Who even still posts vent art in 2025....cringe
dirt enthusiast

pixel skylines
PUT YOUR BEARD IN MY MOUTH
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One Nice Bug Per Day

Kiana Khansmith

@theartofmadeline
AnasAbdin
I'd rather be in outer space 🛸
i don't do bad sauce passes

oozey mess
Today's Document
DEAR READER
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occasionally subtle
Jules of Nature

shark vs the universe
wallacepolsom
almost home
seen from Peru

seen from India
seen from United States
seen from Malaysia

seen from United States

seen from United States

seen from Vietnam

seen from Spain

seen from United States
seen from Hong Kong SAR China

seen from South Africa
seen from Canada
seen from United Kingdom

seen from Türkiye
seen from United Kingdom
seen from Portugal

seen from Mexico
seen from France

seen from Czechia
seen from United States
@cherrycolastains
Who even still posts vent art in 2025....cringe
Attack for Spamtonix on art fight
Revenge for King_Flint on art fight
Time to talk an unnecessary amount about floors!
Episode 6 of Dungeon Meshi was produced in collaboration with a smaller studio, Enishiya - and it went way harder than I expected, for being made up of two relatively simple and self contained stories focusing on one character each.
And you can really see how those extra resources meant the animators could give full focus to both halves of the episode. Let's take a look at one piece that stole the show.
The first half was handled primarily by episode director/storyboard artist Keita Nagahara and co-animation director Hirotoshi (or Hiroaki? [1]) Arai. It's actually kinda insane how much of this section can be attributed to these two.
But the real star of the show is the second half, Chilchuck vs the mimic, led by co-animation director Toya Ooshima in his first animation director role for TV anime!
And the biggest aspect that knocked my dang boots off was something that's very consistent with Ooshima's style: background animation!
By animating the backgrounds rather than using painted still images, Ooshima and the team of other similarly skilled animators are able to create these beautiful dynamic camera movements that wouldn't be possible otherwise. Like these cuts by Takeshi Maenami where the camera becomes an expressive part of the scene, zipping forward and backward, and tilting to emphasize the speed of this murderous hermit crab. (Maenami's style is also very recognizable here - snappy timing and quick camera movements)
Or this cut by the incredible Kaito Tomioka which cleverly combines a traditional background for the walls with a fully animated floor. The level of detail in these tiles is just completely insane, and used to great effect with this wide, diagonal angle, and the way the camera tentatively drifts forward before reversing direction, and the tiles blur out as it speeds up.
I don't think I'm the only one caught off guard by how much they full-assed this little side story, but it was a pleasant surprise!
I broke down the entire episode in this video here. A lot of research went into this one, and I think it's the best one of these videos I've made so far, so if you're at all interested in more of this type of analysis in video form, I would really appreciate it if you checked it out, or re-blogged this post! Thanks
[1] It's listed as Hirotoshi on Anime News Network, but Hiroaki on a key frame that Studio Trigger shared on Twitter, so I'm not sure which one is wrong.
one day I’ll finally write that ridiculously elaborate fanfiction that I’ve been carefully constructing in my daydreams for months and then you’ll be sorry. you’ll all be sorry.
Experimental piece because this song is my roman empire (the watermark is different and im too lazy to change it)
I whipped this up for autopsy pretty quick in class, so no real gore :/
GORETOBER DAY 4 MUTATION
I AM A WEEK BEHIND!!
women with horns
Literally all of my ocs
If you are a fan fic writer and you're alright with people making fan art of your fic, reblog this 💚
Goretober day 2 CANDY GORE!!!.
Extra doodle
Goretober day 1 TEETH!
An Archive of Our Own, a project of the Organization for Transformative Works
My other fanfiction that I am also writing!!
Summary: Stanley falls outside of the parable into a whole new maze, only to find out he has found himself able to control The Narrator! Stanley must now navigate a whole new parable and in a freak accident, The Narrator is trapped inside his own body with Stanley. The two must face their own resentment to work together to escape together. Yet Stanley finds out that The Narrator is hiding something from Stanley.
Video version of mh other post :)
He likes to stare at people
I've hired this cat to stare at you