to the creative relationships that Jim formed in his lifetime, mainly because Juhl did his work mostly behind the camera instead of in front of it.

I wrote this piece for Tough Pigs last week about the main comedy-writing force behind The Muppets, Jerry Juhl, and his artistic partnership with a guy you may have heard of: Jim Henson.

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Wait, So is Jughead Still Asexual?

The adorable cover of Jughead #9 Art by Derek Charm

My love for Archie Comics runs deep. I remember picking up my first Archie Comic from the local Safeway as a kid. In between intense flirtations with Mad Magazines and superheroes, there were always my Archies: a gateway into what felt like the unrealistically bright and serene old-fashioned world of Riverdale. However, beyond the seemingly clean surface, Archie’s Riverdale was a place that involved crushes, dating, and Sadie Hawkins dances. It was weirdly a more adult place than I remember encountering at the time in my four-color fantasies. Archie comics were not comics that just involved guys in tight outfits and capes punching each other in the face, these comics had characters with crushes on each other and sometimes they would cuddle and kiss! Two girls were even in love with the same boy! I ended up falling for the red headed fella in question as well, but that’s an essay for another time.

Classic Jughead, source: www.ArchieComics.com

In the midst of all the action was Jughead, Archie’s always burger-hungry slacker best friend. There’s been a lot written lately about how Jughead is one of the greatest characters in the history of literature, and that’s because he absolutely is. With a sardonic witticism for every occasion and an outsider’s view of the proceedings, Jughead is the Archie fan’s favorite Archie character, period.

Kevin Keller coming out in his first appearance in Veronica #202 felt like an affirmation for many Queer people who wanted mainstream representation in an Archie Comic. Source: www.cbr.com

The Archie comics had stuck themselves in a sort of idyllic time loop for many years, but recently a major shake-up was instigated starting with the introduction of Kevin Keller to the regular cast of Riverdale teens. Kevin’s a lot like the other kids: handsome, from a loving family and able to get easily in and out of crazy predicaments. However, here’s something about him a little different: He’s gay! Sexual diversity had come to Riverdale. Now, finally, many more variations of standard love-triangle plots could be explored. Kevin’s been enjoying a great run of comics over the last few years, mostly helmed by writer/artist Dan Parent, who’s an insightful talent that Archie Comics is lucky to have.

The introduction of Kevin and other diverse characters, like the film-obsessed Raj Patel, fashionable Ginger Lopez, and wheelchair-bound Harper Lodge make the Archieverse a way more modern and inclusive place than it was when Vic Bloom and Bob Montana invented it in the Forties. These moves have contributed to significant discussions in the greater comics community when it comes to comics publishers’ responsibility to be celebratory of our differences when writing stories for younger readers.

Along those same lines, many fans including myself delighted when Jughead author Chip Zdarsky confirmed in an interview that “I like an asexual Jughead… That’s more interesting to me than writing him as just being behind everyone developmentally.”

Jughead comes out as Ace in Jughead #4. Art by Erica Henderson. Source: www.vulture.com

Zdarsky then dropped in Jughead #4 that our titular crowned hero was indeed canonically asexual! Jughead’s official Ace status was a great move, both on Zdarsky and Archie Comics’ part. Although a study in 2004 placed about 1% of the British Population as identifying as asexual, I cannot think of a single asexual fictional character. How positive to have representation for those often left invisible in a work that is for younger readers. 

Zdarsky’s hysterical run on Jughead continued to be just great until it ended last month. It explored many facets of the character that had nothing to do with Jughead’s desire or non-desire to have sexual contact with his fellow teenagers.

Cut to last week’s Jughead #9, the first issue of the current Jughead series to be written by new writer Ryan North. North is another hip and humorous writer, very appropriate to be writing Jughead. He’s best known for his weird and wonderful Dinosaur comics and his work with fan-favorite Squirrel Girl over at Marvel.

Juggie clearly has all the feels for this burger clad lady. From Jughead #9, art by Derek Charm.

The plot of Jughead #9 is about Jughead developing a crush on a woman dressed as a giant hamburger and giving out coupons outside of Pop’s Diner.

“Wait!” You say, “Develop a crush? Wasn’t it just five issues ago that Jughead proclaimed his asexuality?”

To which I would reply, “To my understanding, some people who identify as asexual develop romantic feelings for others without developing a sexual attraction to them.”

“OK, cool,” you retort, “but does Jughead #9 address this at all?”

To which I would finally state, “Boy! This has been an excellent and not-made-up conversation about Jughead’s asexuality. And… nope, the issue does not.”

Uh-oh.

To me, this is a disservice to the Ace community. The plot of Jughead #9 is certainly funny and engaging. I’ve never read a Jughead story that puts him in this particularly unique burger-loving and romantic situation. However, despite the fact that the issue is almost entirely about how Jughead is dealing emotionally with his shift into being romantically interested in someone, Jughead #9 in no way attempts to address how Jughead rectifies these new feelings within his preestablished asexuality.

But WHY don’t you get crushes Jughead? From Jughead #9, art by Derek Charm.

Even worse, the issue seems to skirt around this plot point. For example, Jughead and Betty have a frank conversation about his crush on the burger-woman, and it almost comes up that these feelings might be different for him than they would be for say, Betty or Archie, but the conversation doesn’t quite get to where we want it to go.

How precious. From Jughead #9, art by Derek Charm.

Later in the issue, Jughead daydreams about his future life with the burger woman that involves them having a little burger-baby. Therefore, Jughead has rationalized the possibility of him procreating in the future with this burger-woman. Unfortunately, this all happens off-page. All the internal debates that Jughead might be having do not take place in the issue. We are left to assume and project beyond the page: an, unfortunately, old and outdated method for Queer people to read fiction in which they are not adequately represented, but instead realized within the subtextual modus operandi of the character of which they identify.

When Jughead as outed as asexual, it was a positively publicized moment and one that the fan and Ace community celebrated. At this point in the company’s history, it’s very off-brand for Archie Comics to take a step-back on its diversity. Did an editorial discussion about this change happen? Becuase this feels like a clear reneging to me or a retcon that kicks a whole group of people out of the mainstream comics representation-pool. And, ya know, that kind of sucks if that’s what’s actually happening.

In future issues, it’s my hope that Ryan North and Archie Comics can correct what was hopefully a one-time oversight. The amount of stories currently flowing through good, ol’ Riverdale has gotten so much richer because of the rainbow of new cast members introduced in recent years. It would be such a regression to give a part of that up because it’s an admittedly funny idea to make Jughead fall in love with a woman in a burger costume.

What do you think about this change to Jughead? I’m not Ace, personally. Anyone from the Ace community want to weigh-in?

UPDATED 10/5/2016: Got this nice response from Ryan North on twitter. The internet provides! Excited to read the next few chapters:

Louie Pearlman is a comics geek, pop culture journalist and bubblegum music enthusiast in NYC. He is also an accredited member of the Time Police. All non-credited scans/captures are his own.

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TV: ‘The Get Down’ (Netflix)

Picture yourself in New York City in the summer of 1977. You take a graffiti-strewn 6 train up to the South Bronx and exit in the sweltering stickiness of a record-breaking heatwave. You enter what can only be described as a war-zone. Burnt-down buildings torched for insurance money smolder around piles of rubble where large…

Here’s a review I wrote this week for Netflix’s new series The Get Down. I ended up enjoying the back-end of the first six episodes after they started off kind of rocky. What did you all think? Did you power though? Everyone excited for the next six as I am?

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Channel Z Has Resumed It’s Programming Day

Hello, loyal Channel Z viewers! I am as surprised as you to be posting from this Tumblr again, but here I am! Why am I resurrecting a Tumblr after three years of inactivity that I mainly used to reblog funny posts and revel in my geeky interests? Well, I'm not so much resurrecting as much as I'm revamping. Channel Z has a new mission, purpose, and hopefully a vibrant and meaningful life.

For the past few years, I've become a staff writer for two excellent websites: Rebeat Magazine, an incredible mid-century music, arts and culture blog and ToughPigs.com, my favorite blog for Muppet Fans Who Grew Up (I'm capitalizing because it's their tag line, silly!). Both these sites are a total joy. I can't express the talent and care that my editors exhibit in curating some of the best work on the internet. However, what if I want to write a piece that's not about mid-century arts and culture or Jim Henson and his felty creations?

Enter the new Channel Z. I'm going to try to push myself as a writer, journalist and pop culture analyst by writing pieces that are about subjects I otherwise wouldn't be able to pitch. I'm both going to try to indulge my geeky interests and push myself as well. Assignments for those websites can keep me busy, but I'm still going to do my best to keep some content flowing on here as well.

Also, I am going to use this Tumblr as a place to post links to my work on other sites. I encourage an active dialogue and discussion about anything posted on here moving forward. The more opinions, the better. Along those lines, a question to end this post: What would you like to see me write about on Channel Z?

Thanks for tuning in...

Louie Pearlman is a comedian, songwriter, and pop culture journalist in NYC. He likes old bands but has given up old scotch for health reasons.

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(via Instapaper)

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Hardcore DEVO Re-Issued On Vinyl and CD! Michael/Devo-Obsesso, clubdevo.com

Mar 25, 2013 13:09

ATTN: DEVO re-issues Hard­core Vol­umes 1 & 2 via Supe­ri­or Viaduct! Vinyl avail­able in May 2013. 2-CD set avail­able in August 2013.

- First time reis­sue of archival mate­r­i­al fr …

If you've never heard the Hardcore Devo compilations then are you in for a treat!

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Channel-Z is ending it's programming day.

Hey tumberites and tumblretts. Wanted to let you know that I'm going to stop posting on Channel-Z starting today.

When I started my main tumblr - Naive Melodies, I wanted it to serve as a changing portfolio for my personal and artistic life. Channel-Z was a place to express my interests and mainly reblog.

Well - I'm amalgamating the two together. Things I want to promote, things I want to bring up, personal posts, pop-culture posts, I decided that they're all facets that make me into the person that I am. So for simplicity's sake, I'm going to be posting/reblogging/promoting/writing/commenting on everything over at Naive Melodies.

So - if you've enjoyed Channel-Z, please tune into Naive Melodies: home, it's where you want to be. Thanks guys!

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The So So Glos - Son of an American

Punk rock is alive and well in Brooklyn!